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Baudelaire ascribed exceptional importance to the arrangement of Les Fleurs du mal. His book, he said, constituted "a perfect whole," which he had arranged according to a preconceived plan. One of his earliest readers, the novelist and critic Barbey d'Aurevilly, spoke of a "secret architecture" and "a plan calculated by the solitary meditative poet," though he did not go into details; and ever since, scholars have pursued the question of structure. This new study offers an exciting reading of the 127 poems of the second edition (1861), which shows that, beyond the meanings of its individual poems, the collection has a sense that we ignore at substantial cost. The author presents a precise dialectical method, a "somber and limpid tete-a-tete" of the poet with himself. The argument is pursued between the poems, which ask to be read with and against each other.
In Dialectics of Spontaneity, Zhiyi Yang examines the aesthetic and ethical theories of Su Shi, the primary poet, artist, and statesman of Northern Song.
The Poetry Of T.S. Eliot Is An Incisive Interpretation Of Eliot S Poetry In The Indian Context Vis-A-Vis The Views Of Western Critics In So Far As The Christian Coloration Of His Poetry Is Concerned. A Good Deal Of Light Is Thrown On The Early, Middle And Later Poetry Of Eliot. A Special Emphasis Has Been Laid On The Genesis And Culminating Experience Of Eliot As A Man And As An Artist.
This volume of essays seeks to establish a dialogue between poetry and philosophy where each could be said to read the other and announces important new paths for a reinvigorated study of lyric poetry in the decades to come.
Laurence Lockridge argues that a focus on the ethical dimension of literature is the single most powerful strategy for structuring a writer's work as a whole, and that it can even prove congenial. He gives original, interrelated readings of eight major British Romantic writers.
Poetics en Passant presents a 'cross-channel' poetics that redefines the relationship between 'Victorian' and 'modern' poetry by understanding Christina Rossetti's poetics of 'stealth' as an important counterpart to Baudelairean 'shock.'
This book examines the influence of Hume, Reid, Smith, Hutcheson, and other Scottish Enlightenment thinkers on Kant’s philosophy. It begins with the influence of these thinkers on Kant, then moves to an examination of the relationship between truth, freedom, and responsibility and its connection to Kant’s metaphysics and aesthetics.
A prolific poet, art critic, essayist, and translator, Charles Baudelaire is best known for his volumes of verse (Les Fleurs du Mal [Flowers of Evil]) and prose poems (Le Spleen de Paris [Paris Spleen]). This volume explores his prose poems, which depict Paris during the Second Empire and offer compelling and fraught representations of urban expansion, social change, and modernity. Part 1, "Materials," surveys the valuable resources available for teaching Baudelaire, including editions and translations of his oeuvre, historical accounts of his life and writing, scholarly works, and online databases. In Part 2, "Approaches," experienced instructors present strategies for teaching critical debates on Baudelaire's prose poems, addressing topics such as translation theory, literary genre, alterity, poetics, narrative theory, and ethics as well as the shifting social, economic, and political terrain of the nineteenth century in France and beyond. The essays offer interdisciplinary connections and outline traditional and fresh approaches for teaching Baudelaire's prose poems in a wide range of classroom contexts.
Immanuel Kant is rarely connected to rhetoric by those who study philosophy or the rhetorical tradition. If anything, Kant is said to see rhetoric as mere manipulation and as not worthy of attention. In Kant and the Promise of Rhetoric, Scott Stroud presents a first-of-its-kind reappraisal of Kant and the role he gives rhetorical practices in his philosophy. By examining the range of terms that Kant employs to discuss various forms of communication, Stroud argues that the general thesis that Kant disparaged rhetoric is untenable. Instead, he offers a more nuanced view of Kant on rhetoric and its relation to moral cultivation. For Kant, certain rhetorical practices in education, religious settings, and public argument become vital tools to move humans toward moral improvement without infringing on their individual autonomy. Through the use of rhetorical means such as examples, religious narratives, symbols, group prayer, and fallibilistic public argument, individuals can persuade other agents to move toward more cultivated states of inner and outer autonomy. For the Kant recovered in this book, rhetoric becomes another part of human activity that can be animated by the value of humanity, and it can serve as a powerful tool to convince agents to embark on the arduous task of moral self-cultivation.
Charles Baudelaire's place among the great poets of the Western world is undisputed, and his influence on the development of poetry since his lifetime has been enormous. In this Companion, essays by outstanding scholars illuminate Baudelaire's writing both for the lay reader and for specialists. In addition to a survey of his life and a study of his social context, the volume includes essays on his verse and prose, analyzing the extraordinary power and effectiveness of his language and style, his exploration of intoxicants like wine and opium, and his art and literary criticism. The volume also discusses the difficulties, successes and failures of translating his poetry and his continuing power to move his readers. Featuring a guide to further reading and a chronology, this Companion provides students and scholars of Baudelaire and of nineteenth-century French and European literature with a comprehensive and stimulating overview of this extraordinary poet.