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Visions in My Minds Eye presents a collection of poems in which poet Irmagard Anchang Langmia conjures the lives of othersacademic, religious, secular, or otherwisefrom her imaginative mind. This collection represents a multitude of cultural experiences rooted in everyday, routine life at home in her native Cameroon and abroad. The poems in the first part of Visions in My Minds Eye are all academic in nature, each dedicated to students she has taught at Bowie State University. These poems illuminate varying themes and subjects ranging from the notion of knowledge to responsibility. In the second part of the collection, the poems are religious. While a number of them are written in memory of Irmagards late father Dr. Ngongwikuo, she also explores visual images of her life in Cameroon in a startling, meditative, and dreamlike state of mind. In the third part of the collection, she has written love poems drawn mostly from her imaginary world of romantic bliss. The fourth section of the collection includes secular poems covering a variety of themes based on the daily rhythm of our lives. The fifth and final part of Visions in My Minds Eye takes a critical look at basic human nature, morality, and the human condition during times of political upheaval. Visions in My Minds Eye portrays vivid images that capture the imagination and unravel an intriguing world that leaves the mind soul-searching for answers.
Tennyson shared the assumptions of his age concerning the value of family life, and treated the domestic as the source of the heroic in both action and character. This book provides a critical examination of these major Victorian themes as they appear in Tennyson's poetry and demonstrates how the poet's assumptions illuminate his use of elegy, idyl, and epyllion and his treatment of romance. Professor Hair analyses In Memoriam, the English Idylls, The Princess, and Idyls of the King; he examines Tennyson's view of the family as the model of social order, a civilizing influence on the nation, and a place where the greater man, or hero, is nurtured; and he reveals how much of Tennyson's poetry explores the link between domestic and heroic. He also discusses the patterns into which these pervasive domestic concerns fall, with emphasis on the most significant: separation and reunions. The myth of Demeter and Persephone, the Biblical story of Ruth, and the Sleeping Beauty fairy tale are all versions of Tennyson's treatment of this pattern. The English Idylls and other idyls and epyllia are explored as varying combinations of romance, satire, tragedy, comedy, and irony, with a detailed analysis of The Princess, the most complex of these medleys. Idylls of the King, wherein the fate of Camelot rests on the marriage of Arthur and Guinevere, is treated as the fullest exploration of the link between domestic and heroic.
This book is primarily intended to be an Investigation into the Meaning and Religious significance of the important Vedic term dhi, which has been variously and often inadequately translated.
An examination of Cardinal Newman
Susan Dean uses Hardy's own metaphor—the diorama of a dream—to interpret The Dynasts, his largest and last major composition. She shows that the poem presents a model of the human mind. In that mind is enacted an event (the war with Napoleon) and, simultaneously, the watching of that event. The author provides a reading of the poem in visual-dramatic terms, using the diorama stage as the vehicle for the poet's field of vision. She then defines various visual dimensions, the relationships between them, and the various ways in which they can be seen and understood. Her interpretation draws on Hardy's autobiography and critical essays. Originally published in 1977. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
This monograph is based on archival research and close readings of James Joyce's and W. B. Yeats's poetics and political aesthetics. Georges Sorel's theory of social myth is used as a starting point for exploring the ways in which the experience of art can be seen as a form of religious experience.