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In the melody that is heard all day long In the teeming city and in nature's wilderness In all these notes I have lost myself.' Honoured at a public function when he was a mere boy of eleven with the title 'Bharati' (one blessed by Saraswati the Goddess of Learning) C. Subramania Bharati (1882-1921) is renowned as the herald of the renaissance of Tamil literature. The simplicity and lyricism that marked his poetry reflect a clear shift in sensibility and craft from the classical tradition which had adhered to strictures of style, imagery and language for over 2000 years. Ranging from the fiercely patriotic and the deeply romantic to the humbling intensity of devotion and the sharp criticism of self and society, this selection brings together poems that reflect the very essence of Bharati's broad philosophy. Usha Rajagopalan's stellar translations echo the lyricism and transformative power that have lent Bharati's poetry their distinctive enduring quality.
Honoured at a public function when he was a mere boy of eleven with the title 'Bharati' (one blessed by Saraswati, the Goddess of Learning), C. Subramania Bharati (1882-1921) is renowned as the herald of the renaissance in Tamil literature. The simplicity and lyricism that marked his poetry reflect a clear shift in sensibility and craft from the classical tradition, which had adhered to strictures of style, imagery and language for over 2000 years. Panchali's Pledge is the English translation of Bharati's seminal work, Panchali Sabadham, which reimagines the pivotal Game of Dice incident in the Mahabharata, where coerced into playing a game of dice by Duryodhana and Sakuni, Yudhisthira, the eldest of the Pandavas, stakes and loses his kingdom, his wealth, his brothers and finally Draupadi, leading to her disrobing and her rescue by the divine intervention of Lord Krishna. Enraged at the quiet indifference of those present in the assembly at her plight, Draupadi finally takes a pledge to avenge her ignominy with the blood of the Kauravas. Bharati wrote and published the first of the two-part minor epic in 1912 while living in the French territory of Pondicherry to escape British persecution. It was intended as a political allegory to the ongoing freedom movement and as an affirmation of the latent power in women. Usha Rajagopalan's translation seeks to complement what Bharati himself set out to do with the original text: to 'create an epic using simple phrases, a simple style, easily understood prosody and rhythm which the common man appreciates.'
This Anthology, Supreme Among Twentieth Century Tamil Poets, Has Also Been One Of The Major Creative Forces Of The Modern Renaissance In Tamil Nadu, And Has Been Described As Agastya Incarnate Who Re-Created Tamil. Although Bharati Died Young, His Collected Poems Make A Volume Of 600 Pages, Marked By Opulence As Well As Variety, And Noted Alike For Their Vitality And Musical Quality As Also Their Emotional And Spiritual Appeal. Dr. NandkumarýS Bharati In English Verse, The Nucleus Of The Present Work, Was Hailed By Rajaji As ýThe Most Beautiful And Flawless Translation On Exquisite Success In A Very Difficult Taský. In The Present Greatly Enlarged Volume, While The English Renderings Are At Once Reliable And Readable, The Comprehensive Biographical And Critical Introduction Attempts A Balanced Assessment Of The Man And His Work, And Will Help To Make Them Known To An International Audience.
C. Subramania Bharati (1882-1921) was one of the builders of modern India. An early nationalist thinker from South India, Bharati's literary genius ignited a Renaissance in the literature of his native language, Tamil. He is known as the Mahakavi (supreme poet) of the Tamils. Bharati can lay the claim to being one of India's foremost egalitarian writers, arguing for the supremacy of women and the irrelevance of caste. The popularity of his songs during the freedom movement, long after his death, led to the government of India 'giving' the copyright of his works to the people of India as a gift. The book is a collection of the entirety of Bharati's own, original writings in English, edited and annotated with an introduction. It includes a variety of short essays and poems, journalistic pieces and historical essays--offering uniquely Indian perspectives on local, national, and international events of the day--to intensely personal journal entries exploring his fear of death, and his fascination with personal mastery of the mind and self.
This is the first edition of Shelley to present the poetry in chronological order with full annotation, and the first to make full use of the wealth of manuscript material and scholarship that exists on Shelley. Volume 1 contains a mass of new and important material such as the early 'Esdaile' poems and the whole of the 'Scope Davis' notebook. There are significant new datings and numerous corrections to long-established errors and misunderstandings in the transmission of Shelley's work.
The Rapids of a Great River begins with selections from the earliest known Tamil poetry dating from the second century CE. The writings of the Sangam period laid the foundation for the Tamil poetic tradition, and they continue to underlie and inform the works of Tamil poets even today. The first part of this anthology traverses the Sangam and bhakti periods and closes with pre-modern poems from the nineteenth century. The second part, a compilation of modern and contemporary poetry, opens with the work of the revolutionary poet Subramania Bharati. Breaking free from prescriptions, the new voices—which include Sri Lankan Tamils, women and dalits, among others—address the contemporary reader; the poems, underscored by a sharp rhetorical edge, grapple with the complexities of the modern political and social world. The selection is wide-ranging and the translations admirably echo the music, pace and resonance of the poems. This anthology links the old with the new, cementing the continuity of a richly textured tradition. There is something in the collection for every reader and each will make his or her own connections—at times startling, at other times familiar.
The Oxford Anthology of Modern Indian Poetry is the first significant work of its kind, containing some of the finest Indian poetry written in the twentieth century. Collected here are one hundred and twenty-five poets in English and English translation from fourteen Indian languages. This volume covers several generations of writers and provides an overview of the many different schools, styles, figures, forms and movements in Indian poetry in the last hundred years. While capturing some of the finest Indian poets, including Rabindranath Tagore, Subramania Bharati, Nirala, G. Shankara Kurup, and Kaifi Azmi, The Oxford Anthology of Modern Indian Poetry also represents the best work of nearly seventy translators from various countries. The poems, many translated into English for the first time, are grouped thematically to reveal patterns and movements in Indian poetry. The editors provide an illuminating Introduction and informative critical essay on the literary, historical, and social contents of modern Indian poetry, as well as biographical notes on contributors, and suggestions for further reading. As a work of craftsmanship and learning, The Oxford Anthology of Modern Indian Poetry is a source of discovery and delight for first-time readers and scholars alike.