Download Free Poetic Plays Of Sri Aurobindo Book in PDF and EPUB Free Download. You can read online Poetic Plays Of Sri Aurobindo and write the review.

Sri Aurobindo was the reveler of the Life Divine and prophet of the great epic Savitri. Both the unsurpassed titles bear divine messages but for those who could read them. But his stage-worthy plays teach his philosophical ideas through entertainments. Perhaps he wrote the plays to teach integral philosophy of life to all beings. Present work entitled Poetic Plays of Sri Aurobindo is an exhaustive study of his five blank verse drama maintaining the essential elements of drama and dramaturgy from Oriental to Occidental. In his plays, we could enjoy the dramatic art of Shakespeare and Shaw, Bhasa and Kalidasa. Sri Aurobindo was the deliverer of the whole human life and hence, this book enlightens - - how to deliberate one's own self along with the all. - how to bring hormony in individual, social, national and universal life. - how to attain Universal brotherhood by revealing oneness with all other beings. - how to build children's characters, so that, they can live a manly life, reveal universal friendship and enjoy a life divine on earth.
This Book, It Is Hoped, Will Create In The Readers Not Only An Interest In Sri Aurobindo`S Literary Work, But Also An Awareness About His Message Of Integralism And Its Continued Relevance For All Times.
Having applied the standards of modern critical theory, it may sound fruitless to account for biographical details of writer in interpreting his work as the biographical details either hold no importance or have nothing to do with the work of art in the sense that once a work of art is born, it looses its connection with the creator. Moreover, even in the moment of creation, the author remains detached from his creation. However, there are some exceptions to this. It has been observed that the biographical details are of immense help in partly making sense of what the concerned author has encoded. These details can be correlated to his writing. In the case of some writers, their life has a special relation with what they write, how they led their life, what inspiration they sought, what influences they received and imbibed in their personality, what experiences they lived with, and what events and occasions they confronted.
Having applied the standards of modern critical theory, it may sound fruitless to account for biographical details of writer in interpreting his work as the biographical details either hold no importance or have nothing to do with the work of art in the sense that once a work of art is born, it looses its connection with the creator. Moreover, even in the moment of creation, the author remains detached from his creation. However, there are some exceptions to this. It has been observed that the biographical details are of immense help in partly making sense of what the concerned author has encoded. These details can be correlated to his writing. In the case of some writers, their life has a special relation with what they write, how they led their life, what inspiration they sought, what influences they received and imbibed in their personality, what experiences they lived with, and what events and occasions they confronted. All these partly go into the making of a literary personality.
Sri Aurobindo began writing poems while a young man in England and continued to write poetry throughout his life. More than two hundred poems are collected in this volume along with an essay On Quantitative Metre , though his epic Savitri is not included. The poems are grouped into categories, beginning with short poems and lyrics written during specified periods between the years 1890-1950. These are followed by his sonnets, his longer poems such as Urvasie and Love and Death , Ilion, an epic in quantitative hexameters, and poems in new metres.
Having applied the standards of modern critical theory, it may sound fruitless to account for biographical details of writer in interpreting his work as the biographical details either hold no importance or have nothing to do with the work of art in the sense that once a work of art is born, it looses its connection with the creator. Moreover, even in the moment of creation, the author remains detached from his creation. However, there are some exceptions to this. It has been observed that the biographical details are of immense help in partly making sense of what the concerned author has encoded.
In this book an attempt has been made to compare the two legendary writers by comparing the eastern way of thinking with the western way. Shakespeare is amongst the writers Sri Aurobindo holds in high esteem. Sri Aurobindo’s admiration for the great dramatist resulted in obvious Shakespearean influences on him. He adopts for his plays Elizabethan model of drama perfected by Shakespeare’s genius. Shakespeare’s influence is traceable also in Sri Aurobindo’s sonnets. It is said that Sri Aurobindo had Shakespearean literature on his bed-side when he left his mortal remains. Both the great writers were not satisfied by merely holding mirror to the nature but due to their greater and deeper life power, they recreated the human life in its beauty and completeness. Therefore, there is an obvious need to compare and contrast Shakeapeare and Sri Aurobindo so as to bring out affinities that may be there between their creative ideal and vision as well as their poetic and dramatic art, along with the former’s influence on the later. In this book an attempt has been made to fulfill the need and to contribute, in some measure to the appreciation of Sri Aurobindo’s poetry and plays. It also briefly touches upon Indian response to Shakespeare. It focuses mainly on Sri Aurobindo’s numerous insights and critical observations on him. To sum up writings of the two such outstanding writers, who represent two very different ways of thinking. On one hand Shakespeare potrays lot of blood shed, gory tales and a wild kind of poetic justice in his writings, but on the other hand Sri Aurobindo truely follows Indian ethos of non violence or ‘Ahimsa’. The author underlines the stark similarities and differences in both the writer’s exploring their plays and sonnets. The structure of plays and sonnets may be same of both the greatest minds but ethos and personna ingrained in their writings is quite different.
Most of the papers presented at various national and international seminars.
This Volume Consisting Of Some Twenty Papers Deals Exclusively With Indian Poetry In English Right From The Date Of Its Origin In The 1830S To The Present Day. It Focuses Our Attention On Such Illustrious Poets Of India As Aru Dutt (Who Has Written Very Little But Lasting Verses), Toru Dutt, Rabindranath Tagore, Sir Aurobindo, Sarojini Naidu All Representing The Older Generation , Nissim Ezekiel, A.K. Ramanujan, R. Parthasarathy, Kamala Das, Monika Varma, Margaret Chatterjee, Syed Amanuddin, K.N. Daruwalla, Shiv K. Kumar, Arun Kolatkar And Suniti Namjoshi (A Lesser Known Figure) All Symbolising The Hopes And Aspirations Of Modern India. There Is Also A Chapter On Irony As Technique In Some New Indo-English Poets. An Index Has Been Given At The End Of The Volume To Guide Readers Through It. Most Of These Papers Have Already Appeared In Different Magazines, Periodicals And Books, But Putting Them Together Here In Book Form Enhances Their Accessibility And Demonstrates A Sense Of Commitment On The Part Of The Author To The Cause Of Fast-Expanding Indian Writing In English.