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Marina Tsvetaeva (1892-1941) was one of the four great Russian poets of the 20th century, along with Akhmatova, Mandelstam and Pasternak. She also wrote outstanding prose. Endowed with 'phenomenally heightened linguistic sensitivity' (Joseph Brodsky), Tsvetaeva was primarily concerned with the nature of poetic creation and what it means to be a poet. Among the most exciting of all explorations of this theme are the essays 'Art in the Light of Conscience', her spirited defence of poetry;'The Poet on the Critic', which earned her the enmity of many; and 'The Poet and Time', the key to understanding her work. Her richly diverse essays provide incomparable insights into poetry, the poetic process, and what it means to be a poet. This book includes, among many fascinating topics, a celebration of the poetry of Pasternak ('Downpour of Light') and reflections on the lives and works of other Russian poets, such as Mandelstam and Mayakovsky, as well as a magnificent study of Zhukovsky's translation of Goethe's 'Erlking'. Even during periods of extreme personal hardship, her work retained its sense of elated energy and humour, and Angela Livingstone's translations bring the English-speaking reader as close as possible to Tsvetaeva's inimitable voice. First published in English in 1992, "Art in the Light of Conscience" includes an introduction by the translator, textual notes and a glossary, as well as revised translations of 12 poems by Tsvetaeva on poets and poetry.
In recent years philosophers have produced important books on nearly all the major arts: the novel and painting, music and theatre, dance and architecture, conceptual art and even gardening. Poetry is the sole exception. This is an astonishing omission, one this collection of original essays will correct. If contemporary philosophy still regards metaphors such as 'Juliet is the sun' as a serious problem, one has an acute sense of how prepared it is to make philosophical and aesthetic sense of poems such W. B. Yeats's 'The Second Coming', Sylvia Plath's 'Daddy', or Paul Celan's 'Todesfuge'. The Philosophy of Poetry brings together philosophers of art, language, and mind to expose and address the array of problems poetry raises for philosophy. In doing so it lays the foundation for a proper philosophy of poetry, setting out the various puzzles and paradoxes that future work in the field will have to address. Given its breadth of approach, the volume is relevant not only to aesthetics but to all areas of philosophy concerned with meaning, truth, and the communicative and expressive powers of language more generally. Poetry is the last unexplored frontier in contemporary analytic aesthetics, and this volume offers a powerful demonstration of how central poetry should be to philosophy.
This 1976 book is a study of the medieval English dream-poem set against classical and medieval visionary and religious writings.
Material on the production and transmission of medieval literature and the early formation of the canon of English poetry. A wide range of poets is covered - Chaucer, Gower, Hoccleve, the Gawain poet, Langland, and Lydgate, along with the translator of Claudian's De Consulatu Stilichonis. The Turnament of Totenham is read in termsof theory of the carnivalesque and popular culture, and major contributions are made to current linguistic, editorial and codicological controversies. Going beyond the Middle Ages, the book also considers the sixteenth-century reception of Chaucer's Legend of Good Women and Post-Reformation reading of Lydgate. It is essential reading for anyone interested in the production and transmission of medieval literature, and in the early formation of the canon of English poetry. Contributors: JULIA BOFFEY, J.A. BURROW, CHRISTOPHER CANNON, MARTHA DRIVER, SIAN ECHARD, A.S.G. EDWARDS, KATE D. HARRIS, S.S. HUSSEY, KATHRYN KERBY-FULTON, CAROL M. MEALE, LINNE R. MOONEY, CHARLOTTE C. MORSE, V.I.J. SCATTERGOOD, ELIZABETH SOLOPOVA, ESTELLE STUBBS, JOHN THOMPSON.
