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"Poetry New Zealand, this country's longest-running poetry magazine, showcases new writing from New Zealand and overseas. It presents the work of talented newcomers as well as that of established leaders in the field. This issue features the winning entries in the Poetry New Zealand Poetry Prize and the Poetry New Zealand Yearbook student poetry competition, as well as 126 poems by 101 poets, including Michele Leggott, Emma Neale, Bob Orr, Vaughan Rapatahana, Elizabeth Smither, and many others. Issue #53 also features essays by Elizabeth Kirkby-McLeod, Jessica Pawley and Erena Shingade, as well as reviews of 22 new poetry books"--Back cover
Each year Poetry New Zealand, this country's longest-running poetry magazine, rounds up new poetry, reviews, and essays, making it the ideal way to catch up with the latest poetry from both established and emerging New Zealand poets. Issue #54 features 133 new poems (including by this year's featured poet, rising star essa may ranapiri, and C.K. Stead, Elizabeth Smither, Kevin Ireland, Chris Tse, Gregory Kan, Fardowsa Mohamed, and Tracey Slaughter); essays (including a graphic essay by Sarah Laing); and reviews of new poetry collections. Poems by the winners of both the Poetry New Zealand Award and the Poetry New Zealand Schools Award are among the line-up.
Poetry New Zealand, this country's longest-running poetry magazine, showcases new writing from New Zealand and overseas. This issue, #55, features 182 poems by 129 poets, including Elizabeth Morton, Michele Leggott, essa may ranapiri, Bob Orr, Kiri Piahana-Wong, Jordan Hamel, David Eggleton and Mere Taito, the winning entries in the Poetry New Zealand Prize, essays, and reviews of 25 new poetry books. Compiled in a time of pandemic, these are poems written -- in the words of editor Tracey Slaughter -- when 'the only line to follow was deeper in, darker down, to poetry. The page was the only safe place our breath could go.'
This bestselling guide to all areas of publishing and the media is completely revised and updated every year. The Yearbook is packed with advice, inspiration and practical guidance on who to contact and how to get published. Foreword by Joanne Harris, bestselling author of 18 novels, including Chocolat New articles in the 2019 edition include: Ruby Tandoh Writing a cookbook Andrew McMillan How to become a poet Claire North Writing speculative fiction Frances Jessop Writing about sport Jane Robinson Writing non-fiction Tony Bradman A successful writing career James Peak Should I make an audio book? Wyl Menmuir Debut success Alice Jolly Crowdfunding your novel Andrew Lownie Submitting non-fiction Lynette Owen UK copyright law All articles are reviewed and updated every year. Key articles on Copyright Law, Tax, Publishing Agreements, E-publishing, Publishing news and trends are fully updated. Plus over 4,000 listings entries on who to contact and how across the media and publishing worlds In short it is 'Full of useful stuff' - J.K. Rowling
A moving account in poetry of one woman's pathway through violence and addiction. "at six, my mother's boyfriend forced his fat hairy hand inside my heart-shaped face for eating too many Fruit Bursts we bought a tube of them at BP wrapped individually in pastel wax papers which littered the backseat like sweet-smelling confetti his hand tasted of salt a metallic tang of rust the hot edge of petrol from the pump still lingering on his fingers" My Honest Poem is a moving and powerful poetry collection that follows recovery from a life fractured by family violence and addiction. It is a coming-of-age story of a young New Zealand woman rebuilding strength and hope in the spaces left by trauma.
The most trusted guide to publishing poetry! Want to get your poetry published? There's no better tool for making it happen than Poet's Market 2019, which includes hundreds of publishing opportunities specifically for poets, including listings for book and chapbook publishers, print and online poetry publications, contests, and more. These listings include contact information, submission preferences, insider tips on what specific editors want, and--when offered--payment information. In addition to the completely updated listings, the 32nd edition of Poet's Market offers all-new articles devoted to the craft and business of poetry, including poets and collaboration, dealing with problem editors, increasing your odds of publication, and more. You will also gain access to: • Lists of conferences, workshops, organizations, and grants • Guidelines to more than 60 poetic forms you can use to diversify your poetic arsenal
The breath held or expelled in wonder, frustration or delight energises Emma Neale's writing. Poems in The Truth Garden take risks because they need to; in the clamour of family life they have required attention, collected thought and a spirited attitude. How else to "stockpile time, how hoard its shine," except in poems drawn from relationships, home and garden and cast in words that "spill like incandescence around your hands." - Cilla McQueen, 2011 Kathleen Grattan Award judge *** The Truth Garden is a beautifully produced collection of poetry that won the Kathleen Grattan Award for Poetry 2011. The award was established with a bequest by Jocelyn Grattan, in memory of her mother, who was a poet, journalist, and editor. The Truth Garden is produced with attention to the traditional qualities of fine book production, in typography, illustration, design, paper, and binding. Additionally, the book is illustrated by Kathryn Madill and designed by Fiona Moffat.
In 1814, Johann Wolfgang von Goethe read the poems of the great fourteenth-century Persian poet Hafiz in a newly published translation by Joseph von Hammer-Purgstall. For Goethe, the book was a revelation. He felt a deep connection with Hafiz and Persian poetic traditions, and was immediately inspired to create his own West-Eastern Divan as a lyrical conversation between the poetry and history of his native Germany and that of Persia. The resulting collection engages with the idea of the other and unearths lyrical connections between cultures. The West-Eastern Divan is one of the world’s great works of literature, an inspired masterpiece, and a poetic linking of European and Persian traditions. This new bilingual edition expertly presents the wit, intelligence, humor, and technical mastery of the poetry in Goethe’s Divan. In order to preserve the work’s original power, Eric Ormsby has created this translation in clear contemporary prose rather than in rhymed verse, which tends to obscure the works sharpness. This edition is also accompanied by explanatory notes of the verse in German and in English and a translation of Goethe’s own commentary, the “Notes and Essays for a Better Understanding of the West-Eastern Divan.” This edition not only bring this classic collection to English-language readers, but also, at a time of renewed Western unease about the other, to open up the rich cultural world of Islam.
ÿOriginally published in 1899, this collection of poems and songs by Montrose resident William F McHardy was forgotten for more than a century until the author?s great grandson, Bob McHardy, rediscovered it and decided to republish it in his ancestor?s memory, with most of the profits divided between Cancer Research UK, the British Heart Foundation and Tesco?s Charity of the Year. This facsimile edition is a faithful paperback reproduction by Mereo of the original book published in Montrose by George A. Bowman.
Lilting bees and unidentifiable birds, long-division problems and continental cornflakes: three remarkable voices arrive in AUP New Poets 8. In AUP New Poets 8, Lily Holloway, Tru Paraha, and Modi Deng come together to produce a volume of remarkable inventions and intoxications. Lily Holloway leads off with her collection 'a child in that alcove,' using an inventive approach to form to lead the reader into the ordinary extraordinary events of daily life, her poetry filling them with dazzle and dread, questions and memories. Then Tru Paraha takes us inside 'my darkling universe'—a world 'perpetually astral' and 'utterly spaghettified,' a poetic universe of unexpected letters and words and forms, where te reo Maori collides with atomic chemistry. Finally, Modi Deng travels through time and space into the lives of Brahms and backpackers, where uneasy conversations between mothers and children, between 'the subjects and myself,' between Beijing and London, provide beauty and solace. Three new voices, three compelling visions, all bound together in AUP New Poets 8.