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Poetry. Translated from the Polish by Regina Grol-Prokopczyk. Using words, expressions, images and sounds from a variety of sources; popular magic, songs heard in her childhood, music of Bach, everyday conversations and works of great philosophers, Uszula Koziol established herself as one of the most important voices in Polish poetry. In an idiom similar to Paul Celan, Koziol takes the reader into diverse and unique topics from the world of a snowflake to the life of Circe. She is a poet with the fine sensibility of our time who has embarked on the quest for the knowledge of reality, and comments on all aspects of that reality, including the precariousness of life, relationships and humankind's survival with intensity and intelligence. A bilingual collection every serious student of 20th century poetry should have on their shelf.
Including an introduction by the translator Regina Grol-Prokopczyk & photographs of the Polish landscape by Marek Krymarys. Urszula Koziol is described by Nobel laureate Czelaw Milosz as "a gifted poetess". This bilingual edition of her poetry should excite anyone who wishes to discover an authentic creative voice writing in Poland today.
The past thirty years have witnessed some of the most traumatic and inspiring moments in Polish history. This turbulent period has also been a time of unprecedented achievement in all forms of Polish poetry--lyric, religious, political, meditative. This comprehensive volume includes work from virtually every major Polish poet active during these critical decades, drawing from both "official" and underground/émigré sources.
An illuminating new study of modern Polish verse in performance, offering a major reassessment of the roles of poets and poetry in twentieth-century Polish culture. What’s in a voice? Why record oneself reading a poem that also exists on paper? In recent decades, scholars have sought to answer these questions, giving due credit to the art of poetry performance in the anglophone world. Now Aleksandra Kremer trains a sharp ear on modern Polish poetry, assessing the rising importance of authorial sound recordings during the tumultuous twentieth century in Eastern Europe. Kremer traces the adoption by key Polish poets of performance practices intimately tied to new media. In Polish hands, tape recording became something different from what it had been in the West, shaped by its distinctive origins behind the Iron Curtain. The Sound of Modern Polish Poetry reconstructs the historical conditions, audio technologies, and personal motivations that informed poetic performances by such luminaries as Czesław Miłosz, Wisława Szymborska, Aleksander Wat, Zbigniew Herbert, Miron Białoszewski, Anna Swir, and Tadeusz Różewicz. Through performances both public and private, prepared and improvised, professional and amateur, these poets tested the possibilities of the physical voice and introduced new poetic practices, reading styles, and genres to the Polish literary scene. Recording became, for these artists, a means of announcing their ambiguous place between worlds. Kremer’s is a work of criticism as well as recovery, deploying speech-analysis software to shed light on forgotten audio experiments—from poetic “sound postcards,” to unusual home performances, to the final testaments of writer-performers. Collectively, their voices reveal new aesthetics of poetry reading and novel concepts of the poetic self.
Through the use of a historical-institutional perspective and with particular reference to the Czech Republic, Hungary, Poland and Slovakia; this study explores the state of family policies in Post-Communist Europe. It analyzes how these policies have developed and examines their impact on gender relations for the countries mentioned.
An anthology featuring 160 poets writing in 15 languages. By the standards of Western Europe, the subjects are heavy on social and political issues, which only reflects the difference between the two Europes.
"This expanded edition of Postwar Polish Poetry (which was originally published in 1965) presents 125 poems by 25 poets, including Czeslaw Milosz and other Polish poets living outside Poland. The stress of the anthology is on poetry written after 1956, the year when the lifting of censorship and the berakdown of doctrines provoked and explosion of new schools and talents. The victory of Solidarity in August 1980 once again opened new vistas for a short time; the coup of December closed that chapter. It is too early yet to predict the impact these events will have on the future of Polish poetry." From Amazon.
Unde malum from where does evil come? That is the question that has plagued humankind ever since Eve, seduced by the serpent, tempted Adam to taste the forbidden fruit of the tree of knowledge of good and evil. Throughout history the awareness of good and evil has always been linked to the awareness of choice and to the freedom and responsibility to choose this is what makes us human. But the responsibility to choose is a burden that weighs heavily on our shoulders, and the temptation to hand this over to someone else be they a demagogue or a scientist who claims to trace everything back to our genes is a tempting illusion, like the paradise in which humans have at last been relieved of the moral responsibility for their actions. In the second series of their conversations Zygmunt Bauman and Stanislaw Obirek reflect on the life challenges confronted by the denizens of the fragmented, individualized society of consumers and the form taken in such a society by the fundamental aspects of the human condition - such as human responsibility for the choice between good and evil, self-formation and self-assertion, the need for recognition or the call to empathy, mutual respect, human dignity and tolerance.
A record of the First International Women Playwrights Conference, edited to bring out the highlights of discussions. With index, bibliographies of playwrights, and appendix.