Download Free Political Ideals In Medieval Italian Art Book in PDF and EPUB Free Download. You can read online Political Ideals In Medieval Italian Art and write the review.

"This book explores how the different forms of government and political factions of the Italian states in the thirteenth and fourteenth century used sculpture to express their authority and their achievements. It was a period of radical transformation both in politics and in art; and while paintings such as Lorenzetti's fresco of Good and Bad Government in Siena could convey the ideals and ideology of the political classes to a limited audience, it was rather the more public sculpted monuments - the tombs, fountains and portals by artists such as Giovanni Pisano, Arnolfo di Cambio or Tino di Camaino - that could speak directly to the man-in-the-street. The solid marble of monuments denoted strength and power and suggested permanence, the condition to which all regimes aspired." --Book Jacket.
An exploration of how power and political society were imagined, represented and reflected on in medieval English art
In Art as Politics in Late Medieval and Renaissance Siena, contributors explore the evolving relationship between image and politics in Siena from the time of the city-state's defeat of Florence at the Battle of Montaperti in 1260 to the end of the Sienese Republic in 1550. Engaging issues of the politicization of art in Sienese painting, sculpture, architecture, and urban design, the volume challenges the still-prevalent myth of Siena's cultural and artistic conservatism after the mid fourteenth century. Clearly establishing uniquely Sienese artistic agendas and vocabulary, these essays broaden our understanding of the intersection of art, politics, and religion in Siena by revisiting its medieval origins and exploring its continuing role in the Renaissance.
This title was first published in 2000: Introduced by Joanna Cannon, this volume of essays by postgraduate students at the Courtauld Institute, University of London, explores some of the ways in which art was used to express, to celebrate, and to promote the political and religious aims and aspirations of those in power in the city states of central Italy in the thirteenth and fourteenth centuries. The contributions focus on four centres: Siena, Arezzo, Pisa and Orvieto, and range over a number of media: fresco, panel painting, sculpture, metalwork, and translucent enamel. Employing a variety of methods and approaches, these stimulating essays offer a fresh look at some of the key artistic projects of the period. The dates cited in the title, 1261 and 1352, refer to two well-known works, Coppo di Marcovaldo’s Madonna del Bordone and the Guidoriccio Fresco in the Palazzo Pubblico of Siena, here newly assigned to this date. By concentrating on individual cases such as these, the essays provide rewardingly sustained consideration, at the same time raising crucial issues concerning the role of art in the public life of the period. These generously-illustrated studies introduce new material and advance new arguments, and are all based on original research. Clear and lively presentation ensures that they are also accessible to students and scholars from other disciplines. Art, Politics and Civic Religion in Central Italy, 1261-1352 is the first volume in the new series Courtauld Institute Research Papers. The series makes available original recently researched material on western art history from classical antiquity to the present day.
The first monograph on the Vita Humana cycle at Tre Fontane, this book includes an overview of the medieval history of the Roman Cistercian abbey and its architecture, as well as a consideration of the political and cultural standing of the abbey both within Papal Rome and within the Cistercian order. Furthermore, it considers the commission of the fresco cycle, the circumstances of its making, and its position within the art historical context of the Roman Duecento. Examining the unusual blend of images in the Vita Humana cycle, this study offers a more nuanced picture of the iconographic repertoire of medieval art. Since the discovery of the frescoes in the 1960s, the iconographic programme of the cycle has remained mysterious, and an adequate analysis of the Vita Humana cycle as a whole has so far been lacking. Kristin B. Aavitsland covers this gap in the scholarship on Roman art circa 1300, and also presents the first interpretative discussion of the frescoes that is up-to-date with the architectural investigations undertaken in the monastery around 2000. Aavitsland proposes a rationale behind the conception of the fresco cycle, thereby providing a key for understanding its iconography and shedding new light on thirteenth-century Cistercian culture.
Explore the "Italian Renaissance" through the lens of political science in this insightful book. Uncover how this era sparked significant political changes, laying the groundwork for modern governance. Ideal for professionals, students, and enthusiasts, it provides in-depth knowledge of one of history's most influential periods. Chapters Overview: 1. Italian Renaissance: A cultural and political rebirth that reshaped European thought. 2. Florence: The political heart of the Renaissance, led by the influential Medici family. 3. Renaissance: The cultural and political impact across Italy. 4. Renaissance Architecture: How architecture mirrored political power. 5. Giorgio Vasari: His role in documenting the Renaissance's political aspects. 6. Cosimo de' Medici: His strategies shaped Florentine politics. 7. Republic of Florence: The dynamics of Florence as a Renaissance republic. 8. Renaissance Art: Art as a political tool reflecting rulership and humanism. 9. Florence Baptistery: The political symbolism in Florence's architecture. 10. Italian Art: The evolution of art as political propaganda. 11. History of Florence: Florence's political history, from republicanism to Medici rule. 12. Music of Florence: Music's political role in civic life. 13. John Argyropoulos: Byzantium's influence on Renaissance humanism. 14. Museo Nazionale di San Marco: The museum's preservation of Renaissance political legacy. 15. Florentine Painting: Depictions of political power in art. 16. Italian Renaissance Painting: Trends reflecting political patronage. 17. Tuscany: Tuscany's influence as a political and cultural hub. 18. Italophilia: European admiration for Italian culture and its political impact. 19. Renaissance Articles Index: A detailed index for deeper exploration. 20. Italo-Byzantine: Byzantine influences on Renaissance art and politics. 21. Renaissance Sculpture: Sculpture as a medium for political expression. Immerse yourself in the political and cultural innovations of the Italian Renaissance, from Florence's power corridors to Rome's intellectual salons. This book offers a compelling journey through one of history's defining eras.
This book provides a fully contextualised overview on aspects of visual culture, and how this was the product of patronage, politics, and religion in some European countries between the 13th and 17th centuries. The research that is showcased here offers new perspectives on the conception, production and reception of artworks as a means of projecting core values, ideals, and traditions of individuals, groups, and communities. This volume features contributions from established scholars and new researchers in the field, and examines how art contributed to the construction of identities by means of new archival research and a thorough interdisciplinary approach. The authors suggest that the use of conventions in style and iconography allowed the local and wider community to take part in rituals and devotional practices where these works were widely recognized symbols. However, alongside established traditions, new, ad-hoc developments in style and iconography were devised to suit individual requirements, and these are fully discussed in relevant case-studies. This book also contributes to a new understanding of the interaction between artists, patrons, and viewers in Medieval and Renaissance times.
A series of papers delivered at a conference with the same name in 1988 at the University of Notre Dame. It considered the relationship between politics and the literary and visual arts. Political scientists and anthropologists focus on the institutions that express power relationships.