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Share the poetry written by many of the important poets of the English language from the Elizabethan Age to the Nineteenth Century with your students. This resource presents a background to each of the major periods of writing, a biography of the particular poet, a portrait of the poet, a representative poem, activities and suggestions for further reading. 70 pages Activities can be completed independently or in small groups. 20+ Ballads, Poems & Sonnets and 10+ Portraits of Poets & Biographies. Poets & Their Works: The Minstrels of the Middle Ages: The Ballad "Lord Randal The Elizabethan Age William Shakespeare, "Sonnet XXIX" Christopher Marlowe, "The Passionate Shepherd to His Love" Sir Walter Raleigh, "The Nymph's Reply" John Donne, "The Bait" The Seventeenth Century John Donne, "A Hymn to God the Father" Robert Herrick, "To The Virgins to Make Much of Time" John Milton, "On His Blindness" The Restoration and Eighteenth Century The Romantic Age William Wordsworth, "She Dwelt Among the Untrodden Ways John Keats, "When I Have Fears" The Victorian Age Alfred Lord Tennyson, "The Lady of Shalott" Elizabeth Barrett and Robert Browning, "How Do I Love Thee" and "Prospice" Canadian and American Poetry of the Nineteenth Century Walt Whitman, "O Captain! My Captain!" Emily Dickinson, "Because I Could Not Stop For Death" Emily Dickinson, "A Narrow Fellow in the Grass" Emily Dickinson, "I Like To See It Lap The Miles" Duncan Campbell Scott, "The Half-Breed Girl" Sir Charles G.D. Roberts, "The Potato HaNest" Bliss Carmen, "A Vagabond Song" Archibald Lampman, "A Sunset at Les Eboulements" Archibald Lampman, "Winter Uplands"
This 1999 book offers an original study of lyric form and social custom in the Elizabethan age. Ilona Bell explores the tendency of Elizabethan love poems not only to represent an amorous thought, but to conduct the courtship itself. Where studies have focused on courtiership, patronage and preferment at court, her focus is on love poetry, amorous courtship, and relations between Elizabethan men and women. The book examines the ways in which the tropes and rhetoric of love poetry were used to court Elizabethan women (not only at court and in the great houses, but in society at large) and how the women responded to being wooed, in prose, poetry and speech. Bringing together canonical male poets and women writers, Ilona Bell investigates a range of texts addressed to, written by, read, heard or transformed by Elizabethan women, and charts the beginnings of a female lyric tradition.
This handy but wide-ranging selection of Elizabethan poetry covers all the major poets and most of the important genres cultivated in that age. Sukanta Chaudhuri traces Elizabethan poetry from its beginnings, dividing it by type of verse--pastoral, Elizabethan sonnet, lyrics, the Epyllion, and didactic poetry. Poets represented include Sir Thomas Wyatt, Edmund Spencer, William Shakespeare, Sir Philip Sidney, Christopher Marlowe, and Michael Drayton, among others.
This anthology represents the poetry of the Elizabethan period with a selection of poems written in the five popular literary genres of the time: the sonnet, lyric, satire, pastoral and Ovidian romance.
Although the term courtier poet is widely used in discussions of Elizabethan literature, it has never been carefully defined. In this study, Steven W.May isolates the elite social environment of the court by defining the words court and courtier as they were understood by Tudor aristocrats. He examines the types of poems that these poets wrote, the occasions for which they wrote, and the nature of the poems themselves.
A collection of some of the best, wittiest and most unusual excerpts from 16th- and 17th-century writing. "Shakespeare's England" brings to life the variety, the energy and the harsh reality of England at this time. Providing a portrait of the age, it includes extracts from a wide variety of writers, taken from books, plays, poems, letters, diaries and pamphlets by and about Shakespeare's contemporaries. These include William Harrison and Fynes Moryson (providing descriptions of England), Nicholas Breton (on country life), Isabella Whitney and Thomas Dekker (on London life), Nashe (on struggling writers), Stubbes (with a Puritan view of Elizabethan enjoyments), Harsnet and Burton (on witches and spirits), John Donne (meditations on prayer and death), King James I (on tobacco) and Shakespeare himself.
The acclaimed Pelican Shakespeare series edited by A. R. Braunmuller and Stephen Orgel The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare’s time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With definitive texts and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.