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The thirteen authors of this collective work undertook to articulate matter-of-fact critiques of the dominant narrative about communism in Poland while offering new analyses of the concept, and also examining the manifestations of anticommunism. Approaching communist ideas and practices, programs and their implementations, as an inseparable whole, they examine the issues of emancipation, upward social mobility, and changes in the cultural canon. The authors refuse to treat communism in Poland in simplistic categories of totalitarianism, absolute evil and Soviet colonization, and similarly refuse to equate communism and fascism. Nor do they adopt the neoliberal view of communism as a project doomed to failure. While wholly exempt from nostalgia, these essays show that beyond oppression and bad governance, communism was also a regime in which people pursued a variety of goals and sincerely attempted to build a better world for themselves. The book is interdisciplinary and applies the tools of social history, intellectual history, political philosophy, anthropology, literature, cultural studies, and gender studies to provide a nuanced view of the communist regimes in east-central Europe.
"From 1919 to 1989, the borderland of Upper Silesia, one of Central Europe's most important industrial regions, was at the center of a conflict between Germany and Poland. In their interaction with--and mutual influence on--one another, political and cultural actors from both nations developed a transnational culture of territorial rivalry. Architecture, spaces of memory, films, radio auditions, museums, folklore, language policy, mass rallies, and archeological digs marked just some of the features that gave the borderland a 'German'/'Polish' face. This case, representative of the wider politics of twentieth-century Europe, played a critical role in one of history's most violent and uprooting eras"--Provided by publisher.
After '89 takes as its subject the dynamic new range of performance practices that have been developed since the demise of communism in the flourishing theatrical landscape of Poland. After 1989, the theatre has retained its historical role as the crucial space for debating and interrogating cultural and political identities. Providing access to scholarship and criticism not readily accessible to an English-speaking readership, this study surveys the rebirth of the theatre as a site of public intervention and social criticism since the establishment of democracy and the proliferation of theatre makers that have flaunted cultural commonplaces and begged new questions of Polish culture. Lease argues that the most significant change in performance practice after 1989 has been from opposition to the state to a more pluralistic practice that engages with marginalized identities purposefully left out of the rhetoric of freedom and independence.
This book charts and traces state-mandated or state-encouraged “patriotic” histories that have recently emerged in many places around the globe. Such “patriotic” histories can revolve around both affirmative interpretations of the past and celebration of national achievements. They can also entail explicitly denialist stances against acknowledging responsibility for past atrocities, even to the extent of celebrating perpetrators. Whereas in some cases “patriotic” history takes the shape of a coherent doctrine, in others they remain limited to loosely connected narratives. By combining nationalist and narcissist narratives, and by disregarding or distorting historical evidence, “patriotic” history promotes mythified, monumental, and moralistic interpretations of the past that posit partisan and authoritarian essentialisms and exceptionalisms. Whereas the global debates in interdisciplinary memory studies revolve around concepts like cosmopolitan, global, multidirectional, relational, transcultural, and transnational memory, to mention but a few, the actual socio-political uses of history remain strikingly nation-centred and one-dimensional. This volume collects fifteen caste studies of such “nationalizations of history” ranging from China to the Baltic states. They highlight three features of this phenomenon: the ruthlessness of methods applied by many state authorities to impose certain interpretations of the past, the increasing discrepancy between professional and political approaches to collective memory, and the new “post-truth” context. This book will be of interest to students and researchers of international politics, the radical right and global history. It was originally published as a special issue of the Journal of Genocide Research.
This book is an in-depth study of the transformations in Central Europe in the years since the fall of Communism. In a comparative analysis of geopolitical, ethical, cultural, and socioeconomic shifts, this essential text investigates the post-communist countries.
