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The poems in Plume are nuclear-age songs of innocence and experience set in the "empty" desert West. Award-winning poet Kathleen Flenniken grew up in Richland, Washington, at the height of the Cold War, next door to the Hanford Nuclear Reservation, where "every father I knew disappeared to fuel the bomb," and worked at Hanford herself as a civil engineer and hydrologist. By the late 1980s, declassified documents revealed decades of environmental contamination and deception at the plutonium production facility, contradicting a lifetime of official assurances to workers and their families that their community was and always had been safe. At the same time, her childhood friend Carolyn's own father was dying of radiation-induced illness: "blood cells began to err one moment efficient the next / a few gone wrong stunned by exposure to radiation / as [he] milled uranium into slugs or swabbed down / train cars or reported to B Reactor for a quick run-in / run-out." Plume, written twenty years later, traces this American betrayal and explores the human capacity to hold truth at bay when it threatens one's fundamental identity. Flenniken observes her own resistance to facts: "one box contains my childhood / the other contains his death / if one is true / how can the other be true?" The book's personal story and its historical one converge with enriching interplay and wide technical variety, introducing characters that range from Carolyn and her father to Italian physicist Enrico Fermi and Manhattan Project health physicist Herbert Parker. As a child of "Atomic City," Kathleen Flenniken brings to this tragedy the knowing perspective of an insider coupled with the art of a precise, unflinching, gifted poet. Watch the book trailer: https://www.youtube.com/watch?v=3iSaR9mfeeM
Sierra Nelson's poems are hypotheses of the evanescent world - its evaporations and evasions, its silences and speeches. "All ears, all eyes, all senses at attention," Nelson examines the tenuous tentacles that connect humans, plants, and animals, that tether us to the past - detailing the surreptitiousness of joy, the necessity of loss, how a body is changed by everything it encounters. Line by line The Lachrymose Report reveals how language, like feeling, originates deep in every cell, even as the wonder of these poems unfolds on an evolutionary scale.
In Theorem, spare images, distilled text, and the resonant space between investigate the legacy of secrets acquired in childhood and held through a life. Part illustrated dream journey, part lyrical interrogation, Theorem maps a luminous path of self-discovery that unsettles and upends. Beyond mere revelation, Bradfield's words and Contro's images "open up another possibility," writes John Yau. "The revelation is not in arriving at a destination but in beginning to map the journey, as well as in recognizing that one's perspective of past events changes as time goes by. This is the enigma of being alive and alert. This is what Theorem offers the willing reader -a place to return to in order to set out again and see what has changed."
For poetry enthusiasts, readers interested in Northwest literature, younger poets looking for outstanding poets in the region, and students of creative writing, Long Journey offers a rich view of the poetry of our time and place. Featuring the work of poets from Alaska, British Columbia, Washington, Oregon, Idaho, and western Montana. Book jacket.
Writers’ Trust Fiction Prize Winner Scotiabank Giller Prize Finalist Part literary Western and part historical mystery, Writers’ Trust Fiction Prize winner Ridgerunner is now available as a paperback. November 1917. William Moreland is in mid-flight. After nearly twenty years, the notorious thief, known as the Ridgerunner, has returned. Moving through the Rocky Mountains and across the border to Montana, the solitary drifter, impoverished in means and aged beyond his years, is also a widower and a father. And he is determined to steal enough money to secure his son’s future. Twelve-year-old Jack Boulton has been left in the care of Sister Beatrice, a formidable nun who keeps him in cloistered seclusion in her grand old house. Though he knows his father is coming for him, the boy longs to return to his family’s cabin, deep in the woods. When Jack finally breaks free, he takes with him something the nun is determined to get back — at any cost. Set against the backdrop of a distant war raging in Europe and a rapidly changing landscape in the West, Gil Adamson’s follow-up to her award-winning debut, The Outlander, is a vivid historical novel that draws from the epic tradition and a literary Western brimming with a cast of unforgettable characters touched with humour and loss, and steeped in the wild of the natural world.
“There are some poets we admire for a mastery that allows them to tell a story, express an epiphany, form a conclusion, all gracefully and even memorably—yet language in some way remains external to them. But there are other poets in whom language seems to arise spontaneously, fulfilling a design in which the poet’s intention feels secondary. Books by these poets we read with a gathering sense of excitement and recognition at the linguistic web being drawn deliberately tighter around a nucleus of human experience that is both familiar and completely new, until at last it seems no phrase is misplaced and no word lacks its resonance with what has come before. Such a book is Austin Segrest’s Door to Remain. Ranging between Atlanta, Georgia, and the Eternal City of Rome, these poems offer a poignant chronicle of haunting by a mother who is simultaneously present and absent even before her death. The centerpiece of the book is a poem in nineteen sections entitled ‘Majestic Diner’ that strives to answer its own epigraph, from George Herbert: ‘My God, what is a heart?’ Elsewhere, the poet writes ‘Humankind / cannot bear to be cheated out of our most guarded truths,’ paraphrasing T.S. Eliot’s dictum that ‘Humankind cannot bear very much reality,’ and part of what makes this book memorable are the clear-sightedness and charity with which those truths are anatomized.”—Karl Kirchwey, author of Poems of Rome and judge
Most outdoor enthusiasts understand the phrase "turn around time" as that point in an adventure when one must cease heading out in order to have enough time to safely return to camp or home. In that vein, an award-winning novelist explores midlife through a lyrical journey along a trail.
The formally nuanced and wise epistolary poems in David Biespiel's new collection are grounded in friendship, camaraderie, and the vulnerability and boldness that defines America. Roving from the old Confederacy of Biespiel's native South to Portland, Oregon, Charming Gardeners explores the wildness of the Northwest, the avenues of Washington, D.C., the coal fields of West Virginia, and an endless stretch of airplanes and hotel rooms from New York to Texas to California. These poems explore the "insistent murmurs" of memory and the emotional connections between individuals and history, as well as the bonds of brotherhood, the ghosts of America's wars, and the vibrancy of love, sex, and intimacy. We are offered poems addressed to family, friends, poets, and political rivals -- all in a masterful idiom Robert Pinsky has called Biespiel's "own original grand style." I should stop back there And stand on both feet in the grazing sunlight And hear this chorus of America singing. But I am so afraid of the testament of the delivered. from "TO __________ FROM THE JEWISH CEMETERY IN WILLIAMSON, WEST VIRGINIA
The anticipated second book by the poet Mary Szybist, author of Granted, a finalist for the National Book Critics Circle Award The troubadours knew how to burn themselves through, how to make themselves shrines to their own longing. The spectacular was never behind them.-from "The Troubadours etc." In Incarnadine, Mary Szybist.