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"These Polaroids from the Middle Kingdom are a series of images from contemporary China from 2008-2010 but captured on expired film from the 1980s"--p. 7.
This resulting journal, Kafkanistan, explores how we are all influenced by the media. Believing that many of us will never visit the region and all we know about it is what we read in the newspapers and what we see on television, the authors were interes
This book examines key sculptural motifs and cinematic sculpture in film history through a series of case studies and through an extensive reference gallery of 150 different films.
Known as the kamra-e-faoree ('instant camera'), Afghanistan is one of the last places on Earth where it has continued to be used by photographers as a way of making a living. Under the Taliban, with the banning of photography, it was even outlawed, forcing photographers to hide or destroy their tools. Spanning decades, from peacetime to war, box camera photography in Afghanistan exists within a more sophisticated photographic history. With the help of dozens of Afghan photographers, this book illustrates the technique and artistry of a visually enthralling photographic culture.
White Women, Helmut Newton's legendary first work, appeared more than twenty years ago. With it's superior mixture of aesthetics, technical perfection and bourgeois decadence it has lost nothing of its potency and attractiveness. Newton's work encompasses a wealth of themes, also embodying facets of the mass-media world of glamour, masquerade and show. Using subtle, yet striking images—like those of Paloma Picasso, Veruschka, Elsa Peretti, Karl Lagerfeld, David Hockney, and Charlotte Rampling—Newton embraces the delicate, natural beauty of the naked female body. White Women is a masterpiece of erotic visual literature.
The inspiration for the acclaimed OWN TV series produced by Oprah Winfrey and Ava DuVernay "Queen Sugar is a page-turning, heart-breaking novel of the new south, where the past is never truly past, but the future is a hot, bright promise. This is a story of family and the healing power of our connections—to each other, and to the rich land beneath our feet." —Tayari Jones, author of An American Marriage Readers, booksellers, and critics alike are embracing Queen Sugar and cheering for its heroine, Charley Bordelon, an African American woman and single mother struggling to build a new life amid the complexities of the contemporary South. When Charley unexpectedly inherits eight hundred acres of sugarcane land, she and her eleven-year-old daughter say goodbye to smoggy Los Angeles and head to Louisiana. She soon learns, however, that cane farming is always going to be a white man’s business. As the sweltering summer unfolds, Charley struggles to balance the overwhelming challenges of a farm in decline with the demands of family and the startling desires of her own heart.
Made over the course of some thirty years, the photographs in this book depict the many faces of April Dawn Alison, the female persona of an Oakland, California based photographer who lived in the world as a man. This previously unseen body of self-portraits, which was given to the San Francisco Museum of Modern Art in 2017, begins tentatively in 1970s black-and-white, and evolves in the 80s into an exuberant, wildly colorful, and obsessive practice inspired by representations of women in classic film, BDSM pornography and advertising. A singular, long-term exploration of a non-public self, the archive contains photographs that are beautiful, hilarious, enigmatic, and heartbreakingly sad, sometimes all at once.0With essays by Hilton Als (American writer and theater critic for The New Yorker), Zackary Drucker (American transgender multimedia artist, LGBT activist, actress and producer of smash Netflix series Transparent) and Erin O?Toole (associate curator of photography at the San Francisco Museum of Modern Art).00.
Florian ‘Doc’ Kaps tells the amazing story of Polaroid, a photographic medium he helped to rescue from oblivion in 2008. The story starts with visionary founder Edwin Land’s development of instant film in the 1940s. Doc shows how Polaroid has influenced visual culture in the seventy years since then, presenting more than 250 Polaroids including found portraits, ‘thoughtographs’, erotica, anthropology, fashion and fine art from photographers including Andy Warhol, Araki, Ansel Adams and Chuck Close. The book also tells the story of how Doc revived production of film in 2008 with The Impossible Project, and explores the place of this analogue technology in the twenty-first century. The factors that led Polaroid to discontinue production in a world transformed by digital photography are the very reasons why there is ever-growing demand for the magic of instant photography today.