While both Spain and Poland developed genteel cultures grounded in Catholic religion, and experienced periods of growth followed by long decline, it is also the case that large differences in political economy and military structures also existed. Thus while Spain merely declined in power, Poland was partitioned by three powerful and rapacious neighbors. The Catholic and conservative elements that have been strong in both Poland and Spain have often been portrayed as obscure nativist and racist and even fascist. The purpose of this volume is to move beyond the simplistic vision this created about both countries into a more balanced and careful appraisal of tradition and development. Puncturing this stereotype, Eugene Genovese wryly notes that "as every schoolboy knows, Europe's Catholic Right has consisted of reactionaries who began in the service of residual feudal landowners and ended in support of big capital's exploitation and oppression of the masses. Still, the totalitarian horrors of the twentieth century proved prescient....the warnings of the Catholic traditionalist Right about the consequences of radical democracy and cultural nihilism. These splendid essays, as readable as they are scholarly, launch a long overdue assessment of vital political events." Ewa Thompson, professor of Slavic Studies at Rice University, writes. "The fall of Communism facilitated growth of research in areas previously difficult to access. One such area is Polish interest in Spain, the history of the Catholic Right in Europe. This pioneering volume explores both narratives and succeeds in showing that they are related. The similarities have to do with the symmetrical positions of Poland and Spain asfrontiers of Europe against invasions from Islam. The present collection of papers explores recent history developing against this background."
A critical examination of the category of "Polishness" - that is, the formation, redefinition, and performance of various kinds of Polish identities - from a wide range of disciplinary perspectives. Inspired by new research in the humanities and social sciences as well as recent scholarship on national identities, this volume offers a rigorous examination of the idea of Polishness. Offering a diversity of case studies and methodological-theoretical approaches, it demonstrates a profound connection between national and transnational processes and places the Polish case in a broader context. This broader context stretches from a larger Eastern European one, a usual frame of comparison, to the overseas immigrant communities. The authors, renowned scholars from Europe and the United States, thus demonstrate that an understanding of modern Polish identity means crossing not only historical but also geographical boundaries. Consequently, the narrative on Polish identity that unfolds in the volume is a personalized and multivocal one that presents the perspectives of a wide range of subjects: peasants, workers, migrants, ethnic and sexual minorities-that is, all those actors who have been absent in grand national narratives. As such, the examination of Polishness sheds light on the identity question more broadly, emphasizing the interplay of pluralizing and homogenizing tendencies, and fostering a reflection on national identity as encompassing both sameness and difference.
Being Poland offers a unique analysis of the cultural developments that took place in Poland after World War One, a period marked by Poland's return to independence. Conceived to address the lack of critical scholarship on Poland's cultural restoration, Being Poland illuminates the continuities, paradoxes, and contradictions of Poland's modern and contemporary cultural practices, and challenges the narrative typically prescribed to Polish literature and film. Reflecting the radical changes, rifts, and restorations that swept through Poland in this period, Polish literature and film reveal a multitude of perspectives. Addressing romantic perceptions of the Polish immigrant, the politics of post-war cinema, poetry, and mass media, Being Poland is a comprehensive reference work written with the intention of exposing an international audience to the explosion of Polish literature and film that emerged in the twentieth century.
How a German city became Polish after World War II With the stroke of a pen at the Potsdam Conference following the Allied victory in 1945, Breslau, the largest German city east of Berlin, became the Polish city of Wroclaw. Its more than six hundred thousand inhabitants—almost all of them ethnic Germans—were expelled and replaced by Polish settlers from all parts of prewar Poland. Uprooted examines the long-term psychological and cultural consequences of forced migration in twentieth-century Europe through the experiences of Wroclaw's Polish inhabitants. In this pioneering work, Gregor Thum tells the story of how the city's new Polish settlers found themselves in a place that was not only unfamiliar to them but outright repellent given Wroclaw's Prussian-German appearance and the enormous scope of wartime destruction. The immediate consequences were an unstable society, an extremely high crime rate, rapid dilapidation of the building stock, and economic stagnation. This changed only after the city's authorities and a new intellectual elite provided Wroclaw with a Polish founding myth and reshaped the city's appearance to fit the postwar legend that it was an age-old Polish city. Thum also shows how the end of the Cold War and Poland's democratization triggered a public debate about Wroclaw's "amputated memory." Rediscovering the German past, Wroclaw's Poles reinvented their city for the second time since World War II. Uprooted traces the complex historical process by which Wroclaw's new inhabitants revitalized their city and made it their own.