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The mystic's moment of illumination shares with great poetry the liberating power of the deepest levels of consciousness. In the words of William Blake, "If the doors of perception were cleansed, everything would appear to a man as it is, infinite." Poetry, Wilson argues, is a contradiction of the habitual prison of daily life and shows the way to transcend the ordinary world through an act of intense attention-and intention. The poet, like the mystic, is subject to sudden ""peak experiences"" when ""everything we look upon is blessed."" W.B. Yeats, Dostoevsky, Gautama Buddha, Kazantzakis, Van Gogh, Rupert Brooke, Arunja, Nietzsche, A.L. Rouse, Jacob Boehme, Suzuki, Edgar Allan Poe: their visionary understanding can generate an awareness in each of us of our potential to open the floodgates of inner energy that creates mystic experience. Colin Wilson first received international acclaim in 1956 for The Outsider. ""Ever since I was thirteen, I have been obsessed by the question of the nature of mystical experience,"" he writes, and from that time he has been on a quest of the mystical in poetry, religion, and psychology.
Mawlana Jalal al-Din Rumi was one of the greatest poets and mystics of the Islamic world. He was born in Balkh (Korasan) in AD 1207 and died in Konya (Turkey) in AD 1273. This book is an examination of his spiritual and literary heritage. As Annemarie Schimmel, the recipient of the Eleventh Giorgio Della Vida Award in Islamic Studies, has written, 'no other mystic and poet from the Islamic world is as well known in the West as Rumi', and she, more than any Western scholar, is his most celebrated and eloquent interpreter. The scholars who Professor Schimmel has invited to share in her tribute have all added new dimensions to an understanding of Rumi and to his impact on the Islamic world.
[Zagajewski] is in some sense a pilgrim, a seeker, a celebrant in search of the divine, the unchanging, the absolute. His poems are filled with radiant moments of plenitude. They are spiritual emblems, hymns to the unknown, levers for transcendence. --Edward Hirsch, Doubletake. Zagajewski deserves the attention of readers accustomed to swerve away from poetry. And moreover, he is good: the unmistakable quality of the real thing -- a sunlike force that wilts clichés and bollixes the categories of expectation -- manifests itself powerfully through able translation. --Robert Pinsky, The New Republic.
Written from the ninth to the twentieth century, these poems represent the peak of Islamic Mystical writing, from Rabia Basri to Mian Mohammad Baksh. Reflecting both private devotional love and the attempt to attain union with God and become absorbed into the Divine, many poems in this edition are imbued with the symbols and metaphors that develop many of the central ideas of Sufism: the Lover, the Beloved, the Wine, and the Tavern; while others are more personal and echo the poet's battle to leave earthly love behind. These translations capture the passion of the original poetry and are accompanied by an introduction on Sufism and the common themes apparent in the works. This edition also includes suggested further reading.
Australian poetry is popularly conceived as a tradition founded by the wry, secular and stoic strains of its late-nineteenth-century bush balladeers Adam Lindsay Gordon, Henry Lawson and ‘Banjo’ Paterson, consolidated into a land-based ‘vigour’ in publications such as the Bulletin. Yet this popular conception relies on not actually consulting the poetry itself, which for well over one hundred and fifty years has been cerebral, introspective, feminine and highly — even experimentally — religious. This book casts Australian poetry in a new light by showing how Australian Christian mystical poetics can be found in every era of Australian letters, how literary hostilities towards women poets, eroticism and contemplation served to stifle a critical appreciation of mystical poetics until recent decades, and how in the twentieth century one Australian Christian mystical poet began to influence another and share their appreciations of Dante, Donne, Traherne, Blake, Wordsworth, Brontë, Rossetti, Hopkins, Yeats, Eliot and Lowell.
