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Each year Poetry New Zealand, this country's longest-running poetry magazine, rounds up new poetry, reviews, and essays, making it the ideal way to catch up with the latest poetry from both established and emerging New Zealand poets. Issue #54 features 133 new poems (including by this year's featured poet, rising star essa may ranapiri, and C.K. Stead, Elizabeth Smither, Kevin Ireland, Chris Tse, Gregory Kan, Fardowsa Mohamed, and Tracey Slaughter); essays (including a graphic essay by Sarah Laing); and reviews of new poetry collections. Poems by the winners of both the Poetry New Zealand Award and the Poetry New Zealand Schools Award are among the line-up.
Poetry New Zealand, this country's longest-running poetry magazine, showcases new writing from New Zealand and overseas. This issue, #55, features 182 poems by 129 poets, including Elizabeth Morton, Michele Leggott, essa may ranapiri, Bob Orr, Kiri Piahana-Wong, Jordan Hamel, David Eggleton and Mere Taito, the winning entries in the Poetry New Zealand Prize, essays, and reviews of 25 new poetry books. Compiled in a time of pandemic, these are poems written -- in the words of editor Tracey Slaughter -- when 'the only line to follow was deeper in, darker down, to poetry. The page was the only safe place our breath could go.'
Packed with practical advice, guidance and inspiration about all aspects of the writing process, this Yearbook is the essential resource on how to get published. It will guide authors and illustrators across all genres and markets: those looking for a traditional, hybrid or self-publishing route to publication; writers of fiction and non-fiction, poets and playwrights, writers for TV and radio, newspapers and magazines. New articles for the 2020 edition include: - Raffaella Barker Writing romantic fiction - Chris Bateman Writing for video games: a guide for the curious - Dean Crawford Going solo: self-publishing in the digital age - Jill Dawson On mentoring - Melissa Harrison So you want to write about nature ... - Kerry Hudson Writing character-led novels - Mark Illis Changing lanes: writing across genres and forms - Maxim Jakubowski Defining genre fiction - Antony Johnston Breaking into comics - Suzanne O'Sullivan Writing about science for the general reader - Tim Pears Writing historical fiction: lessons learned - Di Redmond Ever wanted to write a saga? - Anna Symon Successful screenwriting - Nell Stevens Blurring facts with fiction: memoir and biography - Ed Wilson Are you ready to submit?
A moving account in poetry of one woman's pathway through violence and addiction. "at six, my mother's boyfriend forced his fat hairy hand inside my heart-shaped face for eating too many Fruit Bursts we bought a tube of them at BP wrapped individually in pastel wax papers which littered the backseat like sweet-smelling confetti his hand tasted of salt a metallic tang of rust the hot edge of petrol from the pump still lingering on his fingers" My Honest Poem is a moving and powerful poetry collection that follows recovery from a life fractured by family violence and addiction. It is a coming-of-age story of a young New Zealand woman rebuilding strength and hope in the spaces left by trauma.
While the COVID-19 pandemic overshadowed all else and would quickly have a lasting impact on our daily lives, other events related to the radical right in 2020 soon surfaced. From terrorist attacks in Germany and India to anti-mask protests across the U.S. and Europe, radical right violence escalated in the midst of circulating conspiracy theories and disinformation. The yearbook draws upon insightful analyses from an international network of scholars, policymakers, and practitioners who explore the dynamics and impact of the radical right. It explores a wide range of topics including reflections on authoritarianism and fascism, the role of ideology and (counter-)intellectuals, and radical-right responses to the pandemic and calls for police reform in the height of the Black Lives Matter protests. It ends with important assessments on best approaches towards countering the radical right, both online and offline. This timely overview provides a broad examination of the global radical right in 2020, which will be useful for scholars, students, policymakers, journalists, and the public.
