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Religion as Poetry continues in the grand tradition of the sociology of religion pioneered by Emile Durkheim, Max Weber, and Talcott Parsons, among other giants in intellectual history. Too many present-day sociologists either ignore or disparage religious currents. In this provocative book, Andrew M. Greeley argues that various religions have endured for thousands of years as poetic rituals and stories. Religion as Poetry proposes a theoretical framework for understanding religion that emphasizes insights derived from religious stories. By virtue of his own rare abilities as a novelist as well as sociologist, Greeley is uniquely qualified for this task.Greeley first considers classical theories of the sociology of religion, and then, drawing upon them, he explicates his own interpretation. He critically examines the viewpoint that society is becoming more secular, and that religion is declining. He observes that this theory stands in the way of persuading sociologists that religion is still worth studying. In contrast, Greeley is interested in why religions persist despite secular trends and alongside them. He argues that it is poetic elements that touch the human soul. Greeley then sets out to test this viewpoint.Greeley maintains that his theory is not the only, or necessarily even the best approach to study religion. Rather, it is his contention that it uniquely provides sociologists with perspectives on religion that other theories too often overlook or disregard. Religion as Poetry, an original and intriguing study by a distinguished social scientist and major novelist, will be enjoyed and evaluated by sociologists, ' theologians, and philosophers alike.
I.B.Tauris in association with the Iran Heritage Foundation
An exploration of the relationship between literature and religion, which adopts an interdisciplinary approach, aiming to provide an introduction to the variety of ways in which literature, literary theory and theology are related.
Literature and religion are never far apart. The greatest literary achievements of the West, from Aeschylus to Dante to Shakespeare, cut deeply into the soul of humanity and stir in us those ultimate questions of existence, truth, and beauty which can only be answered, if they are ever answered at all, by religious commitment or the equally passionate rejection of theology and its speculation. - from the General Editor's Preface
The study of religion and literature continues to go from strength to strength - this collection of essays offers a dynamic, lively and provocative contribution to the field and aims to map out new directions it might take. By returning to foundational questions regarding the relation between words and worlds and the parameters of the sacred, the essays explore different ways of using interdisciplinary resources to open up our understanding of religion and literature. Contributions from some of the leading voices in the field unite to offer an important exploration of the possible worlds that the study of religion and literature imagines.
Seven distinguished scholars explore the religion and culture of medieval Islam.
This title was first published in 2003. This text examines the role of religion in the life of the poet Robert Burns. Incorporating previously unexplored sources, and taking into consideration contemporary work on Burns, and on Scottish literature and history, author J. Walter McGinty presents an account of Burns's personal religion and the factors that helped to form it. McGinty begins by discussing the recurring themes in Burns's religious writings: a belief in a benevolent God; a hankering after, if not a hope, that there might be a life after death; and a sense of his own accountability. He then presents for comparison the religious poetry of two of Burns's contemporaries, William Cowper and Christopher Smart, usefully extending the discussion of Burns beyond the purely Scottish context. Finally, McGinty provides portraits of some of the ministers of "The Church of Scotland's Garland-A New Song", followed by an analysis of Burns's religious poetry.
First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
Biblical stories are metaphorical. They may have been accepted as factual hundreds of years ago, but today they cannot be taken literally. Some students in religious schools even recoil from the “fairy tales” of religion, believing them to be mockeries of their intelligence. David Tacey argues that biblical language should not be read as history, and it was never intended as literal description. At best it is metaphorical, but he does not deny these stories have spiritual meaning. Religion as Metaphor argues that despite what tradition tells us, if we “believe” religious language, we miss religion’s spiritual meaning. Tacey argues that religious language was not designed to be historical reporting, but rather to resonate in the soul and direct us toward transcendent realities. Its impact was intended to be closer to poetry than theology. The book uses specific examples to make its case: Jesus, the Virgin Birth, the Kingdom of God, the Apocalypse, Satan, and the Resurrection. Tacey shows that, with the aid of contemporary thought and depth psychology, we can re-read religious stories as metaphors of the spirit and the interior life. Moving beyond literal thinking will save religion from itself.
A COMPANION TO MODERNIST POETRY A Companion to Modernist Poetry A Companion to Modernist Poetry presents contemporary approaches to modernist poetry in a uniquely in-depth and accessible text. The first section of the volume reflects the attention to historical and cultural context that has been especially fruitful in recent scholarship. The second section focuses on various movements and groupings of poets, placing writers in literary history and indicating the currents and countercurrents whose interaction generated the category of modernism as it is now broadly conceived. The third section traces the arcs of twenty-one poets’ careers, illustrated by analyses of key works. The Companion thus offers breadth in its presentation of historical and literary contexts and depth in its attention to individual poets; it brings recent scholarship to bear on the subject of modernist poetry while also providing guidance on poets who are historically important and who are likely to appear on syllabi and to attract critical interest for many years to come. Edited by two highly respected and notable critics in the field, A Companion to Modernist Poetry boasts a varied list of contributors who have produced an intense, focused study of modernist poetry.