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A collection of Parks' poetry and photography.
John Freeman explores how parks--tiny microcosims of the world--are simultaneously natural and constructed, exclusionary and open, welcome and threatening.
"In Cecily Parks' beautiful poems, the natural world teeters between being and seeming—the seeming a simulacrum projected onto the world by a mind's yearning, taxonomy and dread. Deeply metaphysical, and deeply attentive to our spiritual as well as physical uses and abuses of nature, O'Nights implicates language's —indeed, lyric poetry's—sad role in this endeavor."—Susan Wheeler In O'Nights, Cecily Parks constructs stunning manifestations of a modern Thoreauvian wilderness, investigating how the natural world gives shape to the self, body, and emotions. These lyrical, transcendental poems study the duality of nature's feminine and masculine identities, and in its simplicity, offers a space where humankind truly belongs. From "Bell": This progress, as in the wind-scalloped snowmeadow pretending to be moon. This love that sets us scrambling over the map's last ridge, our red hoods bright in shrunken sky. This metallic weather in which we are the ore. This alder. These crimson-tipped willows reverberating next to a river of turquoise ice. This following the deep tracks of one coyote stepping where another has stepped. This wilderness that we trespass, burning like berries in the juniper and becoming the air in the belfry. Cecily Parks is the author of the chapbook Cold Work (Poetry Society of America, 2005) and the collection Field Folly Snow (University of Georgia Press, 2008), which was a finalist for the Norma Farber First Book Award and the Glasgow/Shenandoah Prize for Emerging Writers. Her poems have appeared in Boston Review, Kenyon Review, Orion, Tin House, Virginia Quarterly Review, the Yale Review, and elsewhere. She lives in Cambridge, Massachusetts.
The poems in this collection are meditations on the natural world, written from the perspective of what Li-Young Lee has aptly termed "a passionate interiority." The history and geography of the American West inspire many of the poems' investigations of the environment and the role of the individual in relation to that environment. In Cecily Parks's landscape made strange by human consciousness, being lost is a requirement, though not a guarantee, of being found.
A dazzling new collection by the former Poet Laureate of the United States. In these brilliant poems, Rita Dove treats us to a panoply of human endeavor, shot through with the electrifying jazz of her lyric elegance. From the opening sequence, "Cameos", to the civil rights struggle of the final sequence, she explores the intersection of individual fate and history.
Ian Parks presents a collection that showcases the best of today's Yorkshire poets, featuring writers such as Maurice Rutherford and Helen Mort.
Go on a walk to the park with all different kinds of dogs and their owners in this funny and charming poetry picture book. Enjoy Avery Corman's canine poetry for an Afghan hound, basset hound, beagle, bloodhound, Daschshund, boxer, greyhound, and more as they stroll with their owners to the park.PugIs the Pug cute? Or is the Pug ugh?Mostly, people loveThe little Pug's mugHyewon Yum captures the unique characteristics of the owner and his pet as she beautifully illustrates the humorous walk from each dog's home to the park and back.
Poetry that eloquently concentrates on the spiritual and physical lives of women. This is the first book published in English by of the work of Brazilian poet Adélia Prado. Incorporating poems published over the past fifteen years, The Alphabet in the Park is a book of passion and intelligence, wit and instinct. These are poems about human concerns, especially those of women, about living in one's body and out of it, about the physical but also the spiritual and the imaginative life. Prado also writes about ordinary matters; she insists that the human experience is both mystical and carnal. To Prado these are not contradictory: "It's the soul that's erotic," she writes. As Ellen Watson says in her introduction, "Adélia Prados poetry is a poetry of abundance. These poems overflow with the humble, grand, various stuff of daily life – necklaces, bicycles, fish; saints and prostitutes and presidents; innumerable chickens and musical instruments…And, seemingly at every turn, there is food." But also, an abundance of dark things, cancer, death, greed. These are poems of appetite, all kinds.
In 1925, Henry Stuart leaves his home and grown sons in Idaho to move to the woods on the eastern shore of Mobile Bay, Alabama, where he builds a round house and lives for more than two decades on the property he names after Leo Tolstoy.
A new collection from British poet, Ian Parks, which explores the tension between poetry and politics, the public and the private, and what it might mean to be a citizen rather than a subject in the face of state oppression.