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An indispensable resource for anyone interested in the art and craft of contemporary poetry
This carefully crafted ebook: "The Complete Works: Poetry, Plays, Letters, Biographies" is formatted for your eReader with a functional and detailed table of contents. Robert Browning (1812 – 1889) was an English poet and playwright whose mastery of dramatic verse, and in particular the dramatic monologue, made him one of the foremost Victorian poets. His poems are known for their irony, characterization, dark humor, social commentary, historical settings, and challenging vocabulary and syntax. The speakers in his poems are often musicians or painters whose work functions as a metaphor for poetry. Table of Contents: Life and Letters of Robert Browning: Life and Letters of Robert Browning by Mrs. Sutherland Orr The Brownings: Their Life and Art Letters Life of Robert Browning by William Sharp Robert Browning by G.K. Chesterton Poetry: Bells and Pomegranates No. III: Dramatic Lyrics Bells and Pomegranates No. VII: Dramatic Romances and Lyrics Pauline: A Fragment of a Confession Sordello Asolando Men and Women Dramatis Personae The Ring and the Book Balaustion's Adventure Prince Hohenstiel-Schwangau, Saviour of Society Fifine at the Fair Red Cotton Nightcap Country Aristophanes' Apology The Inn Album Pacchiarotto, and How He Worked in Distemper La Saisiaz and the Two Poets of Croisic Dramatic Idylls Dramatic Idylls: Second Series Christmas-Eve and Easter-Day Jocoseria Ferishtah's Fancies Parleyings with Certain People of Importance in Their Day Plays: Strafford Paracelsus Bells and Pomegranates No. I: Pippa Passes Bells and Pomegranates No. II: King Victor and King Charles Bells and Pomegranates No. IV: The Return of the Druses Bells and Pomegranates No. V: A Blot in the 'scutcheon Bells and Pomegranates No. VI: Colombe's Birthday Bells and Pomegranates No. VIII: Luria and a Soul's Tragedy Herakles The Agamemnon of Aeschylus
Explores, in poetry and photographs, the effects of the natural gas boom and fracking in the small towns, fields, and forests of Appalachian Pennsylvania.
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Beginning with Stevens's Three Travelers Watch a Sunrise (1916) as a dynamic introduction to the modernist transformation of poetry into performance, the collection also includes Millay's biting anti-war satire, Aria da Capo (1920) and H.D.'s Hippolytus Temporizes (1927), loosely adapted from the Euripides play. Both plays demonstrate the Greek poets' enduring legacy in modern poetic drama --
Drama. Poetry. LGBTQIA Studies. Art. California Interest. Being the selected plays of Kevin Killian, who has for decades won laurels for his novels, his poetry, and his work in the poets theater of the San Francisco bay area. Drawing from the late 1980s to the early 2010s, this is the first representative selection of Killian's plays. Once describing his productions as a form of "blanket permission," Killian added, "I think people might come away thinking, I could do that! Isn't that the best kind of work, something generative? Action painting was sort of like that..." This is a book to read, where reading means catching some action.
How do slam poets and their audiences reflect the politics of difference?
In this volume, a list of esteemed scholars engage with the literary readings of prophetic and poetic texts in the Hebrew Bible that revolve around sensitivity to the complexity of language, the fragility of meaning, and the interplay of texts. These themes are discussed using a variety of hermeneutical strategies. In Part 1, Poets and Poetry, some essays address the nature of poetic language itself, while others play with themes of love, beauty, and nature in specific poetic texts. The essays in Part 2, Prophets and Prophecy, consider prophets and prophecy from a number of interpretive directions, moving from internal literary analysis to the reception of these texts and their imagery in a range of ancient and modern contexts. Those in Part 3, on the other hand, Texts in Play, take more recent works (from Shakespeare to Tove Jansson's Moomin books for children) as their point of departure, developing conversations between texts across the centuries that enrich the readings of both the ancient and modern pieces of literature.
Intended for general readers and for students and scholars of poetry, Poetry as Survival is a complex and lucid analysis of the powerful role poetry can play in confronting, surviving, and transcending pain and suffering. Gregory Orr draws from a generous array of sources. He weaves discussions of work by Keats, Dickinson, and Whitman with quotes from three-thousand-year-old Egyptian poems, Inuit songs, and Japanese love poems to show that writing personal lyric has helped poets throughout history to process emotional and experiential turmoil, from individual stress to collective grief. More specifically, he considers how the acts of writing, reading, and listening to lyric bring ordering powers to the chaos that surrounds us. Moving into more contemporary work, Orr looks at the poetry of Sylvia Plath, Stanley Kunitz, and Theodore Roethke, poets who relied on their own work to get through painful psychological experiences. As a poet who has experienced considerable trauma--especially as a child--Orr refers to the damaging experiences of his past and to the role poetry played in his ability to recover and survive. His personal narrative makes all the more poignant and vivid Orr's claims for lyric poetry's power as a tool for healing. Poetry as Survival is a memorable and inspiring introduction to lyric poetry's capacity to help us find safety and comfort in a threatening world.