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Brings together selections of ten outstanding South African poets, to show, in writing drawn from more than four decades, from very different cultures and traditions, a vital and diverse literature. Representing a vision of a pluralistic Africanism the anthology takes the poetry of the region away from the dichotomy which apartheid promoted.
The first anthology of its kind, Indivisible brings together forty-nine American poets who trace their roots to Bangladesh, India, Nepal, Pakistan, and Sri Lanka. Featuring award-winning poets including Meena Alexander, Agha Shahid Ali, Chitra Banerjee Divakaruni, and Vijay Seshadri, here are poets who share a long history of grappling with a multiplicity of languages, cultures, and faiths. The poems gathered here take us from basketball courts to Bollywood, from the Grand Canyon to sugar plantations, and from Hindu-Muslim riots in India to anti-immigrant attacks on the streets of post–9/11 America. Showcasing a diversity of forms, from traditional ghazals and sestinas to free verse, experimental writing, and slam poetry, Indivisible presents 141 poems by authors who are rewriting the cultural and literary landscape of their time and their place. Includes biographies of each poet.
An experimental school of poetry & its leading proponents.
Tells of an extended tour across the U.S. taken by the author and his wife, during which they visited with more than sixty poets, asking them about the importance of place in their work. This volume presents the text of those interviews, often accompanied by a poem from the author, and interwoven with segments of Pfefferle's travel narrative and illustrated with black and white photographs.
The poems in this anthology hold true to mountain cultures strong story telling tradition, relating both the toil and the serenity of life lived on hill farms, in coal mining camps, and in small rural towns.
In Belles and Poets, Julia Nitz analyzes the Civil War diary writing of eight white women from the U.S. South, focusing specifically on how they made sense of the world around them through references to literary texts. Nitz finds that many diarists incorporated allusions to poems, plays, and novels, especially works by Shakespeare and the British Romantic poets, in moments of uncertainty and crisis. While previous studies have overlooked or neglected such literary allusions in personal writings, regarding them as mere embellishments or signs of elite social status, Nitz reveals that these references functioned as codes through which women diarists contemplated their roles in society and addressed topics related to slavery, Confederate politics, gender, and personal identity. Nitz’s innovative study of identity construction and literary intertextuality focuses on diaries written by the following women: Eliza Frances (Fanny) Andrews of Georgia (1840–1931), Mary Boykin Miller Chesnut of South Carolina (1823–1886), Malvina Sara Black Gist of South Carolina (1842–1930), Sarah Ida Fowler Morgan of Louisiana (1842–1909), Cornelia Peake McDonald of Virginia (1822–1909), Judith White Brockenbrough McGuire of Virginia (1813–1897), Sarah Katherine (Kate) Stone of Louisiana (1841–1907), and Ella Gertrude Clanton Thomas of Georgia (1843–1907). These women’s diaries circulated in postwar commemoration associations, and several saw publication. The public acclaim they received helped shape the collective memory of the war and, according to Nitz, further legitimized notions of racial supremacy and segregation. Comparing and contrasting their own lives to literary precedents and fictional role models allowed the diarists to process the privations of war, the loss of family members, and the looming defeat of the Confederacy. Belles and Poets establishes the extent to which literature offered a means of exploring ideas and convictions about class, gender, and racial hierarchies in the Civil War–era South. Nitz’s work shows that literary allusions in wartime diaries expose the ways in which some white southern women coped with the war and its potential threats to their way of life.
A poetic study of the eternal, T. R. Hummer’s new collection Eon, as with the other volumes in this trilogy—Ephemeron and Skandalon—offers meditations on the brief arc of our existence, death, and beyond. With vivid, corporeal imagery and metaphysical flourishes, the poet explores how the dead influence the ways we understand ourselves. Anchored with a series of poems that can be read as extended epitaphs, the collection closes with a gesture toward the redemptive power of love. In the tradition of Rainer Maria Rilke, Emily Dickinson, and Philip Levine, Eon shows us the power of being “simple expressions of our earth. It imagined us, / And was imagined by something nameless in return.”
A superb selection of poems from both sides of the American Civil War features more than 75 inspired works by Melville, Emerson, Longfellow, Whittier, Whitman, and many others.
Fiercely moving, the two long narrative poems of Martín & Meditations on the South Valley revolve around the semi-autobiographical figure of Martin, a mestizo or "detribalized Apache." Fiercely moving, the two long narrative poems of Martín & Meditations on the South Valley revolve around the semi-autobiographical figure of Martin, a mestizo or "detribalized Apache." Abandoned as a child and a long time on the hard path to building his own family, Martin at last finds his home in the stubborn and beautiful world of the barrio. Jimmy Santiago Baca "writes with unconcealed passion," Denise Levertov states in her introduction, “but he is far from being a naive realist; what makes his writing so exciting to me is the way in which it manifests both an intense lyricism and that transformative vision which perceives the mythic and archetypal significance of life-events."