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In the literary and artistic milieu of early modern Japan the Chinese and Japanese arts flourished side by side. Kodojin, the "Old Taoist" (1865-1944), was the last of these great poet-painters in Japan. Portraying this last representative of a tradition of gentle and refined artistry in the midst of a society that valued economic growth and national achievement, this beautifully illustrated book includes a wide selection of his finest poems, paintings, and calligraphy.
ÿWriting for Blissÿis most fundamentally about reflection, truth, and freedom. With techniques and prompts for both the seasoned and novice writer, it will lead you to tap into your creativity through storytelling and poetry,examine how life-changing experiences can inspire writing,pursue self-examination and self-discovery through the written word, and,understand how published writers have been transformed by writing.Poet and memoirist Raab (Lust) credits her lifelong love of writing and its therapeutic effects with inspiring her to write this thoughtful and detailed primer that targets pretty much anyone interested in writing a memoir. Most compelling here is Raab?s willingness to share her intimate stories (e.g., the loss of a relative, ongoing struggles with cancer, a difficult relationship with her mother). Her revelations are encouraging to writers who feel they need ?permission to take... a voyage of self-discovery.? The book?s seven-step plan includes plenty of guidance, including on learning to ?read like a writer,? and on addressing readers as if ?seated across the table .? Raab covers big topics such as the ?art and power of storytelling? and small details such as choosing pens and notebooks that you enjoy using. She also helps readers with the important step of ?finding your form.? --PUBLISHER'S WEEKLY "Writing for Blissÿis about the profound ways in which we may be transformed in and through the act of writing. I am grateful to Diana Raab for sharing it, and I trust that you will feel the same as you read on. May you savor the journey." --from the foreword by MARK FREEMAN, PhD "By listening to ourselves and being aware of what we are saying and feeling, the true story of our life's past experience is revealed. Diana Raab?s book gives us the insights by which we can achieve this through her life-coaching wisdom and our writing." --BERNIE SIEGEL, MD, author ofÿThe Art of Healing "Only a talented writer who has fought hard to overcome life?s many obstacles could take her readers by the hand and lead them through the writing process with such enormous compassion, amazing insight, and kindness. Diana Raab is a powerful, wise, intelligent guide well worth our following." --JAMES BROWN, author ofÿThe Los Angeles DiariesÿandÿThe River "Writing for Blissÿis far more than a 'how-to manual'; it enlightens the creative process with wisdom and a delightful sense of adventure. Bravo to Bliss!" --LINDA GRAY SEXTON, author ofÿSearching for Mercy Street: My Journey Back to My Mother, Anne Sexton "Uniquely blending inspiring insights with practical advice, Diana guides you on a path to discover the story that is truly inside you?and yearning to be told." --PATRICK SWEENEY, coauthor of the New York Times bestsellerÿSucceed on Your Own Terms DIANA RAAB, PhD, is an award-winning memoirist, poet, blogger, workshop facilitator, thought provoker, and survivor. She?s the author of eight books and over one thousand articles and poems. She lives in Southern California. Learn more at www.DianaRaab.com
A classic poem with a timeless message, presented in a small and beautiful gift book. Rose Milligan never intended to publicly share her poem 'Dust If You Must', but a series of events led her to publish it in The Lady magazine in 1998. Her charming message about what we value in life resonated with audiences, and it has since been read on BBC radio, posted on Instagram, printed on tea towels, read at funerals and put to music. Now appearing as a book for the first time, beautifully illustrated throughout by illustrator Hayley Wells, Dust If You Must is a timeless reminder to focus on the things we can enjoy in the world, rather than the things we think we need to do.
These short, simple journeys into life in Hong Kong and Taiwan show bright patches of emotion in an otherwise bleak universe.
"Provocative in the way it explodes and expands the category of historical fiction." --Salt Lake Tribune In this beautifully written and powerful debut novel, Ella Joy Olsen traces the stories of five fascinating women who inhabit the same historic home over the course of a century—braided stories of love, heartbreak and courage connect the women, even across generations. Ivy Baygren has two great loves in her life: her husband, Adam, and the bungalow they buy together in one of the oldest neighborhoods in Salt Lake City, Utah. From the moment she and Adam lay eyes on the home, Ivy is captivated by its quaint details—the old porch swing, ornate tiles, and especially an heirloom rose bush bursting with snowy white blossoms. Called the Emmeline Rose for the home’s original owner, it seems yet another sign that this place will be Ivy’s happily-ever-after...Until her dreams are shattered by Adam’s unexpected death. Striving to be strong for her two children, Ivy decides to tackle the home-improvement projects she and Adam once planned. Day by day, as she attempts to rebuild her house and her resolve, she uncovers clues about previous inhabitants, from a half-embroidered sampler to buried wine bottles. And as Ivy learns about the women who came before her—the young Mormon torn between her heart and anti-polygamist beliefs, the Greek immigrant during World War II, a troubled single mother in the 1960s—she begins to uncover the lessons of her own journey. For every story has its sadness, but there is also the possibility of blooming again, even stronger and more resilient than before...
Edited by Julia F. Andrews and Kuiyi Shen. Essays by Jonathan Spence, Xue Yongnian and Mayching Kao.
In his prize-winning poetry collection Reliquaria, R. A. Villanueva embraces liminal, in-between spaces in considering an ever-evolving Filipino American identity. Languages and cultures collide; mythologies and faiths echo and resound. Part haunting, part prayer, part prophecy, these poems resonate with the voices of the dead and those who remember them. In this remarkable book, we enter the vessel of memory, the vessel of the body. The dead act as witness, the living as chimera, and we learn that whatever the state of the body, this much rings true: every ode is an elegy; each elegy is always an ode.
Jenefer Robinson uses modern psychological and neuroscientific research on the emotions to study our emotional involvement with the arts.
In this provocative new novel, the author of Root, Petal, Thorn offers a powerful story of resilience, hope, and the secrets that, no matter how deeply hidden, can shape and ultimately unite a family. What connects us to one another? Is it shared history? Is it ancestry? Is it blood? Or is it love? People respond to tragedy in different ways. Some try to move on. Some don’t move at all. A year after her young son’s death due to a rare genetic disease, Emma Hazelton is still frozen by grief, unable and unwilling to consider her husband Noah’s suggestion that they try to have another child. As the future Emma once imagined crumbles, her family’s past comes into sharp relief. Searching for the roots of her son’s disease, Emma tries to fit together the pieces in her genealogical puzzle. Hidden within an old wedding photograph of her great-grandparents is an unusual truth Emma never guessed at—a window into all the ways that love can be surprising, generous, and fiercely brave . . . and a discovery that may help her find her own way forward at last. Praise for Root, Petal, Thorn “Root, Petal, Thorn mixes history and genealogy into a believable novel.” —RT Book Reviews, 4.5 Stars Top Pick “Olsen’s ambitious debut is full of heart and hope.” —Lynda Cohen Loigman, author of The Two-Family Home “Five women. Five complicated lives. One house where they all live over a period of one hundred years. In this story, the walls talk. Wonderful, compelling saga!” —Cathy Lamb, author of My Very Best Friend and The Language of Sisters