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From currency and maps to heavily censored newspapers and television programming, Art Systems explores visual forms of critique and subversion during the height of Brazilian dictatorship, drawing sometimes surprising connections between artistic production and broader processes of social exchange during a period of authoritarian modernization. Positioning the works beyond the prism of politics, Elena Shtromberg reveals subtle forms of subversion and critique that reinvented the artists’ political terrain. Analyzing key examples from Cildo Meireles, Antonio Manuel, Artur Barrio, Anna Bella Geiger, Sonia Andrade, Geraldo Mello, and others, the book offers a new framework for theorizing artistic practice. By focusing on the core economic, media, technological, and geographic conditions that circumscribed artistic production during this pivotal era, Shtromberg excavates an array of art systems that played a role in the everyday lives of Brazilians. An examination of the specific historical details of the social systems that were integrated into artistic production, this unique study showcases works that were accessed by audiences far outside the confines of artistic institutions. Proliferating during one of Brazil’s most socially and politically fraught decades, the works—spanning cartography to video art—do not conform to an easily identifiable style, form, material use, or medium. As a result of this breadth, Art Systems gives voice to the multifaceted forces at play in a unique chapter of Latin American cultural history.
"Study of Brazilian poetry from 1950-90 examines its 'seven faces' (a pun on Drummond's poem of the same name), phases, and trends. Introductory chapter reviews movement's initial phases and sets the stage for what follows: the legacy of the Modernist movement. Chapters 2-6 cover Concrete poetry and other vanguard groups, the lyricism of popular music, and different types of 1970s youth poetry. Also examines social and esthetic tensions in contemporary Brazilian poetry"--Handbook of Latin American Studies, v. 58.
“What I want to do is code-switch. To have there be layers of history and politics, but also this heady, arty stuff—inside jokes, black humor—that you might have to take a while to research if you want to really get it.”—Sanford Biggers Sanford Biggers (b. 1970) is a Harlem-based artist working in various media including painting, sculpture, video, and performance. He describes his practice as “code-switching”—mixing disparate elements to create layers of meaning—to account for his wide-ranging interests. This catalogue focuses on a series of repurposed quilts (many made in the 19th century) that embodies this interest in mixture. Informed by the significance of quilts to the Underground Railroad, Biggers transforms the quilts into new works using materials such as paint, tar, glitter, and charcoal to add his own layers of codes, whether they be historical, political, or purely artistic. Insightful essays survey Biggers’s career, his art in relation to music, and the history upon which the series draws. Also featured is a short yet powerful graphic essay by an award-winning illustrator that introduces the layered meanings inherent in the art and craft of quilting.
This ambitious collection offers an innovative look at crosscultural theatrical exchanges. Overturning the argument that Western culture has been imposed on subject cultures in favor of the paradigm of exchange, East of West examines the rich intersection of East and West in film, television shows, stage plays, and operas from a range of countries. The essays show how the East not only has resisted the cultural imperialism of the West but has transformed Western culture into local tradition at the same time as Western performances have poached images, themes, and characters from the East. The essays provide a lively glimpse of creative hybridization and crosscultural adaptation, as East meets West on the world s stages.
Paulo Bruscky: Poesia Viva explores the poetic grounding of the oeuvre of Brazilian conceptual artist Paulo Bruscky (born 1949). Bruscky, long considered a pioneer in mail art and Xerox art, has always stated that "poeisis" is at the core of his extremely diverse practice. A rebel poet of sorts, he has continuously sought to question the status quo through his art--a thoroughly political aspiration during years of military dictatorship. Through a unique selection of Bruscky's works, carefully chosen by editor Antonio Sergio Bessa and the artist, this volume shows the poetic basis of Bruscky's longstanding interests in the metalinguistic and the performative, and explores Bruscky's artistic debt to concrete poetry, and more specifically to the experimental work of the Brazilian Poema/Processo movement and the Poesia Práxis group. Paulo Bruscky: Poesia Viva investigates the poetic process and sensibility across five decades of Bruscky's work.
This book concentrates on the aesthetic and cultural force of Harlem, which inspired writers from Sherwood Anderson to Tom Wolfe.
"Each of these works is meticulously structured around a two-poem section that gives each its unique configuration and character. Yet, at the same time, each poem maintains its individual independence and singular integrity."--BOOK JACKET. "In Breaking New Ground, W. Michael Mudrovic presents a comprehensive reading and detailed analysis of Rodriguez's work to date, including Casi una leyenda."--BOOK JACKET.
Volcanic Reflections: A Bilingual Anthology of Contemporary Ecuadorian Poetry is the third in a series of books that aspires to address a dearth of information in the English-speaking world about South American poetry of the past thirty years. The nineteen outstanding poets included here represent a wide diversity of themes, styles, and perspectives in one of South Americas smaller nations. All of them have published extensively, have been recognized through literary awards and inclusion in national and international anthologies, and continue writing and publishing today. For readers unfamiliar with Ecuador, the Introduction provides a brief background of its geography, history, politics, economy, and society. This is followed by an ample selection of representative poems published previously in Spanish, with translations in English on facing pages. The book concludes with a brief biographical sketch of each poet and an unprecedented bibliography of primary and secondary sources for those readers who might want to pursue further reading or research on any poet of interest. Contemporary Uruguayan Poetry: A Bilingual Anthology and Exotic Territory: A Bilingual Anthology of Contemporary Paraguayan Anthology are two companion volumes that offer similar exposure to poetry that deserves to be better known in the English-speaking world.
Irda Edizioni L'haiku è un genere poetico ultimamente molto diffuso, diventato quasi un cult tra i poeti moderni. Una poesia viva e semplice. Accennata e incisiva. Tutto ciò è riscontrabile in "Gocce di poesia", l'opera dolce e soave della poetessa Francesca Agnese Giallongo che, coerente con il suo amore per la natura, per quella fusione totale con l'essenza primordiale della vita, ci regala, una perla dopo l'altra, un incontro intimo con la poesia orientale, giapponese per l'esattezza. La poetica haiku dell'autrice è un dolce cammino fra i chiaroscuri della natura, in quel tempio di sospiri del creato che si mescolano ai sentimenti ed allo stupore di un'anima sempre in cerca dell'equilibrio, del totale abbandono alla vita con quella serenità che solo la poesia, o meglio, solo la poesia haiku sa e riesce a dare e trasmettere. Un libro che prende, verso per verso, conducendo il lettore in un mondo dove il bello, la pace e la vita sono tutto e forse più del tutto.