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A collection of poems and illustrations from one of Britain's dangerous category 'A' prisoners, Charles Bronson, formerly Michael Peterson. The poetry indicts the anachronistic penal system for what Bronson says they did to him.
Can deep contemplation give rise to macabre visions? What happens to the attempts of resolving a deranged mind? Some men go through spirals of Decadence, spending years in the pursuit of the authentic, becoming obscure and absurd, finally losing the difference between real and unreal. Exhausted with reasoning and self-reflection, with a subsequent lack of self-control breeds fear, permeating the surroundings. The road to Freedom, or so the narrator believed in until his own experiences begin to unhinge him. The Journal of a man, alienated and occasionally delusional, trying to articulate a method to overcome the ephemeral only to severe ties with the present. Will he understand the deeper meaning of existence after being in limbo, wasting with his degenerating memories and desires?
The Literary Agenda is a series of short polemical monographs about the importance of literature and of reading in the wider world and about the state of literary education inside schools and universities. The category of 'the literary' has always been contentious. What is clear, however, is how increasingly it is dismissed or is unrecognised as a way of thinking or an arena for thought. It is sceptically challenged from within, for example, by the sometimes rival claims of cultural history, contextualized explanation, or media studies. It is shaken from without by even greater pressures: by economic exigency and the severe social attitudes that can follow from it; by technological change that may leave the traditional forms of serious human communication looking merely antiquated. For just these reasons this is the right time for renewal, to start reinvigorated work into the meaning and value of literary reading. In this fascinating addition to the Literary Agenda series, David Constantine argues that poetry matters. It matters for individuals and for the society they are members of. He asserts that poetry is not for the few but for the many, and belongs and can only thrive among them, speaks of and to their concerns. Poetry considers both the writing and the reading of poetry, which Constantine views as kindred activities. He examines what goes into the writing of a poem and considers what good there is in reading it. Constantine also considers translation, arguing that great benefit comes to the native language from dealings with the foreign; also, that all reading is a form of translation - of texts into the lives we lead. Altogether, Poetry is an attempt, with many quotations, to show how poetry works, what its responsibilities are, and how it may help us in our real circumstances now.
NEW EDITION WITH INTRODUCTION FROM THE BROOKE SOCIETY "If I should die, think only this of me; That there's some corner of a foreign field That is forever England." The Soldier Today Rupert Brooke is probably best known as one of the famous First World War poets. His War Sonnets, including 'The Soldier', are present in this new edition of his Collected Poems which, with a new introduction by the Rupert Brooke Society's Chair, Lorna Beckett, aims to introduce a new generation of readers to his passionate and accomplished poetry. THE ESSENTIAL COLLECTION Brooke has continued to fascinate people of all ages and walks of life ever since his untimely death en route to Gallipoli on St George's Day 1915, at the age of 27. He lived his short life with intensity - he was not only a poet, but also a scholar, dramatist, literary critic, travel writer, political activist and soldier. Brooke had a large circle of friends, many of them leading figures of their generation including Virginia Woolf, Winston Churchill and W. B. Yeats. COMPLETE EDITION OF ALL BROOKE POEMS "Oh, is the water sweet and cool, Gentle and brown, above the pool? And laughs the immortal river still Under the mill, under the mill? Say, is there Beauty yet to find? And Certainty? and Quiet kind? Deep meadows yet, for to forget The lies, and truths, and pain?... oh! yet Stands the Church clock at ten to three? And is there honey still for tea?" The Old Vicarage, Grantchester
Boston born and bred, John Wieners was a queer self-styled poète maudit who was renowned among his contemporaries but ignored by mainstream critics. Twenty-first-century readers are correcting this elision, placing Wieners back alongside his better-known peers, including Allen Ginsberg, Charles Olson, Denise Levertov, and Amiri Baraka. Wieners was a voluble letter writer, maintaining friendships with these contemporaries that spanned decades and tackling a range of complex issues that resonate today, including drug use, homosexuality, subcultures of the East and West Coasts, and the differing treatment of mental patients based on their economic class. The letters collected in this volume are greatly enhanced by Eileen Myles’s preface and Stewart’s thorough introduction, notes, and brief bios of the poets, writers, artists, and editors with whom Wieners corresponded. The result is more than the letters of a poet—it is a history that explores the world at large in the mid-twentieth century.
The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The carefully selected sources range from landmark essays in the history of criticism to journalism and contemporary opinion, and little published documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation. Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects.
The essential collection of Ezra Pound's poetry--newly expanded and annotated with essays by Richard Sieburth, T. S. Eliot, and John Berryman.