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Since its initial publication, Policing Desire has proved to be an unparalleled analysis of 'the cacophony of voices which sounds through every institution of our society on the subject of AIDS.' For the third edition Simon Watney has provided a new preface, a compelling new concluding essay, and a resource directory for AIDS information.
First published in 1996. The Homosexual(ity) of Law is an innovative and important investigation of the legal representation of identity and sexuality. This wide-ranging and theoretical study demands that we think again about the legal regulation of sexual relations. It examines how both sense and nonsense of same-sex relations are made in law by way of ‘homosexual’. It explores how the introduction of an idea of homosexuality both promotes the continued abhorrence and increased punishment of same-sex relations and makes possible reforms in the law that promote respect for these relations. This study investigates the struggles that surround the review of the law on ‘homosexuality’ undertaken by the Wolfenden Committee in the 1950s and explores the peculiarities of the enactment of the term ‘homosexual’ into the law of England in 1967. It challenges the current understanding that ‘homosexual’ is either a term used to name a specific category of act or a term that is merely used to name an identity. The Homosexual(ity) of Law shows how ‘homosexual’ is a term that signifies both of these things, but it is also capable of expressing many other meanings. It explores the values that are given a voice through this new term in law. It also demonstrates that ‘homosexual’ in law is a reference to a complex technology of interrogation, surveillance and documentation that isolates gestures, speech and deportment and gives them meaning as ‘homosexual’ in law. Through an analysis of various police practices, the day-to-day decisions of the judiciary in high profile test cases and recent Parliamentary debates relating to the age of consent law reform, The Homosexual(ity) of Law explores the way this ‘homosexual(ity)’ is put to use in current legal practice.
AIDS and the Sexuality of Law investigates the role that HIV/AIDS has played in the legal construction of sexuality. AIDS and its metaphors have been judicially enlisted to patrol the boundaries of heterosexuality, producing flawed understandings of HIV/AIDS and sexuality. The proliferation of this flawed knowledge through judicial discourse has had a profound impact on the way sexuality is understood. Even more fundamentally, closer analysis exposes the ironic processes of the law whereby material reality, ignorance, and belief interact to replace unknowns with 'social facts.' The book concludes optimistically, arguing that there is political value in uncertainty.
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This bold, globe-spanning survey is the first book to thoroughly explore the radical, long-standing interdependence between art and homosexuality. It draws examples from the full range of the Western tradition, including classical, Renaissance, and contemporary art, with special focus on the modern era. It was in the modern period, when arguments about homosexuality and the avant-garde were especially public, that our current conception of the artist and the homosexual began to take shape, and almost as quickly to overlap. Not a chronology of gay or lesbian artists, the book is a fascinating and sophisticated account of the ways two conspicuous identities have fundamentally informed one another. Art and Homosexuality discusses many of modernism's canonical figures--painters like Courbet, Picasso, and Pollock; writers like Whitman and Stein--and issues, such as the rise of abstraction, the avant-garde's relationship to its patrons and the political exploitation of art. It shows that many of the core ideas that define modernism are nearly indecipherable without an understanding of the paired identities of artist and homosexual. Illustrated with over 175 b/w and color images that range from high to popular culture and from Ancient Greece to contemporary America, Art and Homosexuality punctures the platitudes surrounding discussions of both aesthetics and sexual identity and takes our understanding of each in stimulating new directions.
The death of Samantha Grey’s mother and imprisonment of her father made her shut everyone out of her life. Including him. Ten years later, the murder of her father brings them back together and now Detective Nate Evans has two mysteries on his hands: a murder to solve and a past of questions that still gnaw at the surface to face. A past he’s tried hard to bury. One that includes her. As Nate and Samantha are forced to work together to bring justice for the dead, it is clear the case is not the only mystery being unearthed between them. They are led down dark, township alleyways, towards drug-dealer territory, and into the box of a decade old cold case… but how long will they take to realize how deep the roots of this case go? Neither of them are prepared for the trials they face as they start digging through Samantha’s twisted family history and exposing the cost of hidden truths. Will the collision of the past and present destroy what little faith they have in finding healing, or will it be the key to solving the decade old mysteries between them and finding redemption in the chaos? Emily Hart is a young South African author. She’s been involved in humanitarian work in the Middle East and half a dozen African countries, meeting people and seeing places that inspire her writing. Emily lives in Stellenbosch with her family and five chickens.
The past six decades have seen astonishing changes in the construction of sexuality as an apparatus of knowledge, and as a lived experience. Australia—like much of the West—has undergone a veritable sexual revolution in attitudes and behavior. From early sex therapy to gay marriage, the juggernaut of late modern sexuality has significantly remade Australian social and cultural life. This collection brings together the work of leading historians of sexuality, to consider sixty years of remarkable sexual and social change. Acts of Love and Lust explores the ways both heterosexuality and homosexuality were constructed—by the state, through sex education, in medicine, by the law, political activists, and in the hands of the media. Just as importantly, contributors consider the ways sexuality was experienced, not as a monolithic or imposed institution, but how it was explored and enjoyed by individual bodies across different times and spaces. The authors examine the pleasures and pains of living in sexual bodies, and explore the manifest ways that love and lust shaped Australia’s society and culture.
Finalist for 2010 LGBT Anthology Award from the Lambda Literary Awards Unwed teen mothers, abortion, masturbation, pornography, gay marriage, sex trafficking, homosexuality, and HIV are just a few in a long line of issues that have erupted into panics. These sexual panics spark moral crusades and campaigns, defining and shaping how we think about sexual and reproductive rights. The essays in Moral Panics, Sex Panics focus on case studies ranging from sex education to AIDS to race and the "down low," to illustrate how sexuality is at the heart of many political controversies. The contributors also reveal how moral and sexual panics have become a mainstay of certain kinds of conservative efforts to win elections and gain power in moral, social, and political arenas. Moral Panics, Sex Panics provides new and important insights into the role that key moral panics have played in social processes, arguing forcefully against the political abuse of sex panics and for the need to defend full sexual and reproductive rights. Contributors: Cathy J. Cohen, Diane DiMauro, Gary W. Dowsett, Janice M. Irvine, Carole Joffe, and Saskia Eleonora Wieringa.
The first book in the Cultural Margins series is a 1994 study of racism and homophobia in British politics, which demonstrates the demonisation of blacks, lesbians, and gays in New Right discourse. Anna Marie Smith develops theoretical insights from literary and cultural critics, including Nietzsche, Foucault, Derrida, Hall, and Gilroy, to produce detailed readings of two key moments in New Right discourse: the speeches of Enoch Powell on black immigration (1968-72) and the legislative campaign of the late 1980s to prohibit the promotion of homosexuality. Her analysis challenges the silence on racism and homophobia in previous studies of Thatcherism and the New Right, and shows how demonisation of lesbians and gays depends on previous demonisations of black immigrant and criminal figures. Overall, this book offers a devastating critique of racism and homophobia in late twentieth-century Britain.