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Poetry: A Survivor's Guide has earned high praise from students, teachers, and readers from around the globe for its playful sincerity and idiosyncratic humor and for its approach to a subject both loved and feared. Updated and expanded, including six new sections, the second edition probes a range of strategies for inspiring students and aspiring poets on the ways poetry relates to their own lives. These include the delights and pitfalls of individual meditation, the complications of identity and appropriation, and the uses and utility of poetry as a tool of social change. The second edition also includes a curated companion website for teachers, students, and aspiring poets that features poetry examples, writing prompts and exercises, and resources for publishing poetry.
"A provocative and practical guide, written for students of creative writing as well as literary studies, to an art form that is both loved and feared"--
The description for this book, The Survivors and Other Poems, will be forthcoming.
Say the Name vividly describes in the voice of a fourteen-year-old the experiences of a Jewish girl who was imprisoned in Ravensbruck Concentration Camp during World War II. Miraculously, Judita Sternova of Kurima, Czechoslovakia, survives persecutions, hiding, flight, capture, deportation, and the Camp. Like the few other surviving Jews, she could not bear to remain in her village emptied of family and other Jews and emigrates to England and, eventually, the United States. After more than fifty years Sherman gets up from her years of memories, private resistance, and public silence to write this book. She is triggered to do so upon hearing a lecture by Professor Carrasco at Princeton on "Religion and the Terror of History." The narrative is interspersed with Sherman's powerful poems that grab the reader's attention. Poignant original drawings made secretly by imprisoned women of Ravensbruck, at risk of their lives, illuminate the text. Sherman courageously bears witness to the terror of man and simultaneously challenges God for answers. This book should "jolt us into remembrance, warning, and action."
A poetry book, re-telling my story of trial and tribulations of my life and over coming being a Childhood Sexual Abuse Survivor. Time and time again, we are attacked and denigrated in public. Now is the time to take back our power as Survivors and give back the shame to others. There is no shame in being a Survivor, only the shame in being the abuser.
The Description for this book, The Survivors and Other Poems: , will be forthcoming.
A diary of anguish and survival for the battered and abused. Tails of embracing the ghosts of our past that keep lasting grips on our bones. A stoutheartedness that births from facing the most difficult emotional, mental, physical, and darkest abuses most cannot fathom. This book is an unlocked chest of wounds that is another’s shame to bear, not mine. Tangled secrets kept that should be a beacon of light to guide others in the fight of their lives. Mental health, post-traumatic stress disorder (PTSD), and depression are merely a design of cruel burdensome oppression inflicted on innocence. I have laid bare my scars on these pages as a gift for others so that they too may free their afflictions on strengthened wings of fortitude. For all the survivors out there that were strong enough to let it all go and those still searching for courage to release their lacerations of torment.
This resource guide will help readers locate over 800 first-person accounts, fiction, poetry, art interpretations, and music by Holocaust victims and survivors, as well as videos relating the testimony and experiences of Holocaust survivors. In addition to the few well-known writers, artists, and musicians whose work so eloquently captures their experience during the Holocaust, this guide will introduce the reader to the lives and work of more than 250 lesser known or unrecognized writers, artists, and musicians from many countries who documented their experience of persecution at the hands of the Nazis. This guide will help students gain firsthand knowledge of what it was like to experience the Holocaust and how ordinary people coped and created art and meaning from the ashes of their lives. The entry on each writer, artist, and musician features a biographical sketch and list of his or her works, with full bibliographic data. Entries on literature and videos are annotated and include recommendations for age-appropriateness. The work is divided into five parts: writers of memoirs, diaries and fiction; poets; artists; composers and musicians; and videos that feature testimony by survivors. Each part features an introductory overview of the artists and art created in that genre out of Holocaust experience. Title, artist/writer, and nationality indexes will help the reader select materials, and an index organized by age-appropriate levels will help teachers and librarians to select literature and videos for students.
The fifteenth volume in the Art of series takes an expansive view of revision—on the page and in life In The Art of Revision: The Last Word, Peter Ho Davies takes up an often discussed yet frequently misunderstood subject. He begins by addressing the invisibility of revision—even though it’s an essential part of the writing process, readers typically only see a final draft, leaving the practice shrouded in mystery. To combat this, Davies pulls examples from his novels The Welsh Girl and The Fortunes, as well as from the work of other writers, including Flannery O’Connor, Carmen Machado, and Raymond Carver, shedding light on this slippery subject. Davies also looks beyond literature to work that has been adapted or rewritten, such as books made into films, stories rewritten by another author, and the practice of retconning in comics and film. In an affecting frame story, Davies recounts the story of a violent encounter in his youth, which he then retells over the years, culminating in a final telling at the funeral of his father. In this way, the book arrives at an exhilarating mode of thinking about revision—that it is the writer who must change, as well as the writing. The result is a book that is as useful as it is moving, one that asks writers to reflect upon themselves and their writing.