American women have created an especially vigorous and innovative poetry, beginning in 1632 when Anne Bradstreet set aside her needle and picked up her "poet's pen." The topics of American women poets have been various, their images their own, and their modes of expression original. Emily Stipes Watts does not imply that the work of American men and that of American women are two different kinds of poetry, although they have been treated as such in the past. It is her aim, rather, to delineate and define the poetic tradition of women as crucial to the understanding of American poetry as a whole. By 1850, American women of all colors, religions, and social classes were writing and publishing poetry. Within the critical category of "female poetry," developed from 1800 to 1850, these women experimented boldly and prepared the way for the achievement of such women as Emily Dickinson in the second half of the nineteenth century. Indeed at times—for example from 1860 through 1910—it was women who were at the outer edge of prosodic experimentation and innovation in American poetry. Moving chronologically, Professor Watts broadly characterizes the state of American poetry for each period, citing the dominant male poets; she then focuses on women contemporaries, singling out and analyzing their best work. This volume not only brings to light several important women poets but also represents the discovery of a tradition of women writers. This is a unique and invaluable contribution to the history of American literature.
American national trade bibliography.
The process of poetry has importantly intuitive aspects and poetry embodies an ambivalence towards consciousness and towards those activities of thought in which it is constituted. It was ability to favour doubt over the productions of the rational mind that led Keats to associate poetry with his ‘negative capability’. Consciousness is – like poetry – a floating signifier, a term of wide reference, and with a range of implications in the various disciplinary contexts in which it finds currency. Poetry, consciousness and community is about poetry, consciousness and community, about their reflexive relationships in process, and about how these relationships matter to the world today and to worlds to come. This book is interested in the nature of poetic, as opposed to other, thought; it is interested in the critical application of these forms of thought to each others’ productions, and in how poetic thought might or might not be subject to its own regime. Poetry – as practice of testing the limits of language – entails a reflexive goal: that of understanding the journey in words made possible for, and by, the poem. Poetic meaning and truth are revealed between languages (likewise between genres, between texts, between subjects); it is in this inter-subjective and inter-cultural space that the limits of language (and so of conceivable worlds) are found.
This carefully crafted ebook is formatted for your eReader with a functional and detailed table of contents. Samuel Taylor Coleridge (1772–1834) was an English poet, literary critic and philosopher who, with his friend William Wordsworth, was a founder of the Romantic Movement in England and a member of the Lake Poets. He wrote the poems The Rime of the Ancient Mariner and Kubla Khan, as well as the major prose work Biographia Literaria. His critical work, especially on Shakespeare, was highly influential, and he helped introduce German idealist philosophy to English-speaking culture. Content: Introduction: The Spirit of the Age: Mr. Coleridge by William Hazlitt A Day With Samuel Taylor Coleridge by May Byron The Life of Samuel Taylor Coleridge by James Gillman Poetry: Notable Works: The Rime of the Ancient Mariner Kubla Khan; or, A Vision in a Dream: A Fragment Christabel France: An Ode LYRICAL BALLADS, WITH A FEW OTHER POEMS (1798) LYRICAL BALLADS, WITH OTHER POEMS (1800) THE CONVERSATION POEMS The Complete Poems in Chronological Order Plays: OSORIO REMORSE THE FALL OF ROBESPIERRE ZAPOLYA: A CHRISTMAS TALE IN TWO PARTS THE PICCOLOMINI THE DEATH OF WALLENSTEIN Literary Essays, Lectures and Memoirs: BIOGRAPHIA LITERARIA ANIMA POETAE SHAKSPEARE, WITH INTRODUCTORY MATTER ON POETRY, THE DRAMA AND THE STAGE AIDS TO REFLECTION CONFESSIONS OF AN INQUIRING SPIRIT AND MISCELLANEOUS ESSAYS FROM "THE FRIEND” HINTS TOWARDS THE FORMATION OF A MORE COMPREHENSIVE THEORY OF LIFE OMNIANA. 1812 A COURSE OF LECTURES LITERARY NOTES SPECIMENS OF THE TABLE TALK OF SAMUEL TAYLOR COLERIDGE LITERARY REMAINS OF S.T. COLERIDGE Complete Letters: LETTERS OF SAMUEL TAYLOR COLERIDGE BIBLIOGRAPHIA EPISTOLARIS