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Each year Poetry New Zealand, this country's longest-running poetry magazine, rounds up important new poetry, reviews and essays, making it the ideal way to catch up with the latest poetry from both established and emerging New Zealand poets. The packed issue #57 features over 150 new poems - including by this year's featured poet, Tyla Bidois - and essays and reviews of new poetry collections by some of this country's best-known poets and literary critics. Poems by the winners of the Poetry New Zealand Yearbook Student Poetry Competition are among the line-up.
Poetry New Zealand, this country's longest-running poetry magazine, showcases new writing from New Zealand and overseas. This issue, #55, features 182 poems by 129 poets, including Elizabeth Morton, Michele Leggott, essa may ranapiri, Bob Orr, Kiri Piahana-Wong, Jordan Hamel, David Eggleton and Mere Taito, the winning entries in the Poetry New Zealand Prize, essays, and reviews of 25 new poetry books. Compiled in a time of pandemic, these are poems written -- in the words of editor Tracey Slaughter -- when 'the only line to follow was deeper in, darker down, to poetry. The page was the only safe place our breath could go.'
Filled with hickeys puttanesca and tart wit, BITER is an apt title for Claudia Jardine' s debut collection of verse. Fresh translations of erotic Greek epigrams are threaded through boozy sonnets, ecstatic odes and startlingly vulnerable love poems. Jardine weaves ancient and modern together into a rich, glitzy, idiosyncratic tapestry – and in doing so crafts a poetic voice that is at once classical and frisky.
It's the end of the world and Chris Tse has lost his chill. In Super Model Minority he completes a loose trilogy of books &– from the historical racism of How to be Dead in a Year of Snakes to a queer coming of age in HE'S SO MASC &– by looking to a future where &‘it's enough to look up at a sky blushing red and see possibility'. From making boys cry with the power of poetry to hitting back against microaggressions and sucker punches, these irreverent and tender poems dive head first into race and sexuality with rage and wit, while embracing everyday moments of joy to fortify the soul.Super Model Minority is a riotous walk through the highs and lows of modern life with one of New Zealand's most audacious contemporary poets.
"Poetry New Zealand, this country's longest-running poetry magazine, showcases new writing from New Zealand and overseas. It presents the work of talented newcomers as well as that of established leaders in the field. This issue features the winning entries in the Poetry New Zealand Poetry Prize and the Poetry New Zealand Yearbook student poetry competition, as well as 126 poems by 101 poets, including Michele Leggott, Emma Neale, Bob Orr, Vaughan Rapatahana, Elizabeth Smither, and many others. Issue #53 also features essays by Elizabeth Kirkby-McLeod, Jessica Pawley and Erena Shingade, as well as reviews of 22 new poetry books"--Back cover
In poems by Sarah Lawrence, harold coutts and Arielle Walker, three fresh, vivid voices arrive.In ‘ Clockwatching' , Sarah Lawrence hurtles us into a world full of friends and homes and things, and wonders what they all might leave behind: ‘ If it' s toothache or budget / margarine or perhaps / another world altogether.' harold coutts' ‘ longing' reflects on gender (‘ if gender is a taste i am cutting out my tongue' ), bodies (‘ pubelessness' ) and the rest (‘ there isn' t a manual on when you' re writing someone a love poem and they break up with you' ). And in ‘ river poems' Arielle Walker steps right into the water – because ‘ a poem is a fluid thing all wrapped up in fish skin' – and finds stories of sealskins, harakeke and thistle, kanuka and manuka, alder and elder.Brimming with vivid beauty, the contemporary and the inflections of memory, AUP New Poets 9 shows just what new writing can open up.
Each year Poetry New Zealand, this country's longest-running poetry magazine, rounds up new poetry, reviews, and essays, making it the ideal way to catch up with the latest poetry from both established and emerging New Zealand poets. Issue #54 features 133 new poems (including by this year's featured poet, rising star essa may ranapiri, and C.K. Stead, Elizabeth Smither, Kevin Ireland, Chris Tse, Gregory Kan, Fardowsa Mohamed, and Tracey Slaughter); essays (including a graphic essay by Sarah Laing); and reviews of new poetry collections. Poems by the winners of both the Poetry New Zealand Award and the Poetry New Zealand Schools Award are among the line-up.
Distinctive, fresh and compellingly present, AUP New Poets 10 features three exciting new voices.Looking out from today at a landscape peopled with her tupuna, Tessa Keenan (Te Atiawa) writes poems filled with quiet rage and remarkable lyricism. Meanwhile romesh dissanayake plays with language to explore food, family and edgy romance, from post-war Sri Lanka to Aotearoa. And, at just 20, Sadie Lawrence reveals the excitement and anguish of being young in a complicated world: &‘ My love stands in the laundromat, Sunday best with blistered hands.'
Landfall is New Zealand's foremost and longest-running arts and literary journal. It showcases new fiction and poetry, as well as biographical and critical essays, and cultural commentary. Each issue brims with a mix of vital new work by this country's best writers. There are reviews of the latest books, art, film, drama, and dance. Landfall is a high-quality production, with artist portfolios in full colour.
A new wave of Chinese science fiction is here. This golden age has not only resurrected the genre but also subverted its own conventions. Going beyond political utopianism and technological optimism, contemporary Chinese writers conjure glittering visions and subversive experiments—ranging from space opera to cyberpunk, utopianism to the posthuman, and parodies of China’s rise to deconstructions of the myth of national development. This anthology showcases the best of contemporary science fiction from Taiwan, Hong Kong, and the People’s Republic of China. In fifteen short stories and novel excerpts, The Reincarnated Giant opens a doorway into imaginary realms alongside our own world and the history of the future. Authors such as Lo Yi-chin, Dung Kai-cheung, Han Song, Chen Qiufan, and the Hugo winner Liu Cixin—some alive during the Cultural Revolution, others born in the 1980s—blur the boundaries between realism and surrealism, between politics and technology. They tell tales of intergalactic war; decoding the last message sent from an extinct human race; the use of dreams as tools to differentiate cyborgs and humans; poets’ strange afterlife inside a supercomputer; cannibalism aboard an airplane; and unchecked development that leads to uncontrollable catastrophe. At a time when the Chinese government promotes the “Chinese dream,” the dark side of the new wave shows a nightmarish unconscious. The Reincarnated Giant is an essential read for anyone interested in the future of the genre.