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This unique volume is based on the philosophy that the teaching of history should emphasize critical thinking and attempt to involve the student intellectually, rather than simply provide names, dates, and places to memorize. The book approaches history not as a cut-and-dried recitation of a collection of facts but as multifaceted discipline. In examining the various perspectives historians have provided, the author brings a vitality to the study of history that students normally do not gain. The text is comprised of 24 historiographical essays, each of which discusses the major interpretations of a significant topic in mass communication history. Students are challenged to evaluate each approach critically and to develop their own explanations. As a textbook designed specifically for use in graduate level communication history courses, it should serve as a stimulating pedagogical tool.
The ideal of a neutral, objective press has proven in recent years to be just that—an ideal. In Governing with the News, Timothy E. Cook goes far beyond the single claim that the press is not impartial to argue that the news media are in fact a political institution integral to the day-to-day operations of our government. This updated edition includes a new afterword by the author, which pays close attention to two key developments in the twenty-first century: the accelerating fragmentation of the mass media and the continuing decline of Americans' confidence in the press. "Provocative and often wise. . . . Cook, who has a complex understanding of the relationship between governing and the news, provides a fascinating account of the origins of this complicity."—James Bennet, Washington Monthly "[Governing with the News] addresses central issues of media impact and power in fresh, illuminating ways. . . . Cook mines a wealth of historical and organizational literature to assert that the news media are a distinct political institution in our democratic system."—Robert Schmuhl, Commonweal
From the opening decades of the republic when political parties sponsored newspapers to current governmental practices that actively subsidize the collection and dissemination of the news, the press and the government have been far from independent. Unlike those earlier days, however, the news is no longer produced by a diverse range of individual outlets but is instead the result of a collective institution that exercises collective power. In explaining how the news media of today operate as an intermediary political institution, akin to the party system and interest group system, Cook demonstrates how the differing media strategies used by governmental agencies and branches respond to the constitutional and structural weaknesses inherent in a separation-of-powers system. Cook examines the news media's capacity to perform the political tasks that they have inherited and points the way to a debate on policy solutions in order to hold the news media accountable without treading upon the freedom of the press.
The influence of the mass media on American history has been overwhelming. History of the Mass Media in the United States examines the ways in which the media both affects, and is affected by, U.S. society. From 1690, when the first American newspaper was founded, to 1995, this encyclopedia covers more than 300 years of mass media history. History of Mass Media in the United States contains more than 475 alphabetically arranged entries covering subjects ranging from key areas of newspaper history to broader topics such as media coverage of wars, major conflicts over press freedom, court cases and legislation, and the concerns and representation of ethnic and special interest groups. The editor and the 200 scholarly contributors to this work have taken particular care to examine the technological, legal, legislative, economic, and political developments that have affected the American media.
Ruthless Criticism was first published in 1993. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. Ruthless Criticism offers perspectives and subjects largely outside traditional historiography. It broadens the concept of media history to include lesser-studied media, and offers alternative interpretations of traditional media. This anthology of original research includes an array of scholarly and theoretical perspectives. Each addresses specific topic within a specific era. reflecting the diversity of U.S. mass media. Solomon and McChesney begin by using critical theory and deconstruction to examine the meanings of print in the colonial era. Subsequent chapters study the media ecology of the antebellum press; the intense focus on profits of the post-Civil War mainstream press; gender images in the labor press; the diversity of political views within the working-class press; and the development of a commercial press in the black community. The essays concerning the twentieth century focus on the rise of a culture industry and include studies on the origins of the broadcast ratings system and the commercial broadcast system and the commercial broadcast system, early television's portrayals of childhood, the televisions networks' close ties with the federal government, the government's key role in creating and developing the field of mass communication research, and teenage girls' popular culture from 1960–1968 as a formative influence on the feminist movement.
On Wisconsin Women traces the role women played in reform movements, both in Wisconsin state politics and in its press. Women's news and opinions often appeared anonymously in abolitionist journals and other reform newspapers even before Wisconsin became a state in 1848. The first state newspaper published under a woman's name was boycotted and failed in 1853. But from the passage of the 14th amendment in 1866 to Wisconsin's ratification of the 19th amendment in 1919, women were never at a loss for words or a newspaper to print them. Women's news won a new respectability under feminine bylines and led to the historic victory for women's suffrage. McBride undertakes the task of considering feminist reform as a conceptual whole.
During his long tenure as editor of the Emporia Gazette, William Allen White won nation-wide fame as an author, political leader, and social commentator. But more than anything else, he became the national embodiment of the small-town newspaperman and all the treasured virtues that small towns represented in the minds of Americans. Home Town News is both a fascinating biography and a compelling social history. The book uses White's career to help us understand the role of journalism--and the journalist--in turn-of-the-century American culture: Far from being a simple chronicler of daily events, the small-town newspaperman carried considerable weight in his community, becoming a leading force in local business, a galvanizing influence in civic life, and a key political activist. In addition, Home Town News tells the story of Emporia, Kansas, during this period of social change, offering a richly textured description of small-town life that takes us beyond abstractions like "modernization" and "boosterism" to yield new insights into the processes that have shaped modern America.
The most comprehensive study of violence against U.S. journalists from the American Revolution to the present, this text takes an innovative approach to free speech issues, tracing violence against the press throughout American history to discuss the changing structures and cultures of the media and their relation to the public sphere. Maintaining that violence has been an integral part of the culture of public expression in this country since earliest times, this provocative survey presents and elucidates the notion that violent reactions to writers and publishers, rather than occurring sporadically, have been systematic and recurring, indicative of a long and consistent process of cultural evolution. Disputing claims that anti-press violence is a marginal aspect of American society carried out by fringe elements of the population, the author sheds light on decades of such incidents of aggression, from colonial printers to Salman Rushdie, and, through lively and insightful prose, constructs the argument that this phenomenon points to an underlying and profound theme in the history of American cultural identity. With a detailed taxonomy of the various forms of anti-press violence, and historical analyses of such conflicts during the American Revolution, early Republic, Civil War, and other periods, Violence Against the Press adds a significant new dimension to existing historical accounts of anti-media violence, and promises to be a major contribution to the timeless debate of the press's role in society.