Download Free Poetry Psychology Book in PDF and EPUB Free Download. You can read online Poetry Psychology and write the review.

Building on the American Psychological Association tradition of the arts and psychology, this book addresses the therapeutic aspects and clinical use of metaphor, narrative, journal writing, storytelling, bibliotherapy, poetry, and the related arts. Based on clinical theory and romantic philosophy, a unified poetry therapy practice model is presented that combines the use of literature in therapy, creative expression, and symbols/rituals. Poetry therapy has been formally recognized for approximately thirty years and practiced worldwide with a wide range of clients and in numerous settings including hospitals, hospices, mental health centers, family service agencies, addiction centers, schools, nursing homes, and correctional settings. Poetry Therapy: Interface of the Arts and Psychology is organized along three dimensions: 1) Theory and practice of poetry therapy covering individual, family and group modalities 2) Use of poetry therapy along developmental markers with specific attention to abused children, battered women, suicidal adolescents, and the elderly, and 3) Research and professional development including credentialing, building resources, and education/training.
The Poet's Mind is a major study of how Victorian poets thought and wrote about the human mind. It argues that Victorian poets, inheriting from their Romantic forerunners the belief that subjective thoughts and feelings were the most important materials for poetry, used their writing both to give expression to mental processes and to scrutinise and analyse those processes. In this volume Gregory Tate considers why and how psychological analysis became an increasingly important element of poetic theory and practice in the mid-nineteenth century, a time when the discipline of psychology was emerging alongside the growing recognition that the workings of the mind might be understood using the analytical methods of science. The writings of Victorian poets often show an awareness of this psychology, but, at the same time, the language and tone of their psychological verse, and especially their ambivalent use of terms such as 'brain', 'mind', and 'soul', voice an unresolved tension, felt throughout Victorian culture, between scientific theories of psychology and metaphysical or religious accounts of selfhood. The Poet's Mind considers the poetry of Browning, Tennyson, Arnold, Clough, and George Eliot, offering detailed readings of several major Victorian poems, and presenting new evidence of their authors' interest in contemporary psychological theory. Ranging across lyric verse, epic poetry, and the dramatic monologue, the book explores the ways in which poetry simultaneously drew on, resisted, and contributed to the spread of scientific theories of mind in Victorian Britain.
In this third edition of Poetry Therapy, Dr. Mazza expands on poetry therapy applications and techniques, carefully illustrating the use of poems, expressive writing, and symbolic activities for healing, education, and community service. Building on the definition and foundation of poetry therapy, chapters discuss using Mazza’s poetry therapy model with individuals, families, groups, and communities. Featuring over a hundred new references and practice experiences, the updated edition covers new research findings and methods, especially with respect to expressive writing and brain activity. Additional updates include working with special populations such as minorities, persons with disabilities, veterans, and the LGBTQ+ community. New chapters on spirituality, the COVID-19 pandemic, and personal development through poetry and running are also featured. Each chapter ends with questions for reflection. This is a truly invaluable resource for any practitioner, educator, or researcher interested in poetry therapy, bibliotherapy, writing, and healing, or the broader area of creative arts and expressive therapies.
Tom Greening is a long time existential psychologist, professor, and poet. In this collection of poems, Dr. Greening explores many challenging topics, incuding the meaning of our existence, the challenges of the medical model in psychology, war, religion, and our paradoxical human nature. All these topics are approached with his typical wit and humor. Whether a psychologist, mental health proefssional, or just someone interested in the many challenges of life, this collection of poems will make you think, laugh, and maybe even cry.
Death is a pervasive reality that impacts the life of every living person, often leading to denial, avoidance, and attempts to overcome it. In the end, we all must face death, as Dr. Tom Greening does in his new book of poems, Into the Void. This powerful collection of poems written by the eminent existential psychologist, Dr. Tom Greening. With his usual wit, humor, and honesty, Greening birthed these poems from his experience as he ages and faces his own declining health and mortality. Each poem reveals another layer of the experience of facing death. The honesty of Greening’s poems is a gift to all who read them. They are sure to bring laughter, sadness, and tears. But most importantly, they bring with them poignant wisdom that may help others in their own journey with their mortality.
