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The Pointing Bone is an action adventure that will leave you drained. Set against the majesty of the Sydney Olympic Games and the Australian outback, terrorists build and then demonstrate that they have nuclear weapons and the willingness to use them. Entangled in this most daring terrorist plot ever is a young aborigine medicine man. Tuomartu would be asked by the tribal elders to chase the evilness that comes upon the tribe. For this purpose he has only one tool...the ornate stick passed through the generations believed to wield the power to stand against tribal enemies. Only the medicine man knew how to use the Pointing Bone...only he could save his tribe and perhaps the world from disaster thought unimaginable before September 11th 2001. Nuclear weapons in the hands of madmen! What the CIA, Australian Federal Police and inept Olympic security failed to prevent was now in the hands of the Aborigine's spiritual leader. Only the medicine man had the power of the spirit Gods at his disposal and with his Pointing Bone he alone would stand against the power of the atom in the hands of extremists.
Jeffrey Anderson was a big man with a foul temper - a sadist and an ugly drunk. When his horse The Black Emperor, an animal as mean as its owner, came home riderless, no one cared. And no one cared when no trace of the man could be found. But five months later, Detective-Inspector Bonaparte is called in - and he is determined to solve the mystery. With his usual tenacity he takes up the cold trail. What happened to Anderson, to his hat, to his stockwhip, to his horse's neck-rope? Bony must rely on his eyes and his wits to help him find the answers, for the local inhabitants, both black and white, are keeping their own secrets. Bony - a unique figure among top-flight detectives - BBC
Kundela is the name given to the sacred pointing bone of Aboriginal legend. Catapulted into the story from the first page, the reader shares the lives of an Australian farming family dealing with endless drought. Set in the Flinders Ranges of South Australia, vivid action intertwines with mystery murder and romance. Your senses rise to the smell of eucalypt trees after rain, the terror of ants on attack, and the bold landscape colours. You feel a tinge of dust on your skin and these skills permeate this author's style. Joe's raid on the bikie camp, Aboriginal themes, and a midair heart attack add to the drama. Three bodies found on the roadside, their faces and hands blown away by shotgun blasts. Modern aboriginal women in ceremonial dress sit around a large flat stone in a manicured city park, a traditional singing circle. Dry bones shaped to make kundelas point to the effigy of a man. The steamy attraction of the policeman and Joe's daughter add romantic tension, while bush forensics of a senior policeman are a few of the subplots to keep the pages turning in a story that's hard to put down.
(from The Spectator, May 1936) In his introduction to Lasseter's Last Ride (Cape, 7s. 6d.) Field-Marshal Sir William Birdwood writes : "The annals of Central Australian exploration are tragic and heroic, but it is long indeed since I read a more moving story of endurance and heroism in the face of terrific odds than the epic which Mr. Ion Idriess has woven out of the last few months of the life of L. H. B. Lasseter." The reader will agree with this, and wonder why he has not heard of Mr. Idriess before. He is well known in Australia, but this is his first book to be published in England. It will not be his last, if the present one meets with the success it deserves. Having himself been a prospector, the story he has constructed out of the fragments of documentary evidence - a few reports, the barely legible diary and letters found buried near Lasseter's last camps - is probably very close to what actually happened. Harry Lasseter had once discovered a rich gold reef in unexplored west Central Australia. Owing to a faulty watch, the bearings he took were useless. An expedition was fitted out to locate it. From the first, misfortune dogged the steps of the party. Food ran short and they returned to the base-camp - all except Lasseter, who went on alone. When his two camels bolted he was left waterless in the desert. Blinded by sand and tortured by dysentry, he found the reef, but died shortly afterwards, deserted by a tribe of aborigines with whom he had tried to make friends. Mr. Idriess tells this story in a simple, virile style which is, in its intense economy, comparable to Hemingway at his best.
