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Section 1 provides a biography of the author pertinent to the creation of this trilogy. This look at the author's unique experience sheds light upon the origins of this work. Section 2 logically justifies the basic conceptual building blocks needed to construct My Big TOE's foundation. It discusses the cultural beliefs that trap our thinking into a narrow and limited conceptualization of reality, defines the fundamentals of Big Pictureepistemology and ontology, and examines the inner-workings and practice of meditation. It defines and develops the two basic assumptions upon which this trilogy is based. From these two assumptions, time, space, consciousness, and the basic properties, purpose, and mechanics of our reality are logically inferred.Section 3 develops the interface and interaction between "we the people"and our digital consciousness reality. It derives and explains the characteristics,origins, dynamics, and function of ego, love, free will, and our larger purpose. It develops the psi uncertainty principle as it explains and interrelates psi phenomena, free will, love, consciousness evolution, physics, reality, human purpose, digital computation, and entropy.Section 4 describes a model of consciousness that develops the results of Section 3 and supports the conclusions of Section 5. The origins and nature of digital consciousness are described along with how artificial intelligence (AI) leads to artificial consciousness, which leads to actual consciousness and to us. It derives our physical universe, our science, and our perception of a physical reality. The physical reality is directly derived from the nature of digital consciousness.Section 5 pulls together Sections 2, 3, and 4 into a model of reality that describes how an apparent nonphysical reality works, interacts, and interrelates with our experience of physical reality. Probable realities, predicting and modifying the future, teleportation, telepathy, multiple physical and nonphysical bodies, and the fractal nature of an evolving digital consciousness reality are explained and described in detail.Section 6 is the wrap-up that puts everything into a personal perspective. It points out My Big TOE's relationship with contemporary science and philosophy. It solidly integrates My Big TOE into traditional Western scientific and philosophical thought.
An anthology of poetry for children between the ages of six and fourteen encompassing such topics as "Baby-Days," "Animals and Birds," "Trees and Flowers," and "Christmas and New Year."
A stunning collection of Thomas Campbell's surfing photos from the past 15 years. There are portraits and action shots of some of the best surfers in the world. These compositions range from atmospherically lo-fi and gritty to lush and saturated portraits; they are however always surprising and full of emotion, whether it be melancholy or exaltation.
In the twentieth century more people spoke English and more people wrote poetry than in the whole of previous history, and this Companion strives to make sense of this crowded poetical era. The original contributions by leading international scholars and practising poets were written as the contributors adjusted to the idea that the possibilities of twentieth-century poetry were exhausted and finite. However, the volume also looks forward to the poetry and readings that the new century will bring. The Companion embraces the extraordinary development of poetry over the century in twenty English-speaking countries; a century which began with a bipolar transatlantic connection in modernism and ended with the decentred heterogeneity of post-colonialism. Representation of the 'canonical' and the 'marginal' is therefore balanced, including the full integration of women poets and feminist approaches and the in-depth treatment of post-colonial poets from various national traditions. Discussion of context, intertextualities and formal approaches illustrates the increasing self-consciousness and self-reflexivity of the period, whilst a 'Readings' section offers new readings of key selected texts. The volume as a whole offers critical and contextual coverage of the full range of English-language poetry in the last century.
Covering Indigenous adventures from Wahpole Island to Northern Saskatchewan to the coast of Vancouver, #IndianLovePoems is a poetry collection that delves into the humour and truths of love and lust within Indigenous communities. Sharing stories in search of The One, or even better, that One-Night-Stand, or the opening of boundaries -- can we say medicine wheel -- this collection fearlessly sheds light on the sharing and honesty that comes with discussions of men, women, sex, and relationships, using humour to chat about the complexities of race, culture and intent within relationships. From discovering your own John Smith to sharing sushi in bed, #IndianLovePoems will make you smile, shake your head, and remember your own stories about that special someone. ?