The greater part of this book will appear controversial, but any critic who expects me to argue on what I have written, is begged kindly to excuse me; my garrison is withdrawn without a shot fired and his artillery may blow the fortress to pieces at leisure. These notebook reflections are only offered as being based on the rules which regulate my own work at the moment, for many of which I claim no universal application and have promised no lasting regard. They have been suggested from time to time mostly by particular problems in the writing of my last two volumes of poetry. Hesitating to formulate at present a comprehensive water-tight philosophy of poetry, I have dispensed with a continuous argument, and so the sections either stand independently or are intended to get their force by suggestive neighbourliness rather than by logical catenation. The names of the glass houses in which my name as an authority on poetry lodges at present, are to be found on a back page. -- The Author
Connoisseurs of Suffering is a powerful collection of poems exploring the potential meanings in suffering. Suffering is an inevitable part of life and, perhaps, a necessary one: if we love enough, we eventually experience loss and get hurt. The choice is not between suffering and not suffering so much as between suffering for something and suffering for nothing. The poets featured in Connoisseurs of Suffering have chosen the former path--to suffer for something--and have found meaning through the pain they endured and, in some cases, continue to endure. These poets have chosen to courageously share the wisdom and grace that has emerged from their pain. The contributors to Connoisseurs of Suffering include award-winning poets and authors as well as psychologists and other mental health workers. The poems are powerful, provocative, and often quite raw with pain and meaning. While the poems will not alleviate your suffering, they will help you feel less alone. As Dave Elkins wisely says in the Foreword, "Life is indeed difficult but it's a whole lot better when we listen, really listen, to one another's pain... and care."
The aim of the author, who has long been interested in the history of ideas, has been to give some illustrations of the ways in which at various periods English poetry has reflected current views of the human mind, with special reference to such topics as its place in the cosmos, its relations with the body, the connections between sense, passions, and reason, the problem of soul and its possible survival after death. The subject matter is important, for many of the more self-conscious writers have been profoundly affected by their assumptions about the senses and passions, the reason and the imagination. The author traces four main historical phases in each of which different aspects and potentialities of the mind have been stressed. Chapter I discusses the microcosmic conception of man inherited from the Middle Ages and traces its influence in some allegorical and didactic verse, lyric and epic. Chapter II considers the development of Shakespeare’s attitude to the mind and human character. Chapter III turns to some effects (between Dryden and Wordsworth) of the seventeenth-century revolution in philosophy and science, including the search for clarity and order, the Augustan interest in reason and the passions, and the rise of the association of psychology. Chapter IV shows how the Romantic poets made use of associations and intuitions, and discusses the Victorian poets’ hopes and fears about immortality in relation to the advance of science. The last chapter traces the influence of the philosophy of the “moment” from the aesthetes to T.S. Eliot, and distinguishes the effects of some twentieth-century psychologies in modern poetry. Poets, of course, have rarely been systematic philosophers or psychologists; they have usually picked out and applied imaginatively only a few notions from contemporary thought. Consequently this study does not attempt to set the history of English poetry squarely against the history of philosophy. Rather, characteristic topics and writers have been selected and the discussion of them will be seen to throw light on some major imaginative preoccupations of each age. The student of English poetry and the history of ideas will find valuable comments on the major writers from Chaucer and Spenser down through Shakespeare and Milton, Dryden, Wordsworth, Shelley, Tennyson, Browning, Hardy and on a variety of modern poets such as Bridges, Eliot, Sitwell, Auden, and Graces. Alexander Lecture Series.
An examination of metaphor in poetry as a microcosm of the human imagination—a way to understand the mechanisms of creativity. In The Spider's Thread, Keith Holyoak looks at metaphor as a microcosm of the creative imagination. Holyoak, a psychologist and poet, draws on the perspectives of thinkers from the humanities—poets, philosophers, and critics—and from the sciences—psychologists, neuroscientists, linguists, and computer scientists. He begins each chapter with a poem—by poets including Samuel Taylor Coleridge, Sylvia Plath, Walt Whitman, Emily Dickinson, Robert Frost, Theodore Roethke, Du Fu, William Butler Yeats, and Pablo Neruda—and then widens the discussion to broader notions of metaphor and mind. Holyoak uses Whitman's poem “A Noiseless Patient Spider” to illustrate the process of interpreting a poem, and explains the relevance of two psychological mechanisms, analogy and conceptual combination, to metaphor. He outlines ideas first sketched by Coleridge—who called poetry “the best words in their best order”—and links them to modern research on the interplay between cognition and emotion, controlled and associative thinking, memory and creativity. Building on Emily Dickinson's declaration “the brain is wider than the sky,” Holyoak suggests that the control and default networks in the brain may combine to support creativity. He also considers, among other things, the interplay of sound and meaning in poetry; symbolism in the work of Yeats, Jung, and others; indirect communication in poems; the mixture of active and passive processes in creativity; and whether artificial intelligence could ever achieve poetic authenticity. Guided by Holyoak, we can begin to trace the outlines of creativity through the mechanisms of metaphor.