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Alexis Sharp has given up finding Mr. Right-- that is, until one stormy night when the South Carolina spa owner gets a flat and Chicago chef Jared Van Buren stops to help. He's everything that Alexis could want in a man, except that he isn't black. Can the two find that love is color blind?
To mark the publication of Leonard Cohen's final book, The Flame, McClelland & Stewart is proud to reissue six beautiful editions of Cohen's cherished early works of poetry. A freshly packaged series for devoted Leonard Cohen fans and those who wish to discover one of the world's most adored and celebrated writers. Originally published by McClelland & Stewart in 1978, Death of a Lady's Man reinvented Cohen on the printed page, featuring a daring series of poems and prose poems, each of which is addressed—and often rebutted—in accompanying pieces of commentary. Maddening, thrilling, and truly singular, Cohen's sixth book contains some of the most challenging and startling work of his oeuvre. It is a genre-busting masterpiece well ahead of its time.
For beginning readers, these poems lead children to new words through rhyme, riddles, context, and word game.
Nominee for National Book Critics Circle Award, this volume contains many delights and some long poems. There is a European feel about Hecht's verse that is striking, partly due to the richness of the classical allusions, and partly due to the way Hecht handles autobiography. Poetry in the 20th century is very much shaped by the individualism of our times, but poetry that is in essence confessional, eccentric, and overly particularized quickly becomes tiresome. Hecht often avoids this pitfall by realizing his own insight through cultural rather than personal metaphor, and this allows his words and imagery to remain fresh and resonant. ISBN 0-394-58506-2: $18.95.
Pete Battistini released "American Top 40 with Casey Kasem (The 1970's)" in 2005. Now comes the follow-up, "American Top 40 with Casey Kasem (The 1980's)." Battistini painstakingly documented approximately 425 weekly, Casey Kasem-hosted countdown programs from the 80s, and compiled individual program summaries for each week exclusively for this book. In addition, the text includes a complete list of all radio stations, in the U.S. and around the world, that carried the program. Coupled with numerous testimonials of both AT40 insiders and listeners, and more than a hundred illustrations from the 80s, this book is brimming with highlights of the greatest radio program ever!
Poetry. LGBTQIA Studies. "Wray's poems are wry luxury items of intelligence, sheathed in the latent double of speech, where a word like family might mean, in the queer parlance, refuge, but also, refutation. This is an interrogative, primal, mythic collection, a poetry of privacy and disclosure, of contradiction, a disabused landscape under 'razor-wire stars.'"--Randall Mann "NO DOUBT I WILL RETURN A DIFFERENT MAN explores how complicated relationships between fathers and sons cast long shadows over the future self. In Wray's poems, eros shades at times uncomfortably into social violence and self-abnegation, making this book both love song and elegy to masculinity and its performances, to queerness, and to self-invention. Wray's sharp-eared lyrics move between the darkly campy and the sublime, proving that paternal elegies themselves are 'queer things' whose shifting modes allow him to investigate the limits of fatherhood itself."--Paisley Rekdal "Situated in the long posterity of one of the most infamously shattered queer lives, this tense excavation of Alan Turing, this careful and sumptuous overlay of men's secrecies and assignations seventy years apart, is fascinating. NO DOUBT I WILL RETURN A DIFFERENT MAN delves for origins, stirs encryption with erotics, and makes 'caught looking' palpable in its thrill and thrall."--Brian Blanchfield
OF WHAT FUTURE ARE THESE THE WILD, EARLY DAYS? An exploration of the role that artists play in resisting authoritarianism with a sci-fi twist. In poetry, dialogue and visual art the book follows two wandering poets as they make their way from village to village, across a prison colony moon full of exiled rebels, robots, and storytellers. Part post-apocalyptic road journal, part alternate universe history of Hip Hop, and part “Letters to a Young Poet”-style toolkit for emerging poets and aspiring movement-builders, it's also a one-of-a-kind practitioners' take on poetry, power, and possibility. NOT A LOT OF REASONS TO SING is a: -post-apocalyptic road journal -alternate universe history of Hip Hop -“Letters to a Young Poet” -toolkit for emerging poets and aspiring movement-builders it's also a one-of-a-kind practitioners' take on poetry, power, and possibility.
In this unique poetry anthology, 100 grown men - bestselling authors, poets laureate, actors, producers and other prominent figures from the arts, sciences and politics, share the poems that have moved them to tears.
A Lonely Pen refers to the relationship between me and the instrumentation I use to relay my thoughts and feelings to the world. It also uses personification, metaphor, and hyperbole to illustrate the passion involved with writing itself. The title describes this all perfectly and, in my humble opinion, is my most important piece. We will see if history indeed bears me out. A writer, any writer of any kind, has to create an audience and tell them a story. The success of the writing has somewhat less to do with the skill of the writer and his techniques than it will have to do with the reception and interpretations of his audience. Why does a writer write? He writes because he must write. He writes as easily as he speaks and as necessary as he breathes. Once written, they all have a life and destiny of their own beyond the writer’s control yet gaining for him his immortality.