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Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. 1st World Library-Literary Society is a non-profit educational organization. Visit us online at www.1stWorldLibrary.ORG - The eagerness with which the first volume of Emily Dickinson's poems has been read shows very clearly that all our alleged modern artificiality does not prevent a prompt appre-ciation of the qualities of directness and simplicity in approaching the greatest themes, - life and love and death. That "irresistible needle-touch," as one of her best critics has called it, piercing at once the very core of a thought, has found a response as wide and sympathetic as it has been unexpected even to those who knew best her compelling power. This second volume, while open to the same criticism as to form with its predecessor, shows also the same shining beauties.
A Masque of Poets (1878) is a poetry collection edited by George Parsons Lathrop. Part of Boston-based publisher Roberts Brothers’ “No Name” series, A Masque of Poets presents the works of little-known writers—including Emily Dickinson—alongside such recognized masters as Christina Rossetti and James Russell Lowell, leaving each poem anonymous to allow the reader to experience the work without thought of reputation. “Sing! Sing of what? The world is full of song; / And all the singing seems but echoed notes / Of the great masters...” Beginning with this playful introductory poem, A Masque of Poets attempts to demystify poetry by removing poets from the equation altogether. Understanding the pressures inherent to making art, especially the kind of art with such a long and storied history as poetry, this collection foregoes reputation and tradition by allowing the poems to speak for themselves, to appear anonymously so that the reader might make a clear judgment regarding each poem’s meaning and quality. Far from mere publishing gimmick, A Masque of Poets is a highly original, challenging, and rewarding collection of poems that happens to include works from some of the nineteenth century’s finest poets. By forcing the reader to trust their interpretive abilities, A Masque of Poets reinvigorates a craft whose worth was never the names of its practitioners, but the words they could produce. “Success,” the final poem before the concluding “novelette in verse” Guy Vernon, just so happens to be one of the only poems published by Emily Dickinson in her lifetime. For its importance to Dickinson scholars, as well as for its genuine originality, A Masque of Poets remains an essential contribution to the history of American literature. With a beautifully designed cover and professionally typeset manuscript, this edition of A Masque of Poets is a classic work of American literature reimagined for modern readers.
Prospectus.
When her Florida apartment is damaged by the ferocity of Hurricane Irma, Duhamel turns to Dante andterza rima, reconstructing the form into the long poem “Terza Irma.” Throughout the book she investigates our near-catastrophic ecological and political moment, hyperaware of her own complicity, resistance, and agency. She writes odes to her favorite uncle—who was “green” before it was a hashtag—and Mother Nature via a retro margarine commercial. She writes letters to her failing memory as well as to America’s amnesia. With fear of the water below and a burglar who enters through her second story window, she bravely faces the story under the story, the second story we often neglect to tell. Excerpt from “Terza Irma” I hoist my suitcase up the stairs, brace myself as I open the door, slip on water in the hall, and come face to face with my books, the white shelves drip- ping. I pull down Dante—the pages heavy, wavy as potato chips— then pat down the walls, trying to gauge where the leak’s come from—the apartment above? My ceiling’s dappled with beige clouds I’m afraid will burst, a descent of more indoor rain. I make my way to the condo office, to lament the havoc, ask for some help. My neigh- bors are in varied states of panic and shock, agitated castaways.
Killer Verse: Poems of Murder and Mayhem is a spine-tingling collection of terrifically creepy poems about the deadly art of murder. The villains and victims who populate these pages range from Cain and Abel and Bluebeard and his wives to Lizzie Borden, Jack the Ripper, and Mafia hit men. The literary forms they inhabit are just as varied, from the colorful melodramas of old Scottish ballads to the hard-boiled poetry of twentieth-century noir, from lighthearted comic riffs to profound poetic musings on murder. Robert Browning, Thomas Hardy, W. H. Auden, Stevie Smith, Mark Doty, Frank Bidart, Toi Derricotte, Lynn Emanuel, and Cornelius Eady are only a few of the many poets, old and new, whose work is captured in this heart-stopping—and criminally entertaining—collection.
Jacob Stratman's first collection of poems, What I Have I Offer with Two Hands, offers poems where the typically mundane and forgettable become windows to the divine. Whether the speaker of these poems is transfixed by Joseph Decker's Basket of Peaches, the hills and creeks of the Ozarks, the Eucharist, his son's Batman toys in the tub, or his own childhood, the focus never leaves his relationship with his sons and their relationship with God and the created world--what he hopes for them and what he hopes for all of us. With a loose connection to the liturgical calendar, readers will follow this father's meandering path through the year as he contemplates how to love, how to hope.