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An eclectic sampling of modern Korean poetry, superbly translated by husband and wife team.
*The War Still Within* is the poet's sixth book, and contains 36 poems, 25 of which are reprinted from a range of literary venues, This collection also includes "Comfort Woman," her well researched and vividly imagined sequence of six poems based on the experiences of the Korean "comfort women" who were forced into sexual slavery by the Japanese Imperial Army during World War II.Ellen Bass, distinguished and widely published poet, essayist, and editor, writes this about "Comfort Woman": "Tanya Ko Hong captures in these spare, elegant poems, a world of cruelty, suffering, and survival. Here is beauty juxtaposed with pain so deep it's almost impossible to put into words. And yet this fine poet does just that. She breaks our hearts with the truth and astonishes us with her compassion."
With a foreword by Edward O. Wilson, this book brings together internationally known experts from the scientific, societal, and conservation policy areas who address policy responses to the problem of biodiversity loss: how to determine conservation priorities in a scientific fashion, how to weigh the long-term, often hidden value of conservation against the more immediate value of land development, the need for education in areas of rapid population growth, and how lack of knowledge about biodiversity can impede conservation efforts. United in their belief that conservation of biological diversity is a primary concern of humankind, the contributing authors address the full scope of global biodiversity and its decline -- the threatened marine life and extinction of many mammals in the modern era in relation to global patterns of development, and the implications of biodiversity loss for human health, agricultural productivity, and the economy. The Living Planet in Crisis is the result of a conference of the American Museum of Natural History's Center for Biodiversity and Conservation.
A companion volume to the Classical Korean Poetry, this anthology provides the reader a bird's eye view of modern, 20th century Korean poetry, thus completing the sampling of the Korean poetry beginning with the 12th century through the present.
Korea's traditional love poetry is little known in the West. This anthology contains examples of all genres: vernacular to long lyrical poems. A witty informative commentary links the poems and sets them in context.
This is the first English translation of selected poems by one of the most important and unusual modern poets of South Korea. In contrast to the strident political protests found in the poetry of many of his contemporaries, Pak Chaesam's work is characterized by intimate portraits of place, nature, childhood, and human relationships, and by indirection, nostalgia, and reflectiveness. Often focused upon the border of this world and some other, Pak writes with a spareness of presentation but a cornucopia of imagery, meticulously exploring objective and subjective realms of existence and memory. Encouraging the reader to see and listen, and to allow the sensory to reshape the analytical, Pak's poetry opens up new realms of experience. A fellow Korean poet described Pak's poetry as being "the most exquisite expression of the Korean sense of han," or melancholy.
The Koreans, according to the Chinese chronicles, are ‘the people who enjoy singing and dancing’ and who regaled their gods with dance and song. Since then poetry has been an essential part of Korean life and has been regarded as the highest of the arts. In this first comprehensive anthology of Korean poetry in English, first published in 1974, Peter Lee has selected and translated a wide variety of poems ranging from the Silla Dynasty in 57 BC to the middle of the twentieth century. The poems chosen reflect not only the native Korean tradition, but also the great tradition of Chinese poetry. They often possess a deep lyrical quality, many are rich in religious overtones or derive their beauty from contemplation of nature and through many of the poems runs the feeling of the closeness of Korean life to the earth.
Korea's premier poet, the former Buddhist monk Ko Un, presents 108 Zen poems. From these poems we can taste hear, smell and see the life of Ko Un, who is affectionately called "the great mountain peak" by his friends.
Available for the first time in English, Azaleas is a captivating collection of poems by a master of the early Korean modernist style. Published in 1925, Azaleas is the only collection Kim Sowol (1902-1934) produced during his brief life, yet he remains one of Korea's most beloved and well-known poets. His work is a delightful and sophisticated blend of the images, tonalities, and rhythms of traditional Korean folk songs with surprisingly modern forms and themes. Sowol is also known for his unique and sometimes unsettling perspective, expressed through loneliness, longing, and a creative use of dream imagery-a reflection of Sowol's engagement with French Symbolist poetry. Azaleas recounts the journey of a young Korean as he travels from the northern P'yongyang area near to the cosmopolitan capital of Seoul. Told through an array of voices, the poems describe the young man's actions as he leaves home, his experiences as a student and writer in Seoul, and his return north. Although considered a landmark of Korean literature, Azaleas speaks to readers from all cultures. An essay by Sowol's mentor, the poet Kim Ok, concludes the collection and provides vital insight into Sowol's work and life. This elegant translation by David R. McCann, an expert on modern Korean poetry, maintains the immediacy and richness of Sowol's work and shares with English-language readers the quiet beauty of a poet who continues to cast a powerful spell on generations of Korean readers.