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The instant New York Times bestseller from the mysterious and romantic poet Atticus, Instagram sensation and author of Love Her Wild and the Dark Between Stars In his third collection of poems, Atticus takes us on adventure to discover the truth about magic. Through heartbreak and falling in love, looking back and looking inward, he writes about finding ourselves, finding our purpose, and the simple joys of life with grace, wit, and longing. Whether it’s drinking wine out of oak barrels, laughing until you cry, dancing in old barns until the sun comes up, or making love on sandy beaches, Atticus reminds us that magic is everywhere—we simply have to look for it.
The first and largest collection of poems and prayers--sixteen of them previously uncollected--by America's purveyor of comfort and hope.
you handed me all your broken pieces but darling, how do i fix you if you don't believe in love, hope and magic?
“A wonderful tale . . . It crackles with suspense and excitement from start to finish.”—Terry Brooks Two thousand years ago, the Born Queen defeated the Skasloi lords, freeing humans from the bitter yoke of slavery. But now monstrous creatures roam the land—and destinies become inextricably entangled in a drama of power and seduction. The king’s woodsman, a rebellious girl, a young priest, a roguish adventurer, and a young man made suddenly into a knight—all face malevolent forces that shake the foundations of the kingdom, even as the Briar King, legendary harbinger of death, awakens from his slumber. At the heart of this many-layered tale is Anne Dare, youngest daughter of the royal family . . . upon whom the fate of her world may depend. Praise for The Briar King “Starts off with a bang, spinning a snare of terse imagery and compelling characters that grips tightly and never lets up. . . . A graceful, artful tale from a master storyteller.”—Elizabeth Haydon, bestselling author of Prophecy: Child of Earth “The characters in The Briar King absolutely brim with life. . . . Keyes hooked me from the first page,and I’ll now be eagerly anticipating sitting down with each future volume of the Kingdoms of Thorn and Bone series.”—Charles de Lint, award-winning author of Forests of the Heartand The Onion Girl “A thrill ride to the end, with plenty of treachery, revelation, and even a few bombshell surprises.”—Monroe News-Star (LA)
Remember the first book you read with no pictures in it? This is not that. Author Michelle Garren Flye has penned poems about being a woman and lovingly illustrated each one. Divided into three sections (Dream, Fear and Hope) with the semi-epic poem "The Death of a Thousand Cuts" providing a bridge from Dream to Fear, Flye's collection addresses what it is like to be a woman in today's world. Flye invites you to come on a journey of self-discovery and remember what it was like to read a book with pictures.UnSong by Michelle Garren Flye is a wicked-smart mash up of verse and graphic art. Early in the book, an elegy to Ruth Bader Ginsberg is paired with a portrait of a woman in a black dress, seen from behind, her arms raised as if to enthrall an unseen crowd. Later, a brilliant untitled haiku takes as its subject our "Covid Days." My favorite work in the book is a piece called River Bones: "... water rolls back to caress and cover the river's bones with the touch of a lover ..." Illustrated poetry books are hard to get right. UnSong nails it, the book rising above any limitations of the format. Buy this book! -Dennis Mahagin, author of Grand Mal, and Longshot & GhazalIn UnSong, Michelle Garren Flye's poems invite the reader to take a pause from the busyness and stress of modern life. In "River Bones," "time comes to a halt" after the wind uncovers "forgotten memories, a bucket, a plate, / a fishhook left on the line too late." While in "Everything Grows," Flye invokes Shakespeare's famous line from Sonnet #15: "When I consider everything that grows / holds in perfection but a little moment," in order to express how hard it is to make time stand still: "Everything grows, everything rushes into the night." Other poems reveal Flye's sharp sense of humor ("What Good is a Girl?") and wonder of the natural world such as in "I'm a December Tree" and "Now That I Am in Mid-Fall." ... As an added treat, Flye's poems are paired with her own illustrations. Savor this collection written by a romantic, and experience the wonder of reading joyful and optimistic poems-a true balm in these troubled times.-Alice Osborn, author of Heroes without CapesUnsong is a bit like a buffet with nuggets of wisdom you can choose to embrace until it fills your soul. Wonderful nibbles of hope that you will return to when you need a dash of light to repel the darkness.-Sam Love, author of Awakening: Musings on Planetary SurvivalUnSong is a beautiful compilation with an amazing amount of breadth and variety. Ms. Flye is literally a song writer! I particularly enjoyed the themes of "staying" and "taking flight". -Tracie Barton-Barrett, author of Buried Deep in Our Hearts and Finding Her SpiritMs. Flye's personality shines brightly through both her poetry and her illustrations. A lovely and relevant book to behold!-Leslie Tall Manning, award-winning author of Knock on Wood and Upside Down in a Laura Ingalls TownMichelle Garren Flye's poetry, art, and photography excite my senses and touch my heart. Oh, what a talent!-Padgett Gerler, author of Invisible Girl and The Gifts of Pelican Isle
A National Book Critics Circle Poetry Award Winner! From the breakout author of There Are More Beautiful Things Than Beyoncé comes a profound and deceptively funny exploration of Black American womanhood. "Morgan Parker's latest collection is a riveting testimony to everyday blackness . . . It is wry and atmospheric, an epic work of aural pleasures and personifications that demands to be read—both as an account of a private life and as searing political protest." —TIME Magazine A Best Book of 2019 at TIME, Elle, BuzzFeed, the Star Tribune, AVClub, and more. A Most Anticipated Book of 2019 at Vogue, O: the Oprah Magazine, NYLON, BuzzFeed, Publishers Weekly, and more. Magical Negro is an archive of black everydayness, a catalog of contemporary folk heroes, an ethnography of ancestral grief, and an inventory of figureheads, idioms, and customs. These American poems are both elegy and jive, joke and declaration, songs of congregation and self-conception. They connect themes of loneliness, displacement, grief, ancestral trauma, and objectification, while exploring and troubling tropes and stereotypes of Black Americans. Focused primarily on depictions of black womanhood alongside personal narratives, the collection tackles interior and exterior politics—of both the body and society, of both the individual and the collective experience. In Magical Negro, Parker creates a space of witness, of airing grievances, of pointing out patterns. In these poems are living documents, pleas, latent traumas, inside jokes, and unspoken anxieties situated as firmly in the past as in the present—timeless black melancholies and triumphs.
According to the Kama Sutra, the erotic handbook written two thousand years ago, when the wheel of ecstasy is in motion “there is no textbook at all, and no order.” Indian Love Poems is a unique gathering of poems from across more than two and a half millennia that attempts to catalog the disordered ecstasies of love, ranging from the Kama Sutra and earlier works up to present-day India and the poets of the Indian diaspora. Indian Love Poems features works from the classical languages of Sanskrit and Tamil and such later languages as Hindi, Urdu, Malayalam, Bengali, and English. Emerging from many Indian cultures and eras, the poems collected here reflect a variety of erotic and spiritual passions, and celebrate the powerful role of desire–both male and female–in the intricate dance of existence. From the twelfth-century female poet Mahadeviyakka to the twentieth-century Nobel Prize winner Rabindranath Tagore to such contemporary poets as Kamala Das and Vikram Seth, this glittering tapestry of lyric voices beautifully and sensually evokes the transfiguring force of love.
The Romanticism that emerged after the American and French revolutions of 1776 and 1789 represented a new flowering of the imagination and the spirit, and a celebration of the soul of humanity with its capacity for love. This extraordinary collection sets the acknowledged genius of poems such as Blake's 'Tyger', Coleridge's 'Khubla Khan' and Shelley's 'Ozymandias' alongside verse from less familiar figures and women poets such as Charlotte Smith and Mary Robinson. We also see familiar poets in an unaccustomed light, as Blake, Wordsworth and Shelley demonstrate their comic skills, while Coleridge, Keats and Clare explore the Gothic and surreal.
Mary Oliver, winner of the Pulitzer Prize, celebrates love in her new collection of poems "If I have any secret stash of poems, anywhere, it might be about love, not anger," Mary Oliver once said in an interview. Finally, in her stunning new collection, Felicity, we can immerse ourselves in Oliver’s love poems. Here, great happiness abounds. Our most delicate chronicler of physical landscape, Oliver has described her work as loving the world. With Felicity she examines what it means to love another person. She opens our eyes again to the territory within our own hearts; to the wild and to the quiet. In these poems, she describes—with joy—the strangeness and wonder of human connection. As in Blue Horses, Dog Songs, and A Thousand Mornings, with Felicity Oliver honors love, life, and beauty.
“Why do you always write magic in the sand of every beach you go to?” he asked as he watched her finger move through the sand in a rhythm writing the word. She smiled and said, “Because there is magic in the sand.” “What do you mean?” he further asked. “When you feel the sand under your feet,” she scrunched up her toes in the sand as she spoke. “And feel every granule of it, the noise of your thoughts suddenly sound like the waves. Just like magic.” Me