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Perhaps ambivalence shapes all creative souls. In the case of the career of Elizabethan poet Spenser (1552-1599), Oram (Smith College) contends that Spenser's mixed relationship with the court of Elizabeth I informed his self-image as a poet. Dependent upon this patron for approval and land ownership, yet wishing to be more than a literary court jester, he extended his English poetic heritage with experimental forays into nearly every nondramatic genre. His epic, The Faerie Queen is critiqued in the context of related shorter works--in the order in which they were published; his legacy is briefly discussed. Annotation copyrighted by Book News, Inc., Portland, OR
In 1623, the young heir to the English and Scottish thrones Prince Charles slipped out of England and headed off to Madrid hoping to marry the King of Spain's daughter. That his journey to Madrid was to eventually end in failure and public humiliation, has often been cited as a major influence on the development of the young prince and many of his subsequent policies as king. In this volume leading scholars from a variety of disciplines analyze the reactions and results of Charles romantic escapade and offer their insights in to the affair. In so doing many traditional assumptions about the trip are overturned, and the inadequacy of assessing it from a single discipline is revealed.
A challenging reinterpretation of the sixteenth century through the work of major writers of the time.
First Published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.
An investigation of English and Scottish dream visions written on the cusp of the "Renaissance", teasing out distinctive ideas of authorship which informed their design. The fifteenth and sixteenth centuries have long been acknowledged as a period of profound change in ideas of authorship, in which a transition from a "medieval" to a "modern" paradigm took place. In England and Scotland, changing approaches to Chaucer have rightly been considered as a catalyst for the elevation of English as a literary language and the birth of an English literary history. There is a tendency, however, when moving from Chaucer's self-professed poetic followers of this time to the philological approach associated with William Caxton and the 1532 Works, to pass over the literary careers of the English and Scots poets belonging to the intervening half-century: John Skelton, William Dunbar, Stephen Hawes, and Gavin Douglas. This volume redresses that neglect. Its close and comparative readings of these poets' stimulating but critically neglected dream visions and related first-person narratives reveal a spectrum of ideas of authorship: four distinct engagements with tradition and opportunity, united by their utilisation of a particular form. It regards authorship as a topic of invention, a discourse for appropriation, which is available to but not inevitable in late medieval and early modern writing. Overall, it facilitates newly focussed study of an often obscured literary-historical period, one with a heightened interest in the authors of the past - Chaucer, Lydgate, Petrarch, Virgil - but also an increasingly acute perception of the conditions of authorship in the present.
This edited collection of essays, part of The Manchester Spenser series, brings together leading Spenser and Donne scholars to challenge the traditionally dichotomous view of these two major poets and to shift the critical conversation towards a more holistic, relational view of the two authors’ poetics and thought.
The connection between Renaissance ideas about the character of individual nations and the presentation of stage characters of various nationalities in the drama of Shakespeare and his contemporaries is examined in this volume.
Model court conduct in the Renaissance shared many rhetorical features with poetry. Analyzing these stylistic affinities, Professor Javitch shows that the rise of the courtly ideal enhanced the status of poetic art. He suggests a new explanation for the fostering of poetic talents by courtly establishments and proposes that the court stimulated these talents more decisively than the Renaissance school. The author focuses on late Tudor England and considers how Queen Elizabeth's court helped poetry gain strength by subscribing to a code of behavior as artificial as that prescribed by Castiglione. Elizabethan writers, however, could benefit from the court's example only so long as their contemporaries continued to respect its social and moral authority. The author shows how the weakening of the courtly ideal led eventually to the poet's emergence as the maker of manners, a role first subtly indicated by Spenser in the Sixth Book of The Faerie Queene. Originally published in 1978. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Sweet Be the Bands: Spenser and the Sonnet of Association -- Licentious Rhymers: Donne and the Late-Elizabethan Couplet Revival -- An Even and Unaltered Gait: Jonson and the Poetics of Character -- Rhyme Oft Times Over-Reaches Reason: Measure and Passion after the Civil War -- Milton and the Known Rules of Ancient Liberty.