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The dazzling new edition of this "tremendously valuable resource" (Kliatt) contains 65 writing exercises and more than 400 example poems. It also discusses how to integrate poetry writing into the English class and essential topics such as sound and rhythm, traditional poetic forms, inventing and adapting exercises, revision, and publishing. "The lessons are presented with clarity, common sense, and sophisticated artistic sensibilities."-Missoula Independent "Poetry Everywhere will ease any trepidation [about writing poetry]."-English Journal
A sense of pride and heritage speaks through every page of this fresh compilation celebrating African American verse. Contributors include Langston Hughes, James Weldon Johnson, Thulani Davis, Gwendolyn Brooks, Nikki Giovanni, Alice Walker, Ntozake Shange, Maya Angelou, and others. Over 200 poems. 2-color.
Winner of the 2013 Hurston/Wright Legacy Award for Poetry "The Collected Poems of Lucille Clifton 1965-2010 may be the most important book of poetry to appear in years."--Publishers Weekly "All poetry readers will want to own this book; almost everything is in it."--Publishers Weekly "If you only read one poetry book in 2012, The Collected Poems of Lucille Clifton ought to be it."—NPR "The 'Collected Clifton' is a gift, not just for her fans...but for all of us."--The Washington Post "The love readers feel for Lucille Clifton—both the woman and her poetry—is constant and deeply felt. The lines that surface most frequently in praise of her work and her person are moving declarations of racial pride, courage, steadfastness."—Toni Morrison, from the Foreword The Collected Poems of Lucille Clifton 1965–2010 combines all eleven of Lucille Clifton's published collections with more than fifty previously unpublished poems. The unpublished poems feature early poems from 1965–1969, a collection-in-progress titled the book of days (2008), and a poignant selection of final poems. An insightful foreword by Nobel Prize–winning author Toni Morrison and comprehensive afterword by noted poet Kevin Young frames Clifton's lifetime body of work, providing the definitive statement about this major America poet's career. On February 13, 2010, the poetry world lost one of its most distinguished members with the passing of Lucille Clifton. In the last year of her life, she was named the first African American woman to receive the $100,000 Ruth Lilly Poetry Prize honoring a US poet whose "lifetime accomplishments warrant extraordinary recognition," and was posthumously awarded the Robert Frost Medal for lifetime achievement from the Poetry Society of America. "mother-tongue: to man-kind" (from the unpublished the book of days): all that I am asking is that you see me as something more than a common occurrence, more than a woman in her ordinary skin.
Until the age of twelve, Georgia Lee Kay-Stern believed she was Jewish — the story of her Cree birth family had been kept secret. Now she’s living on her own and attending first year university, and with her adoptive parents on sabbatical in Costa Rica, the old questions are back. What does it mean to be Native? How could her life have been different? As Winnipeg is threatened by the flood of the century, Georgia Lee’s brutal murder sparks a tense cultural clash. Two families wish to claim her for burial. But Georgia Lee never figured out where she belonged, and now other people have to decide for her.
