Download Free Poets And Singers Book in PDF and EPUB Free Download. You can read online Poets And Singers and write the review.

Poetry. Browning follows up her sold out debut, EITHER WAY I'M CELEBRATING, with an even rawer and starker, and again darkly humorous navigation of friendship, marriage, and motherhood. The result is a more overtly political assessment of the absurd deficit between what we're confronted with and what we're equipped with to deal with those confrontations: "It's a girl, / and the wires she needs // open her hands / before they're fists." Browning combats this deficit with relentless anaphora and repetition, reducing seemingly impossible relationships to their most basic element a love that begets an unconditional loyalty: "I'm here I didn't run "
Many books and essays have addressed the broad sweep of Texas music—its multicultural aspects, its wide array and blending of musical genres, its historical transformations, and its love/hate relationship with Nashville and other established music business centers. This book, however, focuses on an essential thread in this tapestry: the Texas singer-songwriters to whom the contributors refer as “ruthlessly poetic.” All songs require good lyrics, but for these songwriters, the poetic quality and substance of the lyrics are front and center. Obvious candidates for this category would include Townes Van Zandt, Michael Martin Murphey, Guy Clark, Steve Fromholz, Terry Allen, Kris Kristofferson, Vince Bell, and David Rodriguez. In a sense, what these songwriters were doing in small, intimate live-music venues like the Jester Lounge in Houston, the Chequered Flag in Austin, and the Rubaiyat in Dallas was similar to what Bob Dylan was doing in Greenwich Village. In the language of the times, these were “folksingers.” Unlike Dylan, however, these were folksingers writing songs about their own people and their own origins and singing in their own vernacular. This music, like most great poetry, is profoundly rooted. That rootedness, in fact, is reflected in the book’s emphasis on place and the powerful ways it shaped and continues to shape the poetry and music of Texas singer-songwriters. From the coffeehouses and folk clubs where many of the “founders” got their start to the Texas-flavored festivals and concerts that nurtured both their fame and the rise of a new generation, the indelible stamp of origins is inseparable from the work of these troubadour-poets. Please see the listing for the print edition to view the table of contents for this title.
Feminism, Appalachian culture, and country music: three threads beautifully woven into one in Marianne Worthington's poetry collection The Girl Singer. The poet grew up in urban Appalachia, listening to country and folk music and letting it live within her. The speakers in The Girl Singer offer lyrical celebrations of the women who performed that music and recite their stories anew. The girl singer is also the poet—one who traces loss through turning seasons, monitors the patterns of neighborhood wildlife, and creates a sisterhood for singing old songs in new ways. The Girl Singer is part family history, part music, and part nature walk. Worthington's attentive eye and heart are reflected in the starkly striking and painful images she paints in the poems. Every poem, whether describing a connection with Appalachian wildlife, retelling the lyrics of a classic country tune, reflecting on the speaker's bloodline, or giving voice to famous musical figures of the past, strikes a powerful chord.
One of the most respected artists in popular music today, Jewel is much more than a music industry success with her debut album selling more than 10 million copies. Before her gifted songwriting comes an even more individual art: Poetry. Now available in paperback, A Night without Armor highlights the poetry of Jewel taken from her journals which are both intimate and inspiring, to be embraced and enjoyed. Writing poems and keeping journals since childhood, Jewel has been searching for truth and meaning, turning to her words to record, to discover, and to reflect. In A Night Without Armor, her first collection of poetry, Jewel explores the fire of first love, the lessons of betrayal, and the healing of intimacy. She delves into matters of the home, the comfort of family, the beauty of Alaska, and the dislocation of divorce. Frank and honest, serious and suddenly playful, A Night Without Armor is a talented artist's intimate portrait of what makes us uniquely human.
The first study to offer an integral theory of love poetry, examining why it is that poetry, even more than other arts, is so consistently associated with romantic love.
