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Does art that depicts violence generate more violence? Taking up a question that touches on contemporary developments such as gangsta rap and schoolyard shootings, John H. McDowell provides an in-depth study of a body of poetry that takes violence as its subject: the Mexican ballad form known as the corrido. McDowell concentrates on the corrido tradition in Costa Chica, where the ethnic mix includes a strong African-Mexican, or Afro-mestizo, component. Through interviews with corrido composers and performers, both male and female, and a generous sampling of ballad texts, McDowell reveals a living vernacular tradition that amounts to a chronicle of local and regional rivalries. Focusing on the tragic corrido with its stories of heroic mortal encounter, McDowell examines the intersection of poetry and violence from three perspectives. He explores the contention that poetry celebrates violence, perhaps thereby perpetuating it, by glorifying for receptive audiences the deeds of past heroes. He discerns a regulatory voice within the corrido that places violent behavior within the confines of a moral universe, distinguishing legitimate from illegitimate forms of violence. the community in the wake of violent events. A detailed case study with broad social and cultural implications, Poetry and Violence is a compelling commentary on violence as human experience and as communicative action. This volume comes with a CD of corrido music taken from live performances in Costa Chica.
Winner of the Vassar Miller Prize in Poetry, 2008. Ohio Violence starts with scandal: the narrator leads the high school football coach into the cornfields, but as she promises, "nothing happened." In the fields, in the woods, in the dark water of Ohio, something is happening. Girls disappear, turn on each other. Men watch from the rearview as the narrator hedges, changes her mind, then shows all in this break-out collection of bittersweet and cataclysmic lyrics. "Alison Stine writes, 'Believe me.' I am telling you a story, ' and the story she tells us we believe as it unfolds. The poems are moving--beautiful, tragic, death-haunted, and uncanny--like old folk songs and murder ballads--lovely on the tongue, heavy on the heart. As a narrator, Stine does not and will not swerve when faced with the brutal, the adamantine and the ordinary damage that equals a life."--Eric Pankey, judge and author of Reliquaries ALISON STINE is a 2008 winner of a Ruth Lilly Fellowship. She was born in Indiana and grew up in Ohio. A former Wallace Stegner Fellow at Stanford University, she is the author of the chapbook Lot of My Sister, winner of the Wick Prize. Her poems have appeared in such journals as The Paris Review, Poetry, and The Kenyon Review. This is her first book. She lives in Athens, Ohio.
"A deeply personal examination of violent masculinity, driven by a yearning for more compassionate ways of being. "--Amazon.com
While there is a tacit appreciation that freedom from violence will lead to more prosperous relations among peoples, violence continues to be deployed for various political and social ends. Yet the problem of violence still defies neat description, subject to many competing interpretations. Histories of Violence offers an accessible yet compelling examination of the problem of violence as it appears in the corpus of canonical figures – from Hannah Arendt to Frantz Fanon, Michel Foucault to Slavoj Žižek – who continue to influence and inform contemporary political, philosophical, sociological, cultural, and anthropological study. Written by a team of internationally renowned experts, this is an essential interrogation of post-war critical thought as it relates to violence.
A powerful call to end American gun violence from celebrated poets and those most impacted Focused intensively on the crisis of gun violence in America, this volume brings together poems by dozens of our best-known poets, including Billy Collins, Patricia Smith, Natalie Diaz, Ocean Vuong, Danez Smith, Brenda Hillman, Natasha Threthewey, Robert Hass, Naomi Shihab Nye, Juan Felipe Herrera, Mark Doty, Rita Dove, and Yusef Komunyakaa. Each poem is followed by a response from a gun violence prevention activist, political figure, survivor, or concerned individual, including Nobel Peace Prize laureate Jody Williams; Senator Christopher Murphy; Moms Demand Action founder Shannon Watts; survivors of the Columbine, Sandy Hook, Charleston Emmanuel AME, and Virginia Tech shootings; and Samaria Rice, mother of Tamir, and Lucy McBath, mother of Jordan Davis. The result is a stunning collection of poems and prose that speaks directly to the heart and a persuasive and moving testament to the urgent need for gun control.
Margaret Randall's most recent collection of poems, Out of Violence Into Poetry, was written over these past few years when language itself was violated by a president who lied until each lie, repeated often enough, resembled a terrible truth in the public discourse. Reality, sanity, beauty: all bend and run the risk of breaking when distorted beyond recognition. These poems consciously restore language to its natural habitat. They deal with history, memory, loss, life, death and promise. They address love and aging. They become a welcome refuge at a time of uncertainty and take us on disparate journeys that often have surprising twists. There is humor as well as rage. We cannot leave it to the politicians alone to give words their meaning back. That is the job of poets, and this book does that job well. Randall is the author of nearly 200 books, spanning more than six decades. Out of Violence into Poetry may well be her finest collection of poetry to date.
Explores the intersection of spirituality and violence in Old English poetry using contemporary approaches
Domestic Violence Awareness Poetry from contributors world wide. Their voices are heard through their poetry. Before reading any further, please understand this book has a trigger warning. If you have been abused or are being abused, this book may cause bad feelings, flashbacks, and bad memories. The feelings and experiences depicted in these poems are raw and emotional. Profanity is used sometimes. Rape feelings are depicted. Examples of abuse are given. Reader Discretion is advised.
Poetry. Drama. African & African American Studies. Glaring: a sustained look of anger, an obvious fact, a situation of such brightness and intensity that vision is obscured. In his debut book of poems, Benjamin Krusling is concerned with reading domination and violence and entering their psychotic motion, the better to do otherwise. Through the thicket of anti-blackness, militarism, surveillance, impoverishment, and interpersonal abuse and violence, GLARING investigates the things that haunt daily life and make love difficult, possible, necessary.
In this first full-length English-language translation of the work of Helena Boberg, we are powerfully confronted with what she has called "a creative testimony that points out patterns of injustice, sexism, and violence" in the society we inhabit. A book-length poem, Sense Violence hinges on the dichotomy of a masculine will to power and a call to action for a feminine collective to confront it on all corners--from mythologies to cultural tropes and ingrained hierarchies. Translated by Johannes Göransson, the English edition faithfully captures Boberg's wordplay and linguistic richness bringing this urgent and uniquely-voiced work to a new audience.