Here, There, and Everywhere, edited by Michael Dylan Welch, collects 120 poems by 70 poets who have been active with the Redmond Association of Spokenword (RASP) in Redmond, Washington since this literary arts organization was founded in 1997 (its website is www.raspread.com). The book's poems are divided into three sections—here, there, and everywhere. This anthology celebrates a full range of poetry from this active region of the Pacific Northwest. Editor Michael Dylan Welch has been curator for RASP readings since 2008.LIST OF CONTRIBUTORS:Kelli Russell Agodon, Elizabeth Atwood, Elizabeth Austen, Lana Hecthman Ayers, Peggy Barnett, Janée J. Baugher, Laura Lee Bennett, Katherine Grace Bond, Leslie Brown, Terry Busch, Dennis Caswell, Ana Christensen, Mary Eliza Crane, Pamela Denchfield, Tom Flynn, Erin Fristad, Jeannine Hall Gailey, William Scott Galasso, Maya Ganesan, Richard Gold, Cora Goss-Grubbs, Shane Guthrie, Elizabeth Carroll Hayden, Bill Hayes, Michael Heavener, Esther Altshul Helfgott, Janka Hobbs, David D. Horowitz, Winifred Jaeger, Christopher J. Jarmick, Aarthi John, Donald Kentop, Jared Leising, Marjorie Manwaring, Jack McCarthy, Rebecca Meredith, Denise Calvetti Michaels, Kevin Mooneyham, Paul E. Nelson, Dawn-Marie Oliver, Ken Osborne, James Parrott, Wendelle Peoples, dan raphael, Susan Rich, Stephen Roxborough, Raul Sanchez, Michael Schein, Monica Schley, Martha Silano, Annette Spaulding-Convy, H. R. Stahl, Heather Stark, ChiChi Stewart, Barbara Stoner, Adora Svitak, Ann Teplick, Linda Thompson, Vonnie Thompson, John Tripp, Marie Helen Turner, S. A. Upton, Qiaolan Wan, Michael Dylan Welch, David Lloyd Whited, Mark K. Whittington, Carolyne Wright, Bill Yake, Maged Zaher, Jason Zions.
From @wilderpoetry comes a heavily expanded revised edition of Nocturnal, a collection of poetry and beautifully illustrated black-and-white imagery inspired by darkened days and sleepless nights. Poetry meets presentation in each of the four sections ("Dusk," "Northern Lights," "Howl," "Lucid Dreams,"), which trace the author's continuing journey of self-discovery while illuminating a path for others along the way. Ink stains, landscapes, dreamlike animals, blackened pages, and textured spreads create a multifaceted reading experience. And true to the moniker, these poems are linked by a motif of "the wild." Celebrating the art of self-love poetry with both word and image, Nocturnal will leave readers comforted, curious, and inspired to explore the world around them.
A new collection by the Pulitzer Prize-winning former poet laureate celebrates America's cultural heritage with pieces about such topics as World War I's African-American jazz band, a Harlem girl's examination of adult flirting behaviors, and the first African-American Oscar winner. Reprint.
"Beautifully written, brilliant, and necessary," (Matt de la Pena, Newbery Medalist), here is a body-positive book about how a boy deals with fat-shaming. Ari has body-image issues. After a move across the country, his parents work selling and promoting his mother's paintings and sculptures. Ari's bohemian mother needs space to create, and his father is gone for long stretches of time on "sales" trips. Meanwhile, Ari makes new friends: Pick, the gamer; the artsy Jorge, and the troubled Lisa. He is also relentlessly bullied because he's overweight, but he can't tell his parents—they're simply not around enough to listen. After an upsetting incident, Ari's mom suggests he go on a diet, and she gives him a book to help. But the book—and the diet—can’t fix everything. As Ari faces the demise of his parents' marriage, he also feels himself changing, both emotionally and physically. Here is a much-needed story about accepting the imperfect in oneself and in life.
An impassioned call for a return to reading poetry and an incisive argument for poetry’s accessibility to all readers, by critically acclaimed poet Matthew Zapruder In Why Poetry, award-winning poet Matthew Zapruder takes on what it is that poetry—and poetry alone—can do. Zapruder argues that the way we have been taught to read poetry is the very thing that prevents us from enjoying it. In lively, lilting prose, he shows us how that misunderstanding interferes with our direct experience of poetry and creates the sense of confusion or inadequacy that many of us feel when faced with it. Zapruder explores what poems are, and how we can read them, so that we can, as Whitman wrote, “possess the origin of all poems,” without the aid of any teacher or expert. Most important, he asks how reading poetry can help us to lead our lives with greater meaning and purpose. Anchored in poetic analysis and steered through Zapruder’s personal experience of coming to the form, Why Poetry is engaging and conversational, even as it makes a passionate argument for the necessity of poetry in an age when information is constantly being mistaken for knowledge. While he provides a simple reading method for approaching poems and illuminates concepts like associative movement, metaphor, and negative capability, Zapruder explicitly confronts the obstacles that readers face when they encounter poetry to show us that poetry can be read, and enjoyed, by anyone.