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Pearl Jam. Not many bands have achieved a status needing no adjective or description. Pearl Jam has. And fewer still have had an insider, much less a member, obsessively capture onstage and offhand pics of the experience-the friends, family, and fans...and one very famous plastic toy. Luckily for uslead guitaristMike McCreadydid-trusty Polaroid camera in hand. Documenting years of touring and travels, McCready snaps meetings with heroes and inspirations from all walks of life; time spent with crazy friends and family; and momentsfeaturing wildly artistic takes on art, nature, and architecture. Also: he once rocked a fab grey shift. And true to form for one not taking things too seriously, Mike sometimes had his pal, Mr. Potato Head, pop in and share in the fun. As wonderfully intimate as group "selfies" with the likes of Neil Young, Questlove, Jimmy Page, Ann and Nancy Wilson, Joey Ramone, Johnny Ramone, The Edge, Ben Harper, Peter Buck, Paul McCartney, Mike Mills, Sting, Macklemore and Ryan Lewis, Carrie Brownstein, Robert Plant, Peter Frampton, Dave Grohl, Gene Simmons, Bono, Jack White, Danny Clinch, Lady Gaga, Laura Dern, Dustin Hoffman, Judd Apatow, Will Ferrell, Leslie Mann, Jimmy Fallon, Mira Sorvino, Tim Robbins, Hugh Jackman, Venus Williams, and Kate Hudson are, it's the massive homage to the band's fans taken from stage view, in places from the Pacific Northwest to Peru, from Brussels to Bolivia, that brings McCready's manic intimacy come roaring to life. Of Potato Heads and Polaroidsis the scrapbook for our rockstar world-friends, family, and fans. With some wattage. And a great deal of fun and good times.
In existence for over 50 years, the Polaroid Corporation's photography collection is the greatest collection of Polaroid images in the world. Begun by Polaroid founder Edwin Land and photographer Ansel Adams, the collection now includes images by hundreds of photographers throughout the world and contains important pieces by artists such as David Hockney, Helmut Newton, Jeanloup Sieff, and Robert Rauschenberg. The Polaroid Book, a survey of this remarkable collection, pays tribute to a medium that defies the digital age and remains a favorite among artists for its quirky look and instantly gratifying, one-of-kind images. ? over 400 works from the Polaroid Collection ? essay by Polaroid's Barbara Hitchcock illuminating the beginnings and history of the collection ? technical reference section featuring the various types of Polaroid cameras
A volume of sixty Polaroid photographs of the late Russian filmmaker's friends and family consists of images taken between 1979 and 1984 in his native land and Italy, where he spent time in political exile. Original.
Gathers the best of the photographer's creative and often whimsical canine portraits as taken with a 20 x 24-inch Polaroid camera, in a treasury accompanied by an essay on his experiences with the camera and with his models.
In Laura Letinsky: Time's Assignation the Polaroid--now an anachronistic format, a leftover of photographic history--is conjoined with the photographer's trademark subject matter: the remains of meals and appetites never entirely sated. Chicago-based photographer Laura Letinsky (born 1962) used Polaroid Type 55 film as part of her working process until the film was discontinued in 2008, exploring focus, composition, exposure and light in black-and-white instant photographs as she worked up to the larger-scale color works for which she is best known. Like sketches, the photographs in this volume--small, slow and raw--reveal a process of asking. This way or that? More or less? Now or then? A Polaroid is a fugitive thing, beautiful in its decomposition, subject to change as much as the still life compositions of ripe fruits and nibbled foods that Letinsky arranges. Time's Assignation collects Polaroids taken by the photographer in her studio between 1997 and 2008, now stabilized, their high-key tones slipping into white veils and darker tones metallized in hues of taupe, gold and gunmetal gray. These photographs offer a record of Letinsky's working process, but are a compelling body of photographic work in their own right, exploring time's unrelenting progression in their subject matter and materiality.
A powerful collection of the luminous last work by one of the true giants of twentieth-century photography. After the death of his wife, André Kertész consoled himself by taking up a new camera, the Polaroid SX70. As with earlier equipment, he mastered the camera and produced a provocative body of work that both honored his wife and lifted him out of depression. Here Kertész dips into his reserves one last time, tapping new people, ideas, and tools to generate a whole new body of work through which he transforms from a broken man into a youthful artist. Taken in his apartment just north of New York City’s Washington Square, many of these photographs were shot either from his window or in the windowsill. We see a fertile mind at work, combining personal objects into striking still lifes set against cityscape backgrounds, reflected and transformed in glass surfaces. Almost entirely unpublished work, these photographs are a testament to the genius of the photographer’s eye as manifested in the simple Polaroid.
Robert Mapplethorpe’s black-and-white Polaroid photographs of the 1970s—a medium in which he established the style that would bring him international acclaim—are brought together in this new paperback edition. Critically praised for his finely modeled and classically composed photographs, Robert Mapplethorpe remains intensely controversial and enormously popular. This book brings together almost 300 images from the Robert Mapplethorpe Foundation’s archive and private collections to provide a critical view of Mapplethorpe’s formative years as an artist, revealing the themes that would inspire Mapplethorpe throughout his career. Included is a selection of color Polaroids and objects incorporating his early "instant" photography. Some images convey a disarming tenderness and vulnerability, others a toughness and immediacy that would give way in later years to more classical form. The author traces the development of Mapplethorpe’s use of instant photography over a period of five years, from 1970 to 1975, when the artist worked mainly in this medium. The images include self-portraits; figure studies; still lifes; portraits of lovers and friends such as Patti Smith, Sam Wagstaff, and Marianne Faithful; and observations of everyday objects. Marked by a spontaneity and creative curiosity, these fragile images offer an illuminating contrast to the glossy perfection of the work for which Mapplethorpe is best known, allowing us a more personal glimpse of his artistry.
With instant film once again available, Polaroids and other instant cameras are enjoying a resurgence in popularity. This friendly and informative guide is the essential how-to book for shooting gorgeous instant pictures with personal panache and a touch of romance. Packed with tips on how to shoot with various cameras, details about the different types of film available, advice on composition and lighting techniques, plus creative projects to transform snapshots into keepsake mementos and portfolios of beautiful images for inspiration, this is the ultimate companion for capturing instant memories.
Anyone who grew up holidaying on England's beaches is familiar with the distinctive features of these historic resorts - not the exclusive, paradisiacal haunts of the rich and famous, but the gritty, often rocky shores of the Atlantic and the Irish and North Seas, filled with amusement arcades, bathing huts, beach umbrellas and people of all ages and classes. Jon Nicholson's Polaroid SX70 is the perfect vehicle to capture the colour and character of summers at the sea. At once immediate and ephemeral, these delicately hued, slightly muted images taken with original, out-of-date film stock depict the faded glory of Yarmouth's giant piers, Brighton's pebbly shores, the Blackpool Pleasure Beach amusement park, the dunes of Hemsby, and many other resorts across Britain. Each of the 70 photographs is beautifully reproduced on its own page with descriptive captions. A foreword by Joseph Galliano provides a wry, contemporary perspective on these beloved, centuries-old locations. AUTHOR: Jon Nicholson's photographs have been featured in the world's most celebrated magazines, including National Geographic, Conde Nast Traveller and Stern. He has travelled the globe in his work with UN agencies and the sports industry. Most recently he was named the official photographer of the 2012 Olympic Games in London. Joseph Galliano is the editor of the Dear Me: A Letter to My 16 Year-Old Self series of books, which feature letters written by celebrities, writers, musicians, athletes and actors to their younger selves. He is also a freelance journalist and editor and the former editor of GT magazine. His work has appeared in, amongst other publications, The Times, The Guardian, I:D. ILLUSTRATIONS: 70 colour