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Excerpt from Poems of Humanity and Abelard to Heloise A weed upon the ocean. I have thrown it: Was it mine? I care not if it was, for I disown it; Go, let it steep in brine! Perchance it yet may twine Around the brow of some sad poet perished Full twenty fathoms down. Or by a nymph be taken up and cherished, And woven for her crown. O glory! O renown! About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Eloisa to Abelard Pope, Alexander The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.
Comprehensive and learned translation of these texts affords insight into Abelard's thinking over a much longer sweep of time and offers snapshots of the great twelfth-century philosopher and theologian in a variety of contexts.
This is a brief, accessible introduction to the lives and though of two of the most controversial personalities of the Middle Ages. Their names are familiar, but it is their "star quality" argues Mews, that has prevented them from being seen clearly in the context of 12th-century thought--the task he has set himself in this book.
A brief, accessible introduction to the lives and thought of two of the most controversial personalities of the Middle Ages. Abelard and Heloise are familiar names. It is their "star quality," argues Constant Mews, that has prevented them from being seen clearly in the context of 12th-century thought - that task he has set himself in this book. He contends that the dramatic intensity of these famous lives needs to be examined in the broader context of their shared commitment to the study of philosophy.
Since the twelfth century the story of Héloïse and Abelard has held the imagination, each age viewing afresh the love that has immortalized them both. In this illuminating and beautifully detailed study which is in the nature of an interpretation rather than a narrative. The author seems to have come as near as one may to understanding the Héloïse who belongs both to her own century and to all time. Drawing on the correspondence exchanged between Héloïse and Abelard, as well as on other contemporary letters and documents, and having visited in France the places associated with the life of Héloïse, she gives a moving picture of this remarkable woman who, having as a young girl taken the veil at the order of Abelard her husband, continued in the face of seemingly insuperable obstacles to prove by her intelligence, courage and selfless devotion, the reality of her love for him, while at the same time winning wide esteem as the exemplary and much revered abbess of a Benedictine nunnery founded and made over to her by Abelard.
"In twelfth-century France, two of Europe s greatest minds met and fell in love. It was a love forbidden by the world around them and eventually they were torn apart from each other. But, the spark of it remained smoldering inside the lovers until their death and beyond. Heloise and her tutor, Peter Abelard, share a devotion passionate in its depth and beautiful in its thoughtfulness. They marry, and Heloise bears a son whom she names Astrolabe. However, all of this must be done in secret, for Abelard is forbidden to wed by the church which considers him a cleric. When the truth of their relationship is exposed, they are separated and punished both in body and soul. Marion Meade weaves history and fiction together in STEALING HEAVEN, an epic story of one of history s most tragic love affairs. With facts pulled from Heloise s actual love letters, Meade creates a poetic and sensual tapestry of France in the 12th century."
Calling into question the common assumption that the Middle Ages produced no secondary epics, Ann W. Astell here revises a key chapter in literary history. She examines the connections between the Book of Job and Boethius' s Consolation of Philosophy—texts closely associated with each other in the minds of medieval readers and writers—and demonstrates that these two works served as a conduit for the tradition of heroic poetry from antiquity through the Middle Ages and into the Renaissance. As she traces the complex influences of classical and biblical texts on vernacular literature, Astell offers provocative readings of works by Dante, Chaucer, Spenser, Malory, Milton, and many others. Astell looks at the relationship between the historical reception of the epic and successive imitative forms, showing how Boethius's Consolation and Johan biblical commentaries echo the allegorical treatment of" epic truth" in the poems of Homer and Virgil, and how in turn many works classified as "romance" take Job and Boethius as their models. She considers the influences of Job and Boethius on hagiographic romance, as exemplified by the stories of Eustace, Custance, and Griselda; on the amatory romances of Abelard and Heloise, Dante and Beatrice, and Troilus and Criseyde; and on the chivalric romances of Martin of Tours, Galahad, Lancelot, and Redcrosse. Finally, she explores an encyclopedic array of interpretations of Job and Boethius in Milton's Paradise Lost, Paradise Regained, and Samson Agonistes.