From Stephen Mitchell comes an anthology of poetry chosen from the world's great religious and literary traditions--the perfect companion to Mitchel's bestselling translation of Tao Te Ching • The Upanishads • The Book of Psalms • Lao-tzu • The Bhagavad Gita • Chuang-tzu • The Odes of Solomon • Seng-ts'an • Han-shan • Li Po • Tu Fu • Layman P'ang • Kukai • Tung-shan • Symeon the New Theologian • Izumi Shikibu • Su Tung-p'o • Hildegard of Bingen • Francis of Assisi • Wu-men • Dõgen • Rumi • Mechthild of Magdeburg • Dante • Kabir Mirabai • William Shakespeare • George Herbert • Bunan • Gensei • Angelus Silesius • Thomas Traherne • Basho • William Blake • Ryõkan • Issa • Ghalib • Bibi Hayati • Wait Whitman • Emily Dickinson • Gerard Manley Hopkins • Uvavnuk • Anonymous Navaho • W. B. Yeats • Antonio Machado • Rainer Maria Rilke • Wallace Stevens • D.H. Lawrence • Robinson Jeffers
This edition, which offers a bilingual selection of poetry and selected prose translated into English by the nun-author Cecilia del Nacimiento (1570-1646), increases contemporary scholars' access to, and therefore understanding of, the Spanish early modern religious and intellectual milieu. A significant, rarely-studied mystic and poet, and member of the Discalced Carmelite Order in the years after St. Teresa of Avila's death, Cecilia del Nacimiento exemplifies the range of possibilities used by women writers who worked within the conventions of hegemonic discourses, while creating a unique literary voice. --Stacey Schlau Professor, Department of Languages and Culture and the Women's Studies Program West Chester University, Pennsylvania
The poems in Dreaming of Stones are about what endures: hope and desire, changing seasons, wild places, love, and the wisdom of mystics. Inspired by the poet’s time living in Ireland these readings invite you into deeper ways of seeing the world. They have an incantational quality. Drawing on her commitment as a Benedictine oblate, the poems arise out of a practice of sitting in silence and lectio divina, in which life becomes the holy text. No stranger to poetry, Paintner’s bestselling spirituality titles have often included poems. In this first exclusively poetic collection, she writes with a contemplative heart about kinship with nature, ancestral connections, intimacy, the landscape, the unfolding nature of time, and Christian mystics. It can be read for reflection to spark the heart and to offer solace and inspiration in difficult times. Breath This breathing in is a miracle, this breathing out, release, this breathing in a welcome to the unseen gifts which sustain me each moment, this breathing out a sweet sigh, a bow to my mortality, this breathing in a holy yes to life, this breathing out a sacred no to all that causes me to clench and grasp, this breathing in is a revelation, this breathing out, freedom.
I love to swim in the sea, which keeps talking to itself in the monotone of a vagabond who no longer recalls exactly how long he's been on the road. Swimming is like prayer: palms join and part, join and part, almost without end. --from "On Swimming" Without End draws from each of Adam Zagajewski's English-language collections, both in and out of print--Tremor, Canvas, and Mysticism for Beginners--and features new work that is among his most refreshing and rewarding. These poems, lucidly translated, share the vocation that allows us, in Zagajewski's words, "to experience astonishment and to stop still in that astonishment for a long moment or two."
An original examination of the role of poetry during the Iranian Revolution and the Iran-Iraq War, this book offers insights into the use of Persian poetry to mobilise people to the front, to exalt violence and to present death as martyrdom. It analyses the poetry by revolutionaries, Diaspora and the opposition, showing how peaceful medieval Sufi metaphors are transformed into the reality of a modern war, and how Shiism clashes with Wahhabism. "From his own memories and expert research, the author gives us a ravishing account of 'a poetry stained with blood, violence and death'. His brilliantly layered analysis of modern Persian poetry shows how it integrates political and religious ideology and motivational propaganda with age-old mystical themes for the most traumatic of times for Iran." Alan Williams, Research Professor of Iranian Studies, University of Manchester "Asghar Seyed Gohrab's combines different cultural, religious, mystic, and political aspects of Iranian life to present a vivid picture and thorough analysis of the development and effect of what became known as the revolutionary poetry of the late 1970s and early 1980s. It is a thoughtful book and a fantastic read." Kamran Talattof, Professor for Persian and Iranian Studies, University of Arizona