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This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.
This is a book about political stasis; the purgatory that Stormont became, and the sins of that long standoff. The story begins in January 2017, with Martin McGuinness's dramatic resignation as Deputy First Minister, and chronicles all the behind-the-scenes negotiations that ultimately resulted in the restoration of the Executive in January 2020, with the 'New Decade New Approach' agreement. Then, that new fight with a fearsome and unknowable foe: Coronavirus. Political Purgatory charts the three years from the collapse and restoration of the northern Executive to Covid-19 in the wider frame of building peace after conflict, and we turn the next corner into the centenary of Northern Ireland and that louder call for Irish unity, since Brexit, like a piece of heavy machinery on fragile ground, has left cracks across the Union. Spanning several decades, some of the biggest names on the inside of Irish and British politics and policing, including Gerry Adams, Peter Robinson, Julian Smith and Simon Coveney, help veteran journalist Brian Rowan turn the pages in what President Clinton has called the 'long war for peace'.
Purgatorio is Martínez's most moving, most autobiographical novel and yet it is also a ghost story, the ghost story which has been Argentina's history since 1973. It begins, 'Simón Cardoso had been dead for thirty years when Emilia Dupuy, his wife, found him at lunchtime in the dining room of Trudy Tuesday.' Simón, a cartographer like Emilia, had vanished during one of their trips to map an uncharted country road. Later testimonies had confirmed that he had been one of the thousands of victims of the military regime - arrested, tortured and executed for being a "subversive." Yet Emilia had refused to believe this account, and had spent her entire life waiting for him to reappear. Now in her sixties, the Simón she has found is identical to the man she lost three decades ago. While skirting around the mystery, Eloy Martínez masterfully peels away layer upon layer of history -both personal and political. Just as Simón's disappearance comes to represent the thousands of disappearances that became such a common occurrence during the dictatorship, so Emilia's refusal to accept his death mirror's the country's unwillingness to face its reality.
The doctrine of purgatory - the state after death in which Christians undergo punishment by God for unforgiven sins - raises many questions. What is purgatory like? Who experiences it? Does purgatory purify souls, or punish them, or both? How painful is it? Heaven's Purge explores the first posing of these questions in Christianity's early history, from the first century to the eighth: an era in which the notion that sinful Christians might improve their lot after death was contentious, or even heretical. Isabel Moreira discusses a wide range of influences at play in purgatory's early formation, including ideas about punishment and correction in the Roman world, slavery, the value of medical purges at the shrines of saints, and the authority of visions of the afterlife for informing Christians of the hereafter. She also challenges the deeply ingrained supposition that belief in purgatory was a symptom of barbarized Christianity, and assesses the extent to which Irish and Germanic views of society, and the sources associated with them - penitentials and legal tariffs - played a role in purgatory's formation. Special attention is given to the writings of the last patristic author of antiquity, the Northumbrian monk Bede. Heaven's Purge is the first study to focus on purgatory's history in late antiquity, challenging the conclusions of recent scholarship through an examination of the texts, communities and cultural ideas that informed purgatory's early history.