NEW YORK TIMES BESTSELLER Grammy Award–nominated, platinum-selling musician Halsey is heralded as one of the most compelling voices of their generation. In I Would Leave Me If I Could, they reveal never-before-seen poetry of longing, love, and the nuances of bipolar disorder. In this debut collection, Halsey bares their soul. Bringing the same artistry found in their lyrics, Halsey’s poems delve into the highs and lows of doomed relationships, family ties, sexuality, and mental illness. More hand grenades than confessions, these autobiographical poems explore and dismantle conventional notions of what it means to be a feminist in search of power. Masterful as it is raw, passionate, and profound, I Would Leave Me If I Could signals the arrival of an essential voice. Book cover painting, American Woman, by the author.
Focusing on the music of the great song composers--Schubert, Schumann, Brahms, Wolf, and Strauss--Poetry Into Song offers a systematic introduction to the performance and analysis of Lieder . Part I, "The Language of Poetry," provides chapters on the themes and imagery of German Romanticism and the methods of analysis for German Romantic poetry. Part II, "The Language of the Performer," deals with issues of concern to performers: texture, temporality, articulation, and interpretation of notation and unusual rhythm accents and stresses. Part III provides clearly defined analytical procedures for each of four main chapters on harmony and tonality, melody and motive, rhythm and meter, and form. The concluding chapter compares different settings of the same text, and the volume ends with several appendices that offer text translations, over 40 pages of less accessible song scores, a glossary of technical terms, and a substantial bibliography. Directed toward students in both voice and theory, and toward all singers, the authors establish a framework for the analysis of song based on a process of performing, listening, and analyzing, designed to give the reader a new understanding of the reciprocal interaction between performance and analysis. Emphasizing the masterworks, the book features numerous poetic texts, as well as a core repertory of songs. Examples throughout the text demonstrate points, while end of chapter questions reinforce concepts and provide opportunities for directed analysis. While there are a variety of books on Lieder and on German Romantic poetry, none combines performance, musical analysis, textual analysis, and the interrelation between poetry and music in the systematic, thorough way of Poetry Into Song.
An astonishingly rich oral epic that chronicles the early history of a Bedouin tribe, the Sirat Bani Hilal has been performed for almost a thousand years. In this ethnography of a contemporary community of professional poet-singers, Dwight F. Reynolds reveals how the epic tradition continues to provide a context for social interaction and commentary. Reynolds’s account is based on performances in the northern Egyptian village in which he studied as an apprentice to a master epic-singer. Reynolds explains in detail the narrative structure of the Sirat Bani Hilal as well as the tradition of epic singing. He sees both living epic poets and fictional epic heroes as figures engaged in an ongoing dialogue with audiences concerning such vital issues as ethnicity, religious orientation, codes of behavior, gender roles, and social hierarchies.
In the generation of singer-songwriters who came to fame in the '60s, none has created a more evocative, bittersweet, literate, and reflective body of work than Joni Mitchell. Today's music owes much to her innovation and inspiration.After displaying a haunting and sophisticated quality in such early albums as Joni Mitchell (1968) and Ladies of the Canyon (1970), Mitchell reached her poetic apotheosis in the surreal and mythical Hejira (1976) and Don Juan's Reckless Daughter (1977). In more recent works like Night Ride Home (1991) and Turbulent Indigo (1994) her poetic vision continued to sharpen and grow more penetrating.Joni Mitchell: The Complete Poems and Lyrics -- including lyrics from Joni's newest album, Taming the Tiger, newly added to this paperback edition -- gives us the first opportunity to reconsider Mitchell's written work in the broad sweep of its power, honesty, and reflective beauty.
An irresistible book of poems about dancing that mimic the rhythms of social dances from cha-cha to two-step, by the acclaimed author of Mirror Mirror Marilyn Singer has crafted a vibrant collection of poems celebrating all forms of social dance from samba and salsa to tango and hip-hop. The rhythm of each poem mimics the beat of the dances’ steps. Together with Kristi Valiant’s dynamic illustrations, the poems create a window to all the ways dance enters our lives and exists throughout many cultures. This ingenious collection will inspire readers to get up and move! Included with the e-book is an audio recording of the author reading each poem accompanied by original music.