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The contributions gathered in this volume bear witness to the fact that belonging is a multi-faceted concept that necessitates different and shifting idioms of expression. It continually requires reconsideration and redefinition of our affiliations in response to the rapid social, cultural, and political changes of our world. The literary paradigms, linguistic practices, and cultural formations of belonging testify to the impossibility of confining it to conventional and established structures of knowledge. The different reflections on belonging introduced in this book are instrumental in reassessing and remodelling the general assumptions that have informed its definition and representation. The current global reality and the self-other encounter make inevitable the continuous search for new forms of belonging that are in tune with one’s evolving and changing sense of self. Theoretically informed by and substantially grounded in lively and heated debates on cultural identity and belonging, this book proposes new critical directions in understanding national and transnational belonging.
"This is an in-depth examination of a slippery and contradictory subject. Knowledge alone is not enough for this type of project. It takes breaking out of narrow conceptual cages and unsettling what we think of as stable meanings. The author brings all of this to life in often unforgettable ways." - Saskia Sassen, Professor, Columbia University "National identities were once taken largely for granted in social science. Now they are part of an even more complex ′politics of belonging′ that challenges both public affairs and the categories of social science. Nira Yuval-Davis offers a nuanced account that will be important for scholars and all those concerned with contemporary politics." - Craig Calhoun, Director, LSE This is a cutting-edge investigation of the challenging debates around belonging and the politics of belonging. Alongside the hegemonic forms of citizenship and nationalism which have tended to dominate our recent political and social history, Nira Yuval-Davis examines alternative contemporary political projects of belonging constructed around the notions of religion, cosmopolitanism and the feminist ′ethics of care′. The book also explores the effects of globalization, mass migration, the rise of both fundamentalist and human rights movements on such politics of belonging, as well as some of its racialized and gendered dimensions. A special space is given to the various feminist political movements that have been engaged as part of or in resistance to the political projects of belonging. Yuval-Davis deconstructs notions of national and ethnic and interrogates the effects that different political projects of belonging have on members of these collectivities who are differentially located socially, economically and politically.
Through a series of original analyses of poetic works belonging to the Italian canon or purposely posing themselves at the margins of it, this book seeks to highlight poetry as an art form which has the capacity to show the incongruities of society, not just semantically, but especially through the use it makes of signifiers, which allow meaning to come through notwithstanding linear communication. Specifically, this volume identifies and analyzes a line of diverse early modern to contemporar...
It passes for an unassailable truth that the slave past provides an explanatory prism for understanding the black political present. In None Like Us Stephen Best reappraises what he calls “melancholy historicism”—a kind of crime scene investigation in which the forensic imagination is directed toward the recovery of a “we” at the point of “our” violent origin. Best argues that there is and can be no “we” following from such a time and place, that black identity is constituted in and through negation, taking inspiration from David Walker’s prayer that “none like us may ever live again until time shall be no more.” Best draws out the connections between a sense of impossible black sociality and strains of negativity that have operated under the sign of queer. In None Like Us the art of El Anatsui and Mark Bradford, the literature of Toni Morrison and Gwendolyn Brooks, even rumors in the archive, evidence an apocalyptic aesthetics, or self-eclipse, which opens the circuits between past and present and thus charts a queer future for black study.
In Cosmopolitan Belongingness and War, Matthew Leep develops a cosmopolitan account of war that blends sharp inquiry into interspecies politics with original poetry on animals, loss, and war. Informed by the works of Jacques Derrida, this book is not only a somber and sobering exploration of the loss of animal lives during the Iraq War—from the initial US invasion to later struggles with ISIS—but also an imaginative tracing of animal experiences in "spectral-poetic moments." By emphasizing elegies, poetic space, and multispecies belonging, Leep envisions the cosmopolitan text as a hybrid form of critical and poetic engagement with animal others. An insightful mix of cosmopolitan poetics, poetry, and analysis of the Iraq War in its multispecies entanglements, Cosmopolitan Belongingness and War connects contemporary concerns with political violence, memory, and interspecies politics to imagine a more spectral, posthumanist, and poetic cosmopolitanism. Interdisciplinary in scope, this book will engage scholars of international relations, political theory, US foreign policy, animal studies, poetry, and Derrida, as well as those interested in human-animal relations in perilous times.
Offers a collection of essays examining the racialized and gendered effects of contemporary politics of belonging. This work is useful to scholars working in the areas of multiculturalism, globalisation and culture, race and ethnic studies, gender studies and studies of post-partition societies.
Through a series of original analyses of poetic works belonging to the Italian canon or purposely posing themselves at the margins of it, this book seeks to highlight poetry as an art form which has the capacity to show the incongruities of society, not just semantically, but especially through the use it makes of signifiers, which allow meaning to come through notwithstanding linear communication. Specifically, this volume identifies and analyzes a line of diverse early modern to contemporary Italian poetic works in which the goal is not only to imitate or represent the world, but to enact a change upon it. Rather than resulting in an exercise in self-indulgence, these works focus on poetics as an agent of social transformation. Deleuze and Guattari used, in 1976, the metaphor of the rhizome: a subterranean â " and therefore subversive â " root, a growth that develops in hidden, unpredictable directions. The rhizome is a figure of alterity and discontinuity, in opposition to the binary logic proper of hierarchical structures. Each of the works analyzed in this volume enhances, in different ways, this intuition by proposing a non-linear undergrowth that affects poetics and invades the very logic of society, finally enacting a revolt, and transforming the world from within.
This is David Whyte's fourth book of poetry