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New prose poems by Gary Young, author of No Other Life.
Poetry for Pleasure is an anthology representative of the great wealth of English poetry written between the sixteenth century and the present day. The book is arranged in fifteen sections, each devoted to a different theme. The first two of these comprise verse written mainly for, or about, the young or the very young. Subsequent sections deal with such varied subjects as country pleasures, love and friendship, music and dancing, the sea, time, age, sleep, and death. In fact they cover almost the whole range of human experience. Inevitably, a number of poems will be familiar to most readers, but some will be new to many.
The Pleasures of the Damned is a selection of the best poetry from America's most iconic and imitated poet, Charles Bukowski. Celebrating the full range of the poet's extraordinary sensibility and his uncompromising linguistic brilliance, these poems cover a lifetime of experience, from his renegade early work to never-before-collected poems penned during the final days before his death. Selected by John Martin, Bukowski's long-time editor and the publisher of the legendary Black Sparrow Press, this stands as what Martin calls 'the best of the best of Bukowski'.
This new collection from the editor of Passionate Hearts: The Poetry of Sexual Love and author of The Sexual Healing Journey includes 121 poems by such poets as Rumi, Marge Piercy, Emily Dickinson, Nikki Giovanni, Anne Sexton, Sharon Olds, Octavio Paz, and Elizabeth Barrett Browning. Therapist and marriage counselor Wendy Maltz turns up the heat while celebrating healthy sexuality in this collection of poems that dispel the negative cultural message that what feels good must be bad. Maltz's anthologies are designed to inspire couples toward a deeper physical intimacy and to show that the sexual impulse can be aroused by conveying personal experience through great writing.
Yusef Komunyakaa is best known for "Neon Vernacular", which won the Pulitzer Prize for Poetry in 1994, and for Dien Cai Dau, poems chronicling his experiences as a journalist in Vietnam. "Pleasure Dome" gathers over two and a half decades of Komunyakaa'swork, 25 early uncollected poems and 18 new poems.
Lyric poetry has long been regarded as the intensely private, emotional expression of individuals, powerful precisely because it draws readers into personal worlds. But who, exactly, is the "I" in a lyric poem, and how is it created? In Lyric Poetry, Mutlu Blasing argues that the individual in a lyric is only a virtual entity and that lyric poetry takes its power from the public, emotional power of language itself. In the first major new theory of the lyric to be put forward in decades, Blasing proposes that lyric poetry is a public discourse deeply rooted in the mother tongue. She looks to poetic, linguistic, and psychoanalytic theory to help unravel the intricate historical processes that generate speaking subjects, and concludes that lyric forms convey both personal and communal emotional histories in language. Focusing on the work of such diverse twentieth-century American poets as T. S. Eliot, Ezra Pound, Wallace Stevens, and Anne Sexton, Blasing demonstrates the ways that the lyric "I" speaks, from first to last, as a creation of poetic language.
A groundbreaking anthology of well-known female poets that broadens traditional notions of erotic poetry.
"For thirty-five years Gary Barwin has been opening up new ways of being in poetry. In this long-awaited new and selected collection, For It Is a Pleasure and a Surprise to Breathe, Barwin and his editor, Alessandro Porco, have drawn from his extensive writings in previously published books, chapbooks, small press works, magazine and journal publications, including unpublishing and uncollected works to create this category-defying book. Over the course of the collection Barwin uses a variety of forms and styles to explore themes from aesthetic investigations to questions of identity and culture, from ecopoetics to questions of language. Throughout Barwin stretches language to its fullest extent, whether he's exploring alternative translations or working with images as poems; he continually moves readers from surprise to delight."--
Alex Dimitrov’s third book, Love and Other Poems, is full of praise for the world we live in. Taking time as an overarching structure—specifically, the twelve months of the year—Dimitrov elevates the everyday, and speaks directly to the reader as if the poem were a phone call or a text message. From the personal to the cosmos, the moon to New York City, the speaker is convinced that love is “our best invention.” Dimitrov doesn’t resist joy, even in despair. These poems are curious about who we are as people and shamelessly interested in hope.