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"Everything and Other Poems" is a new collection of poetry by Charles North. North has published eleven books of poems, three books of critical prose, and collaborations with artists and other poets. With James Schuyler, he edited the poet/painter anthologies "Broadway" and "Broadway 2." His "New and Selected: What It Is Like" headed NPR's Best Poetry Books of 2011, and he has received a Foundation for Contemporary Arts Grant, two NEA grants, four Fund For Poetry Awards, and a Poets Foundation Award. He lives with his wife, the painter Paula North, in New York City. More info at charles-north.com"--
With this collection, first published in 1975, Heaney located a myth which allowed him to articulate a vision of Ireland--its people, history, and landscape--and which gave his poems direction, cohesion, and cumulative power. In North, the Irish experience is refracted through images drawn from different parts of the Northern European experience, and the idea of the north allows the poet to contemplate the violence on his home ground in relation to memories of the Scandinavian and English invasions which have marked Irish history so indelibly.
"Global anthology of twentieth-century poetry"--Back cover.
Land of Three Rivers is a celebration of North-East England in poetry, featuring its places and people, culture, history, language and stories in poems and songs with both rural and urban settings. Taking its bearings from the Tyne, Wear and Tees of the title (from Vin Garbutt's song 'John North'), the book maps the region in poems relating to past and present, depicting life from Roman times through medieval Northumbria and the industrial era of mining and shipbuilding up to the present-day. The anthology has modern perspectives on historical subjects, such as W.H. Auden's 'Roman Wall Blues' and Alistair Elliot on the aftermath of the Battle of Heavenfield in the 7th century, as well as poets from past ages, starting with Caedmon, the first English poet, writing in the 8th century. There are classic North-East songs from the oral tradition of balladeers and pitmen poets alongside the work of literary chroniclers like Mark Akenside from the 18th century, followed by evocations of Northumberland by decadent gentry poet Algernon Charles Swinburne contrasting with grim tales of life down the pit by Tommy Armstrong, Joseph Skipsey and Thomas Wilson in the 19th century. The region's favourite tipple is championed by 18th-century poet John Cunningham in his eulogy 'Newcastle Beer', while 200 years later, Tony Harrison's defences are 'broken down / on nine or ten Newcastle Brown' in his 'Newcastle Is Peru' (1969). Durham is celebrated in a 12th-century priest's poem but is a trinity of 'University, Cathedral, Gaol' for Tony Harrison. The River Tyne flows through poems by Wilfrid Gibson, James Kirkup, Michael Roberts, Francis Scarfe from early to mid-20th century, while the region's dialects (from Northumbrian to Geordie and Pitmatic) are heard in poems by Basil Bunting, William Martin, Tom Pickard, Katrina Porteous and Fred Reed. Other modern and contemporary poets and songwriters featured include Gillian Allnutt, Peter Armstrong, Peter Bennet, Robyn Bolam, George Charlton, Julia Darling, Richard Dawson, the Elliotts of Birtley, W.N. Herbert, Alan Hull, James Kirkup, Mark Knopfler, Barry MacSweeney, Sean O'Brien, Rodney Pybus, Kathleen Raine, Jon Silkin and Anne Stevenson, as well as poets who've spent time in the North-East, such as Fleur Adcock, David Constantine, Fred D'Aguiar, Frances Horovitz, Philip Larkin, Michael Longley and Carol Rumens, writing highly memorable poems in response to the place, its people and their stories. The book's introduction is in two parts, with Rodney Pybus covering the historical background and Neil Astley the last 50 years. This emphasises the importance of the oral tradition during the centuries when little written poetry of note was produced in the region. There are also fascinating commentaries on key historical figures by the late Alan Myers.
This volume is the only collected edition of poems by Jean Toomer, the enigmatic American writer, Gurdjieffian guru, and Quaker convert who is perhaps best known for his 1923 lyrical narrative Cane. The fifty-five poems here -- most of them previously unpublished -- chart a fascinating evolution of artistic consciousness. The book is divided into sections reflecting four distinct periods of creativity in Toomer's career. The Aesthetic period includes Imagist, Symbolist, and other experimental pieces, such as "Five Vignettes," while "Georgia Dusk" and the newly discovered poem "Tell Me" come from Toomer' s Ancestral Consciousness period in the early 1920s. "The Blue Meridian" and other Objective Consciousness poems reveal the influence of idealist philosopher Georges Gurdjieff. Among the works of this period the editor presents a group of local color poems picturing the landscape of the American Southwest, including "Imprint for Rio Grande." "It Is Everywhere," another newly discovered poem, celebrates America and democratic idealism. The Quaker religious philosophy of Toomer's final years is demonstrated in such Christian Existential works as "They Are Not Missed" and "To Gurdjieff Dying." Robert Jones's clear and comprehensive introduction examines the major poems in this volume and serves as a guide through the stages of Toomer's evolution as an artist and thinker. The Collected Poems of Jean Toomer will prove essential to Toomer's admirers as well as to scholars and students of modern poetry, Afro-American literature, and American studies.
A collection of more than 400 hundred poems from all around the world.
"Global anthology of twentieth-century poetry"--Back cover.
Two early volumes of poetry (1913–1914) contain many of the poet's finest, best-known works: "Mending Wall," "After Apple-Picking," "The Death of the Hired Man," many more.