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At age forty, with two growing children and a new consulting company she’d recently founded, Gretchen Cherington, daughter of Pulitzer Prize–winning poet Richard Eberhart, faced a dilemma: Should she protect her parents’ well-crafted family myths while continuing to silence her own voice? Or was it time to challenge those myths and speak her truth—even the unbearable truth that her generous and kind father had sexually violated her? In this powerful memoir, aided by her father’s extensive archives at Dartmouth College and interviews with some of her father’s best friends, Cherington candidly and courageously retraces her past to make sense of her father and herself. From the women’s movement of the ’60s and the back-to-the-land movement of the ’70s to Cherington’s consulting work through three decades with powerful executives to her eventual decision to speak publicly in the formative months of #MeToo, Poetic License is one woman’s story of speaking truth in a world where, too often, men still call the shots.
In 'Poetic License, ' Perloff insists that despite the recent interest in 'opening up the canon, ' our understanding of poetry and poetics is all too often rutted in conventional notions of the lyric that shed little light on what poets and artists are actually doing today.
Moving chronologically from Byron's earliest writings to those at the end of his life, Liberty and Poetic Licence brings together a distinguished group of Byron scholars to consider every aspect of Byron's poetry and prose. The focal point of the collection—and, arguably, of Byron's life and work—is freedom, and particular essays relate the concept of freedom to topics such as grammar, animal rights, and morality. The wide range of issues addressed by the prominent international contributors insure that Liberty and Poetic Licence will be essential to scholars of Byron and English Romanticism.
Struggling to support her family in mid-19th-century New York, writer Frances Osgood makes an unexpected connection with literary master Edgar Allan Poe and finds her survival complicated by her intense attraction to the writer and the scheming manipulations of his wife.
People-smuggling, high-level corruption and murder test the boundaries of truth and freedom.Fremantle, early 21st century.Within the space of a few days there is a murder, the mysterious appearance of an asylum-seeker, the announcement of an impending election and a chill crawling around Art Lazaar's belly that is a feeling of a different evil.Art Lazaar is a writer with a poetic licence that ties him to a past he can't escape. He works in the shadows for an unknown government agency while doubling as an academic. In the week the election is announced, he receives a call from an enigmatic homeless man connected to that same past: he must protect a young asylum seeker running from those who murdered her brother. It's not a request he can refuse.As the situation escalates, Lazaar is threatened with arrest, kidnapped, tortured and left for dead in the street, while the suspects disappear, die, or leave the country in the nick of time until he is left with no choice, a buried truth, and the only weapon in his arsenal ?Spellbinding, suspenseful, populated by complex characters in a world deeply etched in our psyches, this thrilling, propulsive story does not let the politics of truth and freedom rest easily.
In 2001, The Lord Chancellor saw fit to appoint Laurence as a magistrate (lay judge) and he has been dispensing justice ever since in North London. After never having participated in any sport, Laurence joined Acorn Lawn Tennis Club in 2005 and now ‘plays’ tennis (or, at least, attends the club!) on a regular basis! Both of these activities provided plenty of poetic material. Laurence has been married to (long-suffering) Sara for over 41 years. They have four fantastic children, one terrific son-in-law and four grandchildren for whom there are simply insufficient superlatives. The Chronic Lymphocytic Leukaemia Support Association (CLLSA) is a charity whose mission is to support and empower Chronic Lymphocytic Leukaemia (CLL – a form of blood cancer) patients, their families and their carers through education and access to reliable, relevant and current information. The charity is registered with the Charities Commission (1113588).
'A joyous and celebratory tribute to all those who battled to be heard, who fought for their achievements to be recognised and honoured, who simply kept going' Kate Mosse The tried and tested 'On This Day in History' format has elevated the stories of many people and their impact on the wider world. However, of those considered noteworthy by the Establishment, just a fraction are women. But this is not the whole story - not by half. Our past is full of influential women, many of whom have been unfairly confined to the margins of history. Politicians, troublemakers, explorers, artists, writers, scientists and even the odd murderer; these women have shaped society around the globe. From Beyoncé to Doria Shafik, Queen Elizabeth I to Lillian Bilocca, On This Day She sets out to redress this imbalance and give voice to both those already deemed female icons, alongside others whom the history books have failed to include: the good, the bad and everything in between - this is a record of human existence at its most authentic.
A hard hitting, thought provoking and timeless collection of short stories, poetry and prose from an author who pulls no punches and directly challenges the reader to constantly reassess and engage with the world in which we live. Experience a new way of looking at life. Experience Poetic Licence.
Wild Girls is the critically acclaimed true story of two wealthy American heiresses---one an artist, the other a writer---whose stormy, passionate love affair captivated Paris’s salon set between the wars. Natalie Barney and Romaine Brooks were rich, American, eccentric, and grandly lesbian. They met in Paris in 1915, and their relationship lasted more than fifty years, despite infidelity, separation, and temperamental differences. Romaine Brooks, a painter, was the product of an unhappy childhood and trusted no one but Natalie. Natalie Barney was passionate about life, sex, and love. Her Friday afternoon salons, attended by Gertrude Stein, and Colette and Edith Sitwell, were a magnet for social introductions and cultural innovations. Drawing from letters, papers, and paintings, Diana Souhami, the award-winning author of Mrs. Keppel and Her Daughter, re-creates the lives and loves of this pair of dazzling and wild women. “Epic romance . . . smartly sex-positive and so good-naturedly shocking.” ---The New York Times Book Review “Real tenderness and pathos . . . not only entertaining but affecting reading.” ---The Washington Post “Their friends were the most bohemian, their parties the most risqué, their tortured love affair the most notorious in Europe. Diana Souhami tells a remarkable tale.” ---The Sunday Telegraph (UK)