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There is value in taking poetry to work, and finding the poetry that's already there. Publications like "Harvard Business Review" and "FastCompany" are starting to write about the power of poetry-noting poetry's effectiveness in building creative thinkers and problem solvers. Yet there is no single source to guide those who are *at work* every day, with little direction for how to explore the power of poetry in the workplace. Glynn Young's "Poetry at Work" is that guide. From discussions about how poetry is built into the very fabric of work, to practical suggestions on how to be a poet at work, this is a book that meets a very real need. Altogether-a landmark book that moves beyond David Whyte's seminal book on poetry and the corporate world. More than just philosophy, this book brings the hope of practice and surprising discovery, the benefits of stress relief and increased accomplishment. *** The Masters in Fine Living Series is designed to help people live a whole life through the power of reading, writing, and just plain living. Look for titles with the tabs "read, write, live, play, learn, " or "grow"-and join a culture of individuals interested in living deeply, richly.
The first edition, by the late Edward Malins, of this informative guide to the life and works of one of the most important and difficult poets of the 20th century, has now been extensively revised by John Purkis. It begins by providing biographical details on Yeats, with particular emphasis on his education, his appearance and his characteristics. It then places the poet in his cultural background, discussing the history of Ireland and major ideas which influenced his poetry. This is followed by an updated critical section which includes careful close readings of ten of his poems. The book concludes with an extensive reference section containing information about his many friends and their influence on and connection with particular poems.
In her last days, Sylvia Plath struggled to break out from the control of the towering figure of her husband Ted Hughes. In the antique mythology of his retinue, she had become the gorgon threatening to bring down the House of Hughes. Drawing on recently available court records, archives, and interviews, and reevaluating the memoirs of the formidable Hughes contingent who treated Plath as a female hysteric, Carl Rollyson rehabilitates the image of a woman too often viewed solely within the confines of what Hughes and his collaborators wanted to be written. Rollyson is the first biographer to gain access to the papers of Ruth Tiffany Barnhouse at Smith College, a key figure in the poet’s final days. Barnhouse was a therapist who may have been the only person to whom Plath believed she could reveal her whole self. Barnhouse went beyond the protocols of her profession, serving more as Plath’s ally, seeking a way out of the imprisoning charisma of Ted Hughes and friends he counted on to support a regime of antipathy against her. The Last Days of Sylvia Plath focuses on the train of events that plagued Plath’s last seven months when she tried to recover her own life in the midst of Hughes’s alternating threats and reassurances. In a siege-like atmosphere a tormented Plath continued to write, reach out to friends, and care for her two children. Why Barnhouse seemed, in Hughes’s malign view, his wife’s undoing, and how biographers, Hughes, and his cohort parsed the events that led to the poet’s death, form the charged and contentious story this book has to tell.
Poetry by Eil an N Chuilleanain, Eavan Boland, Eva Bourke, Medbh McGuckian, Kerry Hardie, Nuala N Dhomhnaill, Mary O'Malley, Rita Ann Higgins, Paula Meehan, Moya Cannon, Katie Donovan, Vona Groarke, Enda Wyley, Sin ad Morrissey, Caitr ona O'Reilly, and Leontia Flynn. Revised, expanded edition, with poetry from 16 contemporary poets: Edited and with a new introduction by Peggy O'Brien