Political theory professor Stuart Elden explores the history of land ownership and control from the ancient to the modern world in The Birth of Territory. Territory is one of the central political concepts of the modern world and, indeed, functions as the primary way the world is divided and controlled politically. Yet territory has not received the critical attention afforded to other crucial concepts such as sovereignty, rights, and justice. While territory continues to matter politically, and territorial disputes and arrangements are studied in detail, the concept of territory itself is often neglected today. Where did the idea of exclusive ownership of a portion of the earth’s surface come from, and what kinds of complexities are hidden behind that seemingly straightforward definition? The Birth of Territory provides a detailed account of the emergence of territory within Western political thought. Looking at ancient, medieval, Renaissance, and early modern thought, Stuart Elden examines the evolution of the concept of territory from ancient Greece to the seventeenth century to determine how we arrived at our contemporary understanding. Elden addresses a range of historical, political, and literary texts and practices, as well as a number of key players—historians, poets, philosophers, theologians, and secular political theorists—and in doing so sheds new light on the way the world came to be ordered and how the earth’s surface is divided, controlled, and administered. “The Birth of Territory is an outstanding scholarly achievement . . . a book that already promises to become a ‘classic’ in geography, together with very few others published in the past decades.” —Political Geography “An impressive feat of erudition.” —American Historical Review
Recruited by British Intelligence to infiltrate the IRA and Sinn Féin during the height of the Northern Ireland Troubles, they were ‘agents of influence’. With codenames like INFLICTION, STAKEKNIFE, 3007 and CAROL, these spies played a pivotal role in the fight against Irish republicanism. Now, for the first time, some of these agents have emerged from the shadows to tell their compelling stories. Agents of Influence takes you behind the scenes of the secret intelligence war which helped bring the IRA’s armed struggle to an end. Historian Aaron Edwards, the critically acclaimed author of UVF: Behind the Mask, explains how the IRA was penetrated by British agents, with explosive new revelations about the hidden agendas of prominent republicans like Martin McGuinness and Freddie Scappaticci and lesser-known ones like Joe Haughey and John Joe Magee. Bringing to light recently declassified TOP SECRET documents and the firsthand testimonies of agents and their handlers, Edwards reveals how British Intelligence gained extraordinary access to the IRA’s inner circle and manipulated them into engaging with the peace process. With new insights into the spy masters behind the scenes, their strategies and tactics, and Britain’s international intelligence network in Northern Ireland, Europe, and beyond, Agents of Influence offers a rare and shocking glimpse into the clandestine world of secret agents, British intelligence strategy and the betrayal at the heart of militant Irish republicanism during the vicious decades of the Troubles.
NATIONAL BOOK AWARD LONGLIST The first English-language story collection from “one of Iran’s most important living fiction writers” (Guardian), “a playful, whip-smart literary conjuror: a Kundera or Rushdie of post-Khomeini Iran” (Wall Street Journal) In Seasons of Purgatory, the fantastical and the visceral merge in tales of tender desire and collective violence, the boredom and brutality of war, and the clash of modern urban life and rural traditions. Mandanipour, banned from publication in his native Iran, vividly renders the individual consciousness in extremis from a variety of perspectives: young and old, man and woman, conscript and prisoner. While delivering a ferocious social critique, these stories are steeped in the poetry and stark beauty of an ancient land and culture.
In Purgatorio Dante, having described his journey into Hell, narrates his ascent of Mount Purgatory with Virgil, as he encounters penitents who toil through physical agonies, starvation and flames to assuage their earthly vices. Only by learning from them can he achieve his final enlightened transition to the lost Earthly Paradise at the mountain’s summit, where he meets his dead love, Beatrice, and prepares to ascend to Heaven. Depicting a realm of intense sensation and physical experience, Dante’s poem transformed the traditional Christian idea of Purgatory by showing how the free will of the aspiring soul could change wordly perversions into perfection. It is a brilliantly nuanced and moving allegory of human possibility, hope and redemption.
Available for the first time in paperback, this essential resource presents a systematic introduction to Dante's life and works, his cultural context and intellectual legacy. The only such work available in English, this Encyclopedia: brings together contemporary theories on Dante, summarizing them in clear and vivid prose provides in-depth discussions of the Divine Comedy, looking at title and form, moral structure, allegory and realism, manuscript tradition, and also taking account of the various editions of the work over the centuries contains numerous entries on Dante's other important writings and on the major subjects covered within them addresses connections between Dante and philosophy, theology, poetics, art, psychology, science, and music as well as critical perspective across the ages, from Dante's first critics to the present.
This book is a major re-appraisal of the Commedia as originally envisaged by Dante: as a work of ethics. Privileging the ethical, Corbett increases our appreciation of Dante's eschatological innovations and literary genius. Drawing upon a wider range of moral contexts than in previous studies, this book presents an overarching account of the complex ordering and political programme of Dante's afterlife. Balancing close readings with a lucid overview of Dante's Commedia as an ethical and political manifesto, Corbett cogently approaches the poem through its moral structure. The book provides detailed interpretations of three particularly significant sins - pride, sloth, and avarice - and the three terraces of Purgatory devoted to them. While scholars register Dante's explicit confession of pride, the volume uncovers Dante's implicit confession of sloth and prodigality (the opposing subvice of avarice) through Statius, his moral cypher.