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This book explores previously unexamined overlaps between the poetic imagination and the medical mind. It shows how appreciation of poetry can help us to engage with medicine in more intense ways based on ‘de-familiarising’ old habits and bringing poetic forms of ‘close reading’ to the clinic. Bleakley and Neilson carry out an extensive critical examination of the well-established practices of narrative medicine to show that non-narrative, lyrical poetry does different kind of work, previously unexamined, such as place eclipsing time. They articulate a groundbreaking ‘lyrical medicine’ that promotes aesthetic, ethical and political practices as well as noting the often-concealed metaphor cache of biomedicine. Demonstrating that ambiguity is a key resource in both poetry and medicine, the authors anatomise poetic and medical practices as forms of extended and situated cognition, grounded in close readings of singular contexts. They illustrate structural correspondences between poetic diction and clinical thinking, such as use of sound and metaphor. This provocative examination of the meaningful overlap between poetic and clinical work is an essential read for researchers and practitioners interested in extending the reach of medical and health humanities, narrative medicine, medical education and English literature.
Elaine Feinstein's poems are the harvest of a lifetime in literature. This selection, made by the author herself, gathers work from over half a century of published writing, and is completed by a section of new poems. The selection ranges from early poems of feminist rebellion and tender observation of children to elegies for the poet's father and close friends, reflections on middle-age, the conflicts in a long marriage, and meditations on the lot of refugees. In new poems Feinstein records her treatment for cancer, her feelings of dread in the clinic and unexpected moments of 'extravagant happiness'. The exploration of memory is at once a source of ironic amusement and an acknowledgement of human transience.
In his sixth collection of poetry, the celebrated poet-physician Rafael Campo examines the primal relationship between language, empathy, and healing. As masterfully crafted as they are viscerally powerful, these poems propose voice itself as a kind of therapeutic medium. For all that most ails us, Alternative Medicine offers the balm of song and the salve of the imagination: from the wounds of our stubborn differences of identity, to the pain of alienation in a world of unfeeling technologies, to the shame of the persistent injustices in our society, Campo's poetry displays a deep understanding of hurt as the possibility for healing. Demonstrating an abiding faith in our survival, this stunning, heartfelt book ultimately embraces the great diversity of our ways of knowing and dreaming, of needing and loving, and of living and dying.
This book assembles many of the foremost writers and clinicians in the field of team-based primary care to share their own relational reflections. It features narratives from fields such as integrated behavioral health, integrated primary care, primary care behavioral health, medical family therapy, health psychology, primary care psychology, and clinical social work. The key focus of the chapters are the relationships that are formed during primary care delivery. The book is organized into six core chapters: Family of Origin, Teachers and Mentors, Our Patients and Ourselves, Colleagues and Collaborators, Clinician as Patient, and Death and Loss. Each chapter contains a variety of styles and formats of narrative medicine, including personal reflections, story-telling, and poetry. Connections in the Clinic will be of interest to a wide audience of clinicians and educators dedicated to a reflective or story-telling approach to healing.
"In this book Rafael Campo restores the link between poetry and healing, in lyrical prose that also offers "pharmaceutical" samples of work by a diverse group of poets such as Mark Doty, Marilyn Hacker, Miroslav Holub, Audre Lorde, Lucia Perillo, and William Carlos Williams. He leads us through the stages of illness and recuperation, from first inklings of mortality, through symptoms, diagnosis, and treatment, and finally recovery or - and here medicine recoils but poetry perseveres - death, and even immortality."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
The Routledge Handbook of Medicine and Poetry draws on an international selection of authors to ask what the cultures of poetry and medicine may gain from reciprocal critical engagement. The volume celebrates interdisciplinary inquiry, critique, and creative expansion with an emphasis upon amplifying provocative and marginalized voices. This carefully curated collection offers both historical context and future thinking from clinicians, poets, artists, humanities scholars, social scientists, and bio-scientists who collectively inquire into the nature of relationships between medicine and poetry. Importantly, these can be both productive and unproductive. How, for example, do poet-doctors reconcile the outwardly antithetical approaches of bio-scientific medicine and poetry in their daily work, where typically the former draws on technical language and associated thinking and the latter on metaphors? How does non-narrative lyrical poetry engage with narrative-based medicine? How do poets writing about medicine identify as patients? Central to the volume is the critical investigation of the consequences of varieties of medical pedagogy for clinical practice. Presenting a vision of how poetic thinking might form a medical ontology this thought-provoking book affords an essential resource for scholars and practitioners from across medicine, health and social care, medical education, the medical and health humanities, and literary studies.
A collection of poems written between 1950 and 1962 by the Pulitzer Prize-winning poet, including the complete texts of two earlier volumes, as well as a selection of previously uncollected works.
As Shane Neilson writes in Margin of Interest, ‘Maritime poetry is the sum of what’s come before, a unique history, and yes, a unique place.’ In Margin of Interest Neilson examines representation, identity, power, and the politics of literary history, from the creative traditions of the Mi’kmaq to the work of young poets today. He pays due homage to iconic Maritime writers (Milton Acorn, Alden Nowlan, George Elliott Clarke), shines a critical spotlight on lesser-known masters from the region (Travis Lane, Wayne Clifford) and provides a glimpse inside the ‘diverse ecosystem’ of poets under 40 writing in or about the Maritimes (Rebecca Thomas, Lucas Crawford, El Jones). He also combats the prejudices so often applied to writers from Atlantic Canada—stigma associated with mental illness, rigid gendering, vernacular language and even poetic form—and advocates for a long-overdue reappropriation of the regionalist stance, as well as a proper recognition of the region’s writers and their contribution to the Canadian literary landscape. For as Neilson wisely asks, ‘What’s the matter with taking pride in any kind of regional identity that we articulate?’