Foreword by William Sutcliffe, author of Are you Experienced?, New Boy and We See Everything The indispensable guide to writing for children and young adults, this Yearbook provides inspirational articles from successful writers and illustrators, as well as practical advice on who to contact across the media and how to get published. New articles for the 2020 edition include: - Davinia Andrew-Lynch A message for under-represented writers: We Want You - Clémentine Beauvais Writing and translating children's fiction - Holly Bourne Dealing with tough issues in YA fiction - Natasha Farrant Writing about love and loss for children - Kiran Millwood Hargrave Writing magic into fiction - Salvatore Rubbino The craft of the illustrator - Deirdre Sullivan Reinventing old stories for new readers
A biting new collection by award-winning poet Anne Kennedy. In The Sea Walks into a Wall, the natural world around us hits back. The sea crashes its glass onto the bar. You watch from afar. You'd take it all back if you could. Everything. You'd go down there and you'd. And talks back too. If I'm fucked, you're coming with me. Sincerely, the stream. From rainy Ihumatao to London's Kew Gardens, in the face of seas and streams, ducks and dogs, black drops and bureaucracies, humans bumble through. Without distractions you'd rush through your life like chi through an empty room. You bump into a baby and that takes up eighteen years. Love fills the room like a maze. Intelligent, playful, witty, and innovative, these poems bite where it hurts.
The Most Trusted Guide to Publishing Poetry! Want to get your poetry published? There's no better tool for making it happen than Poet's Market 2020, which includes hundreds of publishing opportunities specifically for poets, including listings for book and chapbook publishers, print and online poetry publications, contests, and more. These listings include contact information, submission preferences, insider tips on what specific editors want, and--when offered--payment information. In addition to the completely updated listings, the 33nd edition of Poet's Market offers articles devoted to the craft and business of poetry, including the art of finishing a poem, ways to promote your new book, habits of highly productive poets, and more.
"Poetry New Zealand, this country's longest-running poetry magazine, showcases new writing from New Zealand and overseas. It presents the work of talented newcomers as well as that of established leaders in the field. This issue features the winning entries in the Poetry New Zealand Poetry Prize and the Poetry New Zealand Yearbook student poetry competition, as well as 126 poems by 101 poets, including Michele Leggott, Emma Neale, Bob Orr, Vaughan Rapatahana, Elizabeth Smither, and many others. Issue #53 also features essays by Elizabeth Kirkby-McLeod, Jessica Pawley and Erena Shingade, as well as reviews of 22 new poetry books"--Back cover
An utterly unique collection composed by the award-winning poet and writer, a global anthology of pieces from lesser-known classics by luminaries like Franz Kafka, Samuel R. Delany, and Gwendolyn Brooks to up-and-coming writers that examine pathos and feeling, giving a well-timed rehab to the word “pathetic” “Literature is pathetic.” So claims Eileen Myles in their provocative and robust introduction to Pathetic Literature, a breathtaking mishmash of pieces ranging from poems to theater scripts to prose to anything in between, all exploring the so-called “pathetic” or awkwardly-felt moments and revelations around which lives are both built and undone. Myles first reclaimed the word for a seminar they taught at the University of California San Diego in the early 2000s, rescuing it from the derision into which it had slipped and restoring its original meaning of inspiring emotion or feeling, from the Ancient Greek rhetorical method pathos. Their identification of “pathetic” as ripe for reinvention forms the need for this anthology, which includes a hearty 106 contributors, encompassing canonical global stars like Robert Walser, Jorge Luis Borges, Rumi, and Gwendolyn Brooks, literary libertines like Dodie Bellamy, Samuel R. Delany, and Bob Flanagan, as well as extraordinary writers on the rise, including Nicole Wallace, Precious Okoyomon, and Will Farris. Wrenching and discomfiting prose by Karla Cornejo Villavicencio, Jack Halberstam, and Porochista Khakpour rubs shoulders with poems by Natalie Diaz, Victoria Chang, Lucille Clifton, and Ariana Reines, and butts up against fiction from Chester Himes, Djuna Barnes, Chris Kraus, and Qiu Miaojin, among so many others, including Myles’s own opening salvo of their 1992 presidential campaign. The result is a completely anomalous and uplifting anthology that encourages a fresh political discourse on literature, as well as supplying an essential compendium of pained, awkward, queer, trans, gleeful, and ever-jarring ways to think differently and live pathetically on a polarized and fearful planet.