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Widely regarded as one of the best works by the winner of the 1989 Nobel Prize for Literature, San Camilo, 1936 appears here for the first time in English translation. One of Spain's most popular writers, Camilo José Cela is recognized for his experiments with language and with difficult subject matter. In San Camilo, 1936, first published in 1969, these concerns converge in a fascinating narrative that is as challenging as it is rewarding, as troubling as it is compelling. A story of history as it happens, by turns confusing and startingly clear, echoing with news and rumors, defined by grand gestures and intimate pauses, the novel leads the reader into the ordinary life of extraordinary times. Beginning on the eve of the Spanish Civil War, San Camilo, 1936 follows a twenty-year-old student's attempts to sort out his private affairs (sex, money, career) in the midst of the turmoil overtaking his country. In vivid and richly textured prose that distinguishes Cela's work, the emotional reality of civil war takes on a vibrant immediacy that is humorous, tender, and ultimately transforming as a young man tries to come to terms with the historical moment he inhabits--and hopes to survive. Readers new to Cela will find in this novel ample reason for the author's growing reputation among audiences worldwide.
Christ versus Arizona turns on the events in 1881 that surrounded the shootout at the OK Corral, where Wyatt Earp, Doc Holliday, and Virgil and Morgan Earp fought the Clantons and the McLaurys. Set against a backdrop of an Arizona influenced by the Mexican Revolution and the westward expansion of the United States, the story is a bravura performance by the 1989 Nobel Prize-winning author. A monologue by the naive, unreliable, and uneducated Wendell L. Espana, the book weaves together hundreds of characters and a torrent of interconnected anecdotes, some true, some fabricated. Wendell s story is a document of the vast array of ills that welcomed the dawning of the twentieth century, ills that continue to shape our world in the new millennium."
This is the first, book-length study of the six travel narratives published by the 1989 winner of the Nobel Prize for Literatures. Preliminary chapters focus on technical and thematic aspects of travel-writing, and on the author's approach to the genre. Cela's travel works, which appeared between 1948 and 1986, are examined in turn, with a focus on the construction of the narratives and also on the themes that are developed in each of them. There is an assessment of the author's treatment of topographical, cultural, historical, and social material in his accounts of the journeys he made through various areas and regions of Spain, as well as a consideration of the way in which these narratives reflect changes taking place in Spain during the Franco regime and in the decade following the dictator's death. David Henn teaches modern Spanish fiction, drama, and travel literature at University College London.
The novel depicts the hardship borne by the lower-middle class following the Spanish Civil War.
A New York Times Best Book of the Year Nobel Prize Laureate Mazurka for Two Dead Men, the culmination of Camilo José Cela‘s literary art, opens in 1936 at the beginning of the Spanish Civil War: Lionheart Gamuzo is savagely murdered. In 1939, as the war ends, his brother avenges his death. For both deaths, the blind accordion player Gaudencio plays the same mazurka. Set in backward rural Galicia, Cela’s excellent novel portrays a reign of fools, and works like contrapuntal music, its themes calling and responding, alternately brutal, melancholy, funny, lyrical, and coarse.
This book is intended as a comprehensive overview of hominid evolution, synthesising data and approaches from physical anthropology, genetics, archaeology, psychology and philosophy. Human evolution courses are now widespread and this book has the potential to satisfy the requirements of most, particularly at the advanced undergraduate and graduate level. It is based on a translation, albeit with substantial modification, of a successful Spanish language book.
"Well Mrs Caldwell is the English mother of Eliacim who has died a while ago (not clear but possibly in WW2 or at least between the world wars). She is writing a sort of diary of her thoughts as she ponders her relationship with her now grown son. The book has about 200 pages with about 200 short chapters, each with a descriptive heading. She is going mad and the basic suggestion (though not clear since this is definitely not a simple narrative story, but in my view) is because of her guilt in having had incestuous thoughts about him since he was a boy. Each chapter is basically a thought picture with little connectivity with the others as Caldwell brings to mind Eliacim’s possible loves, his career in the navy (he dies aboard ship and is buried at sea), objects that spark a memory, avoids but alludes to her inappropriate behaviours and so on. There is a possible thread of ideas associated with water, wood of coffins, sin, time and her own youth."--Goodreads
In this remarkable debut novel, a boy’s bittersweet passage to maturity and sexual awakening is set against escalating political tensions in Sri Lanka, during the seven years leading up to the 1983 riots. Arjie Chelvaratnam is a Tamil boy growing up in an extended family in Colombo. It is through his eyes that the story unfolds and we meet a delightful, sometimes eccentric cast of characters. Arjie’s journey from the luminous simplicity of childhood days into the more intricately shaded world of adults – with its secrets, its injustices, and its capacity for violence – is a memorable one, as time and time again the true longings of the human heart are held against the way things are.
Charlebois describes Cela's childhood, participation in the Spanish Civil War, and life in Spain during and after Franco's dictatorship. She shows that in spite of the repression that beset his homeland during so much of his career, Cela successfully developed his gift for technical experimentation and creative renewal. As a result, he produced textured discourses that bristle with fragmentation and ambiguity, hilarity and profanity, iconoclasm and alienation.