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Poetic Expressions Vol. IV is a book of poetry centered among the theme of life struggles, such as addictions, homelessness, and loneliness. The foreword was written by Timothy Rick Miller and book credits were done by Ramona Wink. Carl includes his transitioning back from Iowa to Florida in the preface of this book. His goals for 2013 are included in the final remarks and he hopes to attend the AWP Writer's Conference in Boston, MA in March 2013. One the lyrical poems included in this book, O' Mississippi!, is now being played throughout the entire state of Mississippi.
Carl McKever wants to thank you, the audience, for his success in creating Poetic Expressions Vol. V. The foreword has been excluded from this book to prevent misuse of information security. In this book, you will find short stories filled with laughter and excitement. Carl's future goals are displayed in the final remarks of this book and you can learn about his great accomplishments by reading the preface of this book. We are happy and delighted to inform you of Carl McKever's 6th commemoration of being a poet and now, creative writer. Six years of due diligence in promoting and appreciating the passion towards poetry!
In the dynamic tradition of the BreakBeat Poets anthology, The BreakBeat Poets Vol. 4: LatiNEXT celebrates the embodied narratives of Latinidad. Poets speak from an array of nationalities, genders, sexualities, races, and writing styles, staking a claim to our cultural and civic space. Like Hip-Hop, we honor what was, what is, and what's next.
The second volume of a celebrated translation of the classic Chinese novel This is the second volume in David Roy's celebrated translation of one of the most famous and important novels in Chinese literature. The Plum in the Golden Vase or, Chin P’ing Mei is an anonymous sixteenth-century work that focuses on the domestic life of Hsi-men Ch’ing, a corrupt, upwardly mobile merchant in a provincial town, who maintains a harem of six wives and concubines. The novel, known primarily for its erotic realism, is also a landmark in the development of the narrative art form—not only from a specifically Chinese perspective but in a world-historical context. With the possible exception of The Tale of Genji (1010) and Don Quixote (1615), there is no earlier work of prose fiction of equal sophistication in world literature. Although its importance in the history of Chinese narrative has long been recognized, the technical virtuosity of the author, which is more reminiscent of the Dickens of Bleak House, the Joyce of Ulysses, or the Nabokov of Lolita than anything in the earlier Chinese fiction tradition, has not yet received adequate recognition. This is partly because all of the existing European translations are either abridged or based on an inferior recension of the text. This translation and its annotation aim to faithfully represent and elucidate all the rhetorical features of the original in its most authentic form and thereby enable the Western reader to appreciate this Chinese masterpiece at its true worth.