THE TIMES '100 BEST SUMMER READS' NEW YORK TIMES TOP 10 BESTSELLER LONGLISTED FOR THE WOMEN'S PRIZE 2020 'Sublime' Candice Carty-Williams 'An epic in miniature' Tayari Jones 'A banger' Ta-Nehisi Coates 'Generous and big-hearted' Brit Bennett 'A true spell of a book' Ocean Vuong 'A proclamation' R.O. Kwon 'A little masterpiece' Paula Hawkins 'I adored this book' Elizabeth MacNeal 'Pure poetry' Observer 'A sharply focused gem' Sunday Times 'Will remind you why you love reading' Stylist 'Haunting' Guardian 'A wonderful, tragic, inspiring story' Metro 'Prose that sings off the page... Gorgeous' Mail on Sunday 'A nuanced portrait of shifting family relationships' Financial Times 'As seductive as a Prince bop' O, The Oprah Magazine 'Razor-sharp' Vanity Fair 'Dazzling... With urgent, vital insights into questions of class, gender, race, history, queerness and sex' New York Times An unexpected teenage pregnancy brings together two families from different social classes, and exposes the private hopes, disappointments and longings that can bind or divide us. From the New York Times-bestselling and National Book Award-winning author of Another Brooklyn and Brown Girl Dreaming. Brooklyn, 2001. It is the evening of sixteen-year-old Melody's coming of age ceremony in her grandparents' brownstone. Watched lovingly by her relatives and friends, making her entrance to the music of Prince, she wears a special custom-made dress - the very same dress that was sewn for a different wearer, Melody's mother, for a celebration that ultimately never took place. Unfurling the history of Melody's family - from the 1921 Tulsa race massacre to post 9/11 New York - Red at the Bone explores sexual desire, identity, class, and the life-altering facts of parenthood, as it looks at the ways in which young people must so often make fateful decisions about their lives before they have even begun to figure out who they are and what they want to be. *** ONE OF THE BOOKS OF THE YEAR FOR: New York Times; Washington Post; Time; USA Today; O, The Oprah Magazine; Elle; Good Housekeeping; Esquire; NPR; New York Public Library; Library Journal; Kirkus; BookRiot; She Reads; The Undefeated ***
“Feathers—no matter what size or shape or color—are all the same, if you think about them. They’re soft. Delicate. But the secret thing about feathers is . . . they are very strong.” In the pre-Katrina glow of New Orleans, Amanda Salassi is anxious about chaperoning her daughter’s sixth-grade field trip to the Big Easy during Halloween. And then her worst fears come true. Her daughter’s best friend, Sarah, disappears amid the magic and revelry—gone, without a trace. Unable to cope with her guilt, Amanda’s daughter sinks into depression. And Amanda’s husband turns destructive as he watches his family succumb to grief. Before long, Amanda’s whole world has collapsed. Amanda knows she has to save herself before it’s too late. As she continues to search for Sarah, she embarks on a personal journey, seeking hope and purpose in the wake of so much tragedy and loss. Set amidst the murky parishes of rural Louisiana and told through the eyes of two women who confront the darkest corners of humanity with quiet and unbreakable faith, The Feathered Bone is Julie Cantrell’s master portrait of love in a fallen world.
From utilitarian arrowheads to beautiful stone effigy pipes to ornately-carved shell disks, the photographs and drawings in Sun Circles and Human Hands present the archaeological record of the art and native crafts of the prehistoric southeastern Indians, painstakingly compiled in the 1950s by two sisters who traveled the eastern United States interviewing archaeologists and collectors and visiting the major repositories. Although research over the last 50 years has disproven many of the early theories reported in the text—which were not the editors' theories but those of the archaeologists of the day—the excellent illustrations of objects no longer available for examination have more than validated the lasting worth of this popular book.
Devon Monk is casting a spell on the fantasy world... Using magic means it uses you back, and every spell exacts a price from its user. But some people get out of it by Offloading the cost of magic onto an innocent. Then it’s Allison Beckstrom’s job to identify the spell-caster. Allie would rather live a hand-to-mouth existence than accept the family fortune—and the strings that come with it. But when she finds a boy dying from a magical Offload that has her father’s signature all over it, Allie is thrown back into his world of black magic. And the forces she calls on in her quest for the truth will make her capable of things that some will do anything to control...
A rare combination of personal and academic, this book showcases the myriad avenues for transcending the boundaries of reality through direct sensory experience. The Varieties of Magical Experience: Indigenous, Medieval, and Modern Magic provides a comprehensive volume that examines magic in all its aspects. Through detailed case studies, verbatim accounts of personal experiences, and first-hand experience from the authors' own active participation in many alternative religious rituals and ceremonies, this unique book reveals how magic can be a universal phenomenon that crosses cultural, historical, and spatial boundaries. The work is organized in five sections that embrace several broad themes: indigenous magical and shamanic practices; medieval witchcraft; sorcery and hermetic magic; and contemporary Western magical practices, including the role of sexuality, trance, and meditation. The introductory section explores the idea of magic, other realities, and the employment of all the senses, while the final section discusses contemporary issues of ecology and cybermagic. The authors give voice to the powerful emotions and feelings that result from a magical encounter, providing engaging and accessible information to general readers, while those well versed in the opaque world of magic and occultism, consciousness studies, and imaginal and disembodied realms will appreciate the book's content at a deeper level.