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A wonderfully illustrated collection of critical analysis of poetry from World War I commemorates the great poetic voices produced by this terrible conflict, including such noted writers as Rupert Brooke, Wilfred Owe, Siegfried Sassoon, Edmund Blunden, Charles Hamilton Sorley, Robert Graves, Julian Grenfell, and other notables.
A selection of poetry written during World War I. In the introduction Jon Silkin traces the changing mood of the poets - from patriotism through anger and compassion to an active desire for social change. The book includes work by Sassoon, Owen, Blunden, Rosenberg, Hardy and Lawrence.
The horrors of the First World War released a great outburst of emotional poetry from the soldiers who fought in it as well as many other giants of world literature. Wilfred Owen, Rupert Brooke and W B Yeats are just some of the poets whose work is featured in this anthology. The raw emotion unleashed in these poems still has the power to move readers today. As well as poems detailing the miseries of war there are poems on themes of bravery, friendship and loyalty, and this collection shows how even in the depths of despair the human spirit can still triumph.
This collection featuring nearly 50 memorable poems from some of the best writers of the time: Rupert Brooke, Siegried Sasson, Wilfred Owen, Ivan Gurney, Isaac Rosenberg, Richard Aldington, Edward Thomas, and many more. Vividly expressing the ravages of war fought on the front lines, their poems are some of the most powerful and poignant works of the twentieth century.
DIVRich selection of powerful, moving verse includes Brooke's "The Soldier," Owen's "Anthem for Doomed Youth," "In Flanders Fields," by Lieut. Col. McCrae, more by Hardy, Kipling, many others. /div
The Great War 1914−1918 was dubbed the 'war to end all wars' and introduced the full flowering of industrial warfare to the world. The huge enthusiasm which had greeted the outbreak of hostilities in August 1914 soon gave way to a grim resignation and, as the Western Front became a long, agonising battle of dire attrition, revulsion. Never before had Britain's sons and daughters poured out their lifeblood in such prolonged and seemingly incessant slaughter. The conflict produced a large corpus of war poetry, though focus to date has rested with the 'big' names − Brooke, Sassoon, Graves, Owen, Rosenberg and Blunden et al – with their descent from youthful enthusiasm to black cynicism held as a mirror of the nation's journey. Their fame is richly merited, but there are others that, until now, you would not expect to find in any Great War anthology. This is 'Tommy' verse, mainly written by other ranks and not, as is generally the case with the more famous war poets, by officers. It is, much of it, doggerel, loaded with lavatorial humour. Much of the earlier material is as patriotic and sentimental as the times, jingoistic and occasionally mawkish. However, the majority of the poems in this collection have never appeared in print before; they have been unearthed in archives, private collections and papers. Their authors had few pretences, did not see themselves as poets, nor were writing for fame and posterity. Nonetheless, these lost voices of the Great War have a raw immediacy, and an instant connection that the reader will find compelling.
This masterfully assembled volume, arranged chronologically, reveals American poets' shifting, conflicting reactions to the war and highlights their efforts to shape U.S. policies and define American attitudes. In his introduction, Mark W. Van Wienen describes the rapid, politically charged responses possible in a culture attuned to poetry. His historical and biographical notes provide a sturdy framework for the study of poetry's role in social activism and change during the "war to end war." The most complete resource of its kind, Rendezvous with Death brings together poetry originally published in little magazines, labor journals, newspapers, and wartime anthologies. Alight with sorrow, grace, silliness, satire, pride, and anger, works by IWW members, sock poets, pacifists, and protestors take their places next to those by Edith Wharton, Alan Seeger, Wallace Stevens, James Weldon Johnson, Amy Lowell, and Claude McKay.
Epigrammatic and bitterly satirical verses by the well-known English poet convey the shocking brutality and pointlessness of World War I. Includes "Counter-Attack," "They," "The General," "Base Details," and other poems.