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The attempt, in this selection of poems, has been to place before the readers a few gems of poetic excellence, so that they are both charmed and captivated. This has been done to meet one of the basic requirements of great art, namely pleasure. Care has also been taken to include poems that are not commonly found in most of our present-day poetry selections.
An anthology of poetry, song lyrics, and prose featuring writers from Vallejo, California: Diana Alden, Olivia Anderson, Kyrah Ayers, Daniel Badiali, Vallejo Poet Laureate Emerita Genea Brice, Jessica Brown, Lei Kim Sawyer Chavez, G.O. 284, Morgan Hannigan, Travis Jackson, Jr., Kathleen, Jeffrey Kingman, Chuck Lamplighter, Vallejo Poet Laureate D.L. Lang, Lady-D, Lee Lee, Lucinda Lees, Aqueila M. Lewis, Carol Pearlman, Nina Serrano, Ravi Shankar, Erika Snyder, Jeremy Snyder, Regina Sparrow, Diana Tenes, Keith Thompson, Amber Von Nagel, Jeff Williams, Lisa Wilson, and Lois Wu. With additional contributions by: Julia Dvorin, Benicia Poet Laureate Emerita Johanna Ely, Ranjit Singh Gill, Amy Gioletti, Grey, Myra Nissen, Kelliane Parker, Poetic Old Soul, Bobby Richardson, Fred Ross-Perry, Benicia Poet Laureate Tom Stanton, Becky Bishop White, and James Westley. The idea behind this book is to shine a light on as many artists and wordsmiths as possible. It is to allow them to freely express themselves. They were not bound to form, subject matter, or even agreement with one another, so as to truly reflect the diversity of this community. This book contains both stark realism and wondrous beauty. There are poems on love, loss, pain, struggle, justice, peace, revolution, art, and many poems that celebrate our city, its people, and its places. There is a subject index at the end of this book if you’d like to skip around. You’re sure to find something that suits your fancy. Fair warning to parents who wish to shield their children, this is not a book for little kids. No one was censored. Each contributor was encouraged to be themselves, to use whatever words they saw fit, and while it is a book that came together on a common theme of Vallejo, it also contains many other subjects that each poet was passionate about. Their words will make you think about the world and its many varying perspectives, experiences, and people. All contributors were embraced and accepted, even those with the tiniest of connections to the Vallejo community or merely only connected to myself in some cases. Anyone who submitted was welcome. Their writings remain their intellectual property, so reprint requests should go to the original authors of these pieces. This book is merely an opportunity of artistic unity that reaches across all boundaries.The most important part of writing, in this editor’s humble opinion, is the heart of the writer, and this book contains loads of it. These are the pure, uncensored expressions of the hearts of each writer, just as contradictory as life itself, so full of personal and universal truth. Collectively, this book is better than anything each of us could write on our own, and I am honored to have been its editor. Even if I had not been its editor, this is a book I would enjoy reading. The views expressed in this chapbook are those of the individual poets, not necessarily always shared by the city of Vallejo, its poet laureate, the Vallejo Peace Project, or perhaps, even yourself. You may vehemently disagree with some of their words. Please keep an open mind and heart anyways. Their poetry, personalities, backgrounds, and ideas are as gorgeously diverse as our city, and this book aims to welcome everyone within its pages, to give each artist total creative freedom for whatever vision they may wish to express, and to expose each reader to the beauty of their words.
An anthology of the best poetry ever written contains more than sixteen hundred poems, spanning more than four millennia, from ancient Sumer and Egypt to the late twentieth century
In The Vintage Book of African American Poetry, editors Michael S. Harper and Anthony Walton present the definitive collection of black verse in the United States--200 years of vision, struggle, power, beauty, and triumph from 52 outstanding poets. From the neoclassical stylings of slave-born Phillis Wheatley to the wistful lyricism of Paul Lawrence Dunbar . . . the rigorous wisdom of Gwendolyn Brooks...the chiseled modernism of Robert Hayden...the extraordinary prosody of Sterling A. Brown...the breathtaking, expansive narratives of Rita Dove...the plaintive rhapsodies of an imprisoned Elderidge Knight . . . The postmodern artistry of Yusef Komunyaka. Here, too, is a landmark exploration of lesser-known artists whose efforts birthed the Harlem Renaissance and the Black Arts movements--and changed forever our national literature and the course of America itself. Meticulously researched, thoughtfully structured, The Vintage Book of African-American Poetry is a collection of inestimable value to students, educators, and all those interested in the ever-evolving tradition that is American poetry.
Join Professor Helen Vendler in her course lecture on the Yeats poem "Among School Children". View her insightful and passionate analysis along with a condensed reading and student comments on the course. The poetry collected in this volume reveals the range and power of the contemporary American imagination. The verve, freedom, and boldness of American English are combined with the new harmonies of modern cadence. Here are distillations of twentieth-century perception, feeling, and thought, and reflections of changing social realities, scientific and psychoanalytic insights, and the strong voices of feminism and black consciousness. This is a book for those who value fresh and original poetry and for readers worldwide who are curious about contemporary American experience. Helen Vendler relies on her own taste and judgment in singling out excellent poems, beginning with the late modernist flowering of Wallace Stevens and continuing to the present. Her wide-ranging Introduction places recent American poetry in its aesthetic and social contexts. The anthology provides an extensive offering of the work of major poets and introduces many writers who are only now beginning to make their reputation. Thirty-five poets are included, with a representative selection from the earlier to later work of each and a significant number of long poems. Brief biographies of the poets are appended.
An inspirational collection of Celtic Poetry compiled by the leading authority on the Celtic tradition.
"This volume is the first anthology of poetic writings on slavery from America, Britain, and around the Atlantic during the Enlightenment - the crucial period that saw the height of the slave trade but also the origins of the anti-slavery movement. Bringing together more than four hundred poems and excerpts from longer works that were written by more than two hundred and fifty poets, both famous and unknown, the book charts the emergence of slavery as part of the collective consciousness of the English-speaking world. The book includes: poems by forty women, ranging from abolitionists Hannah More and Mary Robinson to Frances Seymour, the Countess of Herford; works by more than twenty African or African American poets, including familiar names (Phillis Wheatley), intriguing figures (Afro-Dutch Latin scholar Johannes Capitein), and newly rediscovered black poets (an anonymous veteran of the Revolutionary War); and poetry by such canonical writers as Dryden, Defoe, Pope, Johnson, Blake, Boswell, Burns, Wordsworth, and Coleridge." "The poems speak of the themes of slavery: capture, torture, endurance, rebellion, thwarted romances, and spiritual longing. They also raise intriguing questions about the contradications between cultural attitudes and public policy of the time. Writers such as these, suggests editor James Basker, were not complicit in the imperial project or indifferent about slavery but actually laid the groundwork for the political changes that would follow."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Nobel laureate poet Czeslaw Milosz personal selection of 300 of the world's greatest poems written throughout the ages and around the world.
An anthology featuring 160 poets writing in 15 languages. By the standards of Western Europe, the subjects are heavy on social and political issues, which only reflects the difference between the two Europes.
The historical writings that helped shape our current understandings of poetry. Toward the Open Field brings together many of the great prose pieces—essays, letters, declarations, defenses, manifestos, and apologia—by the most influential European and American poets from the Romantics to the Symbolists, Surrealists, and Moderns. Hitherto uncollected and all in English, the work in this anthology follows the changing notions of what a poem is, what a poet is, and why we read a poem, tracing the development of stylistic and ideological strategies that have spawned our current, conflicting understandings of verse. The book begins with Wordsworth's 1802 "Preface" to the Lyrical Ballads and proceeds through 150 years of English language tradition, including the European poetries which greatly influenced it. These prose works allow the reader to share one of the great extended conversations by poets about poetry during a dynamic period of literary experimentation. Includes work by Charles Baudelaire, André Breton, Aimé Césaire, Samuel Taylor Coleridge, Emily Dickinson, T.S. Eliot, Ralph Waldo Emerson, Gerard Manley Hopkins, Langston Hughes, John Keats, Federico Garcia Lorca, Mina Loy, Stéphane Mallarmé, Marianne Moore, Charles Olson, Ezra Pound, Arthur Rimbaud, Percy Bysshe Shelley, Gertrude Stein, Wallace Stevens, Paul Valéry, Walt Whitman, William Carlos Williams, William Wordsworth and Louis Zukofsky.