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Poems in Their Place: Intertextuality and Order of Poetic Collections
The Romantic poets believed that the selection and arrangement of poems into collections were important steps in the poetic process. From the works of Dante, Petrarch, and Milton, Fraistat finds poetic precedent for the organizing principles of Wordsworth, Coleridge, Keats, and Shelley. From this background, he surveys over three hundred poetic volumes published between 1790 and 1830 and finds that the diversity in each book ultimately possesses a coherent field. Originally published in 1987. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
READ THIS BOOK AND FIND A WORLD IN WHICH THINGS AS SIMPLE AS MILKSHAKES AND AS COMPLEX AS LOVE ARE BOTH SATURATED IN MEANING. UPON READING THIS BOOK, GET READY TO SEE THE WORLD AS A PLACE ENCHANTED BY THE ONE WHO CREATED IT ALL.
A collection of life-affirming verses, inspired by the events of September 11, 2001, includes poems paired with artwork volunteered by such well-known picture book artists as G. Brian Karas, Keven Hawkes, and Giselle Potter.
A lamentation and celebration of epic events in world history, told through a powerful collection of poetry. One of these poems, 'Countdown to Ground Zero', was born out of 9/11 and its tragic aftermath and records a touching anecdote of how Anyidoho arrived in the US as a writer-in-residence at the end of August 2001 and even visited the World Trade Centre and surrounding area with his daughter three days before the Twin Towers came down.
Poetry. California Studies. Foreword by Robert Hass. The poems in this anthology embody what it's like to live in the astonishing weave of cities and towns, landscape and language, climate and history that make up the greater San Francisco Bay Area. Selected by the members of Sixteen Rivers Press, a regional poetry collective named after the web of rivers that flow into San Francisco Bay, the poems in THE PLACE THAT INHABITS US are drawn from both a physical and a metaphoric watershed. From the granite slopes of the Sierra to the Delta, through the Coastal Range to the bay and shores of the Pacific, one hundred poems by poets well known and not well known, living and dead, map this improbable region. There are egrets and grievous losses here; prayers, panhandlers, Delta mornings and sunsets in the 'hood; the fog, certainly, and the bridges, but there are shades of Dante on a Miwok trail, and Wang-wei haunts the slopes of Grizzly Peak. These poems are internal maps, "the mental maps that for humans," writes Robert Hass in the foreword, "make a place a place." Gathered together, they evoke the San Francisco Bay watershed, the place that inhabits us.
More than 600 literacy-building poems to brighten seasons, holidays and every theme you teach. Includes cross-curricular extension activities.
This astonishing, self-assured debut leads us on an exploration to the stars and back, begging us to reconsider our boundaries of self, time, space, and knowledge. The speaker writes, “...the universe/is an arrow/without end/and it asks only one question;/How dare you?” Zig-zagging through the realms of nature, science, and religion, one finds St. Francis sighing in the corner of a studio apartment, tides that are caused by millions of oysters “gasping in unison,” an ark filled with women in its stables, and prayers that reach God fastest by balloon. There’s pathos: “When my new lover tells me I’m correct to love him, I/realize the sound isn’t metal at all. It’s not the coins rattling/ on concrete, but the fingers scraping to pick them up.” And humor, too: “...even the sun’s been sighing Not you again/when it sees me.” After reading this far-reaching, inventive collection, we too are startled, space struck, our pockets gloriously “filled with space dust.”
Caldecott Honor Book Today Show Best Book for the Holidays ALA Notable Book for All Ages ALSC Notable Children's Book NCTE Notable Poetry Book Evanston Public Library's Top 100 Great Book for Kids Nerdy Award Winner for Single Poem Picture Book Bank Street Best Books of the Year In this powerful, affirming poem by award-winning author Zetta Elliott, a Black child explores his shifting emotions throughout the year. There is a place inside of me a space deep down inside of me where all my feelings hide. Summertime is filled with joy—skateboarding and playing basketball—until his community is deeply wounded by a police shooting. As fall turns to winter and then spring, fear grows into anger, then pride and peace. In her stunning debut, illustrator Noa Denmon articulates the depth and nuances of a child’s experiences following a police shooting—through grief and protests, healing and community—with washes of color as vibrant as his words. Here is a groundbreaking narrative that can help all readers—children and adults alike—talk about the feelings hiding deep inside each of us.
Poetry. Literary Nonfiction. Essay. In thirty innovative essays, THE POEM'S COUNTRY: PLACE & POETIC PRACTICE considers how the question of place shapes contemporary poetry. Responding from cities and rural communities across the United States, the contributors of THE POEM'S COUNTRY thoughtfully and passionately explore issues of politics, personal identity, ecology, the Internet, war, sexuality, faith, and the imagination. Essential reading for students of poetry at every level, THE POEM'S COUNTRY examines the connection between lyric and geographical constraint, as well as how place challenges, enchants, and helps clarify the intersections between language and the world. "This remarkable and exciting gathering of prose on contemporary poetry is international and generational at once -- this is important because it represents the imaginations and insights of emerging poets writing across a spectrum of taste, 'place and poetic practice.' Yet the critical nature of the writing is more testimony than theory, more personal than panoramic, which means that the individual essays are that much more alive, more in touch, and more unique. Overall, THE POEM'S COUNTRY resists tradition even more than it replaces it." --Stanley Plumly "THE POEM'S COUNTRY demonstrates that poetry isn't limited to the landscapes we inhabit but by the scope of the imagination itself. In these ravishing essays, the next generation of poets explores the influence of place on contemporary poetry, and a diverse reimagining of place emerges that both grounds and lifts us up